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Ben Haugland: A Million Dreams
by David A. Orthmann
During the course of A Million Dreams, pianist Ben Haugland's second date as a leader, most of the trappings of a typical mainstream jazz record are present and easy to identify. Not unlike a lot of young leaders who are fusing their own creative aspirations with an allegiance to the tradition, Haugland penned four of the ...
Chris Smith: At The Intersection Of Scholarship, Performance and Pedagogy
by David A. Orthmann
In the introduction to his book Jazz Matters (University Of California Press, 2010), David Ake writes about bringing “together the practical side of making jazz, the pedagogical side of teaching it, and the academic side of writing about it." (p. 12) “Nothing but good," Ake adds, “can come if we increase the numbers of scholars who ...
Nate Radley: Morphoses
by Ian Patterson
It took Nate Radley a while to graduate from sideman/band member to leader, but The Big Eyes (Fresh Sound New Talent, 2012) was an impressive debut that called for a quick follow-up. Happily, Radley seems to be on a roll. Carillon (Steeplechase, 2013) pitted Radley alongside Ted Poor, Chris Cheek and Matt Clohesy on an eclectic ...
Phil Markowitz/Zach Brock: Perpetuity
by Dan Bilawsky
The debut collaboration between veteran pianist Phil Markowitz and rising star violinist Zach Brock focuses on a shared love of questioning and questing through sound(s). Each man brings five originals to the table for this project, and most of them serve to highlight their common interest(s) in angular exploration, dovetailing designs, and scenarios that encourage searching. ...
Michael Brecker: Now You See It...(Now You Don't)
by John Kelman
Michael Brecker Now You See It...(Now You Don't)MCA1990 Today's Rediscovery is Now You See It...(Now You Don't), by saxophone giant Michael Brecker. After the one-two punch of his first two recordings as a leader (excluding his 1982 collaboration with Claus Ogerman, Cityscape)-- Michael Brecker (Impulse!, 1987) and Don't Try ...
Maria Schneider Orchestra at Jazz Standard
by Dan Bilawsky
Maria Schneider Orchestra Jazz Standard New York, NY November 25, 2014 Thanksgiving is a time to reflect, rejoice, regroup, and remember all that we have to be thankful for. In the jazz world, the Maria Schneider Orchestra always ranks at the top of that last category. For ...
Frank Kimbrough: Quartet
by Dan Bilawsky
The majority of pianist Frank Kimbrough's albums have focused on the piano trio format, but he's certainly willing to try other things; he made that clear by recording in a duo with vibraphonist Joe Locke on more than one occasion, putting together a bass-less quartet for Noumena (Soul Note, 2000), and going it alone on Air ...
Oz Noy: The Twisted Wizardry Of Oz
by Ian Patterson
Any blues played by Oz Noy would have to be a little twisted. Drawing on influences ranging from the classic jazz guitarists of yesteryear to the trailblazers of more recent vintage, Noy's instantly recognizable voice is also heavily influenced by blues and heavy metal guitarists. Two and a half years have passed since Twisted ...
Oz Noy: Twisted Blues Volume 2
by Ian Patterson
Two and a half years on from Twisted Blues Volume 1, guitar ace Oz Noy returns with another incendiary serving of jazz-inflected blues. In the intervening period Noy has hardly been idle, releasing a couple of instructional DVDs and touring regularly but his return to the recording studio with his blues bag is certainly welcome. As ...
Jeff Hirshfield on Rich Perry's SteepleChase Recordings
by David A. Orthmann
"Some drummers get carried away and stop listening, maybe because we are doing four or five things at the same time. You want to see if things will work out or not, but you're not paying enough attention...We think we need to make everything happen, but it's not true: Everything is already happening, all you need ...
