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Article: Jazz in Long Form

The Great Hall: Perseverance Society Hall and the Beginnings of Jazz, Part 2

Read "The Great Hall: Perseverance Society Hall and the Beginnings of Jazz, Part 2" reviewed by Jon Sheckler

by Jon Sheckler

Part 1 | Part 2 | Part 3 Part 2: The BuildersBenevolence societies were staples of urban culture across the United States. New immigrants were encouraged to register at organizations which would help them find housing, employment, and serve as lenders and insurers. Known as benevolent societies or mutual aid associations, an element of ...

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Article: Jazz in Long Form

The Great Hall: Perseverance Society Hall and the Beginnings of Jazz, Part 1

Read "The Great Hall: Perseverance Society Hall and the Beginnings of Jazz, Part 1" reviewed by Jon Sheckler

by Jon Sheckler

Part 1 | Part 2 | Part 3Part 1: The Hurricane At 11:55 AM on August 29th, 2021, Hurricane Ida made landfall. Winds that topped 160 MPH started to make their way up the state of Louisiana from Port Fuchone. The Category 4 storm, the fifth strongest to make landfall in United States history, ...

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Article: Jazz in Long Form

Roots to Branches: Broadway, Jazz, and David Bowie?

Read "Roots to Branches: Broadway, Jazz, and David Bowie?" reviewed by Kurt Ellenberger

by Kurt Ellenberger

In 10th grade, I had a classmate in my French class named Morvan, whom I didn't know at all (in fact, I doubt I ever ever talked to her). She was quiet and introverted but also somewhat defiant and aloof. She always dressed in what was quite outlandish fashion at the time. She was somewhere in ...

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Article: Jazz in Long Form

Twin Sons from Different Mothers: Harmonic Convergence in Jazz and Classical Music, Part 4: "The Neapolitan 6th Chord in Jazz and Classical Music"

Read "Twin Sons from Different Mothers: Harmonic Convergence in Jazz and Classical Music, Part 4: "The Neapolitan 6th Chord in Jazz and Classical Music"" reviewed by Kurt Ellenberger

by Kurt Ellenberger

Part 1 | Part 2 | Part 3 | Part 4 IV: The Neapolitan 6th Chord in Classical Music and Jazz The “Neapolitan 6th" chord (N6) is another sonority whose definition is based on the triad that it makes, which is a vertical perspective that glosses over its actual horizontal function. It ...

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Article: Jazz in Long Form

Twin Sons from Different Mothers: Harmonic Convergence in Jazz and Classical Music, Part 3: "Augmented 6th Chords in Classical And Jazz"

Read "Twin Sons from Different Mothers: Harmonic Convergence in Jazz and Classical Music, Part 3: "Augmented 6th Chords in Classical And Jazz"" reviewed by Kurt Ellenberger

by Kurt Ellenberger

Part 1 | Part 2 | Part 3 | Part 4 III. Augmented 6th Chords in Classical Music and Jazz Classical music has its own version of the tritone sub, which, of course, predated the jazz version. It results from the outer voices (usually soprano and bass) moving in contrary motion into ...

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Article: Jazz in Long Form

Jazz Fest Deemed A Success (Three Years In A Row): A Look Back At The Virginia Beach Jazz Festival 1959-1961

Read "Jazz Fest Deemed A Success (Three Years In A Row): A Look Back At The Virginia Beach Jazz Festival 1959-1961" reviewed by Troy Hoffman

by Troy Hoffman

They say that music is the “great communicator," and if so then jazz is the most fluent. Just a few miles away from the famous jazz club, The Jolly Roger, in Virginia Beach, the Robert E. Lee Amphitheater was newly built to seat 2,000 and was the location of the area's first Virginia Beach Jazz Festival ...

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Article: Jazz in Long Form

Twin Sons from Different Mothers?: Harmonic Convergence in Jazz and Classical Music, Part 2: "Tritone Substitutions"

Read "Twin Sons from Different Mothers?: Harmonic Convergence in Jazz and Classical Music, Part 2: "Tritone Substitutions"" reviewed by Kurt Ellenberger

by Kurt Ellenberger

Part 1 | Part 2 | Part 3 | Part 4 II. Twin Sons from Different Mothers: Tritone Substitutions There are two types of chords that feature dominant 7th sonorities--in jazz, they are called “tritone substitutions," and in classical, they are called “augmented 6th chords." We don't know ...

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Article: Jazz in Long Form

Twin Sons from Different Mothers?: Harmonic Convergence in Jazz and Classical Music, Part 1: "The Blues"

Read "Twin Sons from Different Mothers?: Harmonic Convergence in Jazz and Classical Music, Part 1: "The Blues"" reviewed by Kurt Ellenberger

by Kurt Ellenberger

Part 1 | Part 2 | Part 3 | Part 4 Introduction In my article about Harmony and the Harmonic Series, I suggest that the relationship and tension between the dominant and the tonic is the engine of all harmonic activity in tonal music. In that article, to keep it as clear ...

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Article: Jazz in Long Form

From Showboat-to-Samba: Transculturation of Brazilian Music in America

Read "From Showboat-to-Samba: Transculturation of Brazilian Music in America" reviewed by Troy Hoffman

by Troy Hoffman

By 1957, jazz music was fully stretching out and the bossa nova movement was one of the many impacts. American artists of all types had been expanding their knowledge of international cultures for quite some time, specifically Latin countries and the musical rhythms driving them--one of the earliest being Cuban culture, which began popularizing in the ...

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Article: Jazz in Long Form

Second Line For The Second Time: The Curious Tale Of A Rhythm Reborn

Read "Second Line For The Second Time: The Curious Tale Of A Rhythm Reborn" reviewed by Kurt Ellenberger

by Kurt Ellenberger

In New Orleans in the late 1800s, the precursors to jazz were forming in the brass bands that performed on the streets for parades, funerals, and other events. These groups featured brass and percussion and were followed by crowds who marched behind them in the parades and processions. The rhythms played by the percussion were a ...


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