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Jan Johansson with Georg Riedel: in Hamburg

by Bruce Lindsay
Scandinavian jazz? It started with the Esbjorn Svensson Trio, didn't it? Well, no. It goes back many years further. As in Hamburg demonstrates emphatically, two early stars of Swedish jazz, pianist Jan Johansson and bassist Georg Riedel, could cut it with the best of the '60s jazz world, as instrumentalists and as composers. This beautiful album, ...
Thailand International Jazz Conference, January 28-30, 2011

by Ian Patterson
Thailand International Jazz Conference Mahidol University School of Music Bangkok, Thailand January 28-30, 2011It's almost impossible to go anywhere in Thailand without hearing music at all hours: people sing for their own enjoyment as they go about their daily business, displaying a lack of inhibition generally absent in ...
2010 Jarasum Jazz Festival, Gapeyong, South Korea

by Ian Patterson
Jarasum International Jazz Festival Jarasum Island, Gapeyong, South Korea October 15-17, 2010Jarasum International Jazz Festival was almost washed out by rain in its first edition in 2004, and after only three editions founder and director J.J. InSouth Korea's premier concert promotertook the bold step of selling his house to meet debts and ...
Mads Vinding: Bubbles & Ballads / Bass & Bones

by Chris Mosey
With the death of Niels-Henning Ørsted Pedersen in 2005, the keys to the kingdom of double bass playing in Denmark passed at long last to Mads Vinding. Only two years separated the two men--Pedersen was born in 1946, Vinding in 1948--but young" Vinding always found himself in the giant shadow cast by Pedersen. ...
Hans Backenroth: Bassic Instinct

by Chris Mosey
Attempts to free the double-bass from its role as purely a rhythm instrument began in 1939, when Jimmy Blanton, a young bassist from St. Louis, joined the Duke Ellington Orchestra. For the next two years, until Blanton's tragic death from tuberculosis, he and Duke did things with the instrument that had never been done before. The ...
Siegfried Loch: 50 Years on the Music-Making Scene
by R.J. DeLuke
With a half-century in the music recording business, Siegfried Loch, known to friends and associates as Siggi, has had a huge impact on the jazz music scene in Europe. Jazz isn't the only thing he's been involved in as a producer over all those years, but having his own jazz label--ACT Music, based in Munich, Germany--was ...
Francesco Turrisi: Si Dolce e il Tormento

by Ian Patterson
Turin-born Francesco Turrisi has been something of a breath of fresh air on the Irish music scene since arriving on the emerald isle in 2006. In a short time he has earned a reputation as an excellent jazz pianist, percussionist and accordionist; an original voice. He can be found playing in the ebullient Balkan-flavored Yurodny, or ...
Punkt Festival 2009: Day 4, Kristiansand, Norway, September 5, 2009

by John Kelman
Day 1 | Day 2 | Day 3 | Day 4 For its fifth year, Punkt Festival's evening programming was, more than any other, organized around clearer thematic lines, although that still meant a considerably broader purview than most other festivals--and, of course, there was the occasional exception. The first day spotlighted up-and-coming talent; ...
Jacob Karlzon: Heat / Improvisational Three

by Chris Mosey
Jacob Karlzon is one of the most interesting pianists on today's Swedish jazz scene--percussive, intense, yet capable of great lyricism. Unwilling to be pigeonholed, he plays in a great many different constellations, most visibly with vocalist Viktoria Tolstoy, great granddaughter of Leo, for whom he composes and arranges. At the age of 39, Karlzon has already ...
Jean-Simon Maurin Trio and Elin Wrede: Djupa Andetag

by Chris Mosey
Djupa Andetag means deep breaths" in Swedish. They're something that can be easily taken in the unpolluted atmosphere of Scandinavia. And at its best, Jean-Simon Maurin's music--light and lyrical, greatly influenced by pianist Bill Evans--is as fresh as a Baltic summer breeze. There's introspection but--perhaps because of his French ancestry--none of the brooding melancholy that is ...