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52

Article: Extended Analysis

Keith Jarrett / Charlie Haden: Last Dance

Read "Keith Jarrett / Charlie Haden: Last Dance" reviewed by John Kelman


For the past 30 years--barring a few diversions into classical repertoire, unexpected instrumentation like 1986's Book of Ways and a couple of home-cooked solo albums that, as with the 1986 recording No End (ECM, 2013), were out-of-character recordings where he overdubbed all the instruments himself--pianist Keith Jarrett has been working two contexts and two contexts only: ...

34

Article: Live Review

Mai Jazz 2014

Read "Mai Jazz 2014" reviewed by John Kelman


Mai Jazz 2014 Stavanger, Norway May 6-11, 2014 After visiting Norway as often as four or five times annually, a first trip to the country in early May is surprisingly late for a first visit of the year. The last time visiting the west coast city of Stavanger was in 2008, part ...

14

Article: Interview

Linley Hamilton: Right On The Wavelength

Read "Linley Hamilton: Right On The Wavelength" reviewed by Ian Patterson


Trumpeter Linley Hamilton has been a mainstay of the Northern Irish jazz scene for well over two decades. An in-demand session musician, Hamilton has played on over a hundred recordings of various stripes, lending his burnished tone to rock and pop artists and singer-songwriters alike. But it's as a jazz musician, jazz educator, jazz radio broadcaster, ...

8

Article: Live Review

Bray Jazz Festival 2014

Read "Bray Jazz Festival 2014" reviewed by Ian Patterson


Bray Jazz festival Various venues Bray, County Wicklow Ireland May 2-4, 2014 It was an auspicious day. Fifteen years ago to the very day George Jacob introduced the first gig in the history of Bray Jazz Festival. The BJF has survived and prospered, growing from a small, largely national ...

5

Article: Album Review

Obara International: Live at Manggha

Read "Live at Manggha" reviewed by Eyal Hareuveni


The sophomore release of Polish-Norwegian quartet Obara International, led by rising Polish alto saxophonist Maciej Obara, solidifies his affinity with cool Nordic jazz. The group is not only the powerful rhythm section of resourceful Norwegians--double bassist Ole Morten Vågan and drummer Gard Nilssen. Lush phrasing by Obara himself and emphatic, profound interplay rounded out by the ...

12

Article: Extended Analysis

Ola Kvernberg Trio: Northern Tapes

Read "Ola Kvernberg Trio: Northern Tapes" reviewed by John Kelman


It's been three years since Ola Kvernberg released the ambitious Liarbird (Jazzland, 2011), a studio document of his 2010 Molde International Jazz Festival commission where guest Joshua Redman was recruited for the live performance, but where, far more than a ringer for Kvernberg, Redman was clearly awestruck by this virtuosic young violinist/composer. It's not that Kvernberg ...

4

Article: Extended Analysis

David Bach: Otherworld

Read "David Bach: Otherworld" reviewed by Geannine Reid


Like the famous composer from whom Bach shares his last name, the Washington, D.C.--Baltimore--Michigan based pianist David Bach has a deep love for the piano and melodic music is the theme on his CD, Otherworld. “My parents never had to ask me to practice," says Bach of his formative encounters with the piano. “I just sat ...

11

Article: Interview

Hans Ulrik: Still Searching

Read "Hans Ulrik: Still Searching" reviewed by Robin Arends


It is not easy to classify Danish saxophonist Hans Ulrik. He dedicates himself as easily to movie soundtracks and jingles as to an album of Latin or Christmas music. At the same time it is not difficult to recognize Ulrik's dreamy, Nordic voice. Like other European jazz musicians Ulrik started his career in the United States. ...

7

Article: Take Five With...

Take Five With Billy Carrion Jr.

Read "Take Five With Billy Carrion Jr." reviewed by AAJ Staff


Meet Billy Carrion Jr: I've been around music since I was in my mother's womb. My dad-- singer, Billy Carrion Sr. --would play sounds of Batacumbele through headphones over my mom's belly. My first saxophone experience came at nine. After being taught to read and write, I started my musical journey. At 16, I was ...

21

Article: Extended Analysis

Keith Jarrett: Arbour Zena

Read "Keith Jarrett: Arbour Zena" reviewed by John Kelman


Given his overall focus on just two projects over the past three decades--with the exception of relatively rare diversions into the classical world or recordings like Jasmine (2010), an intimate duo date with bassist Charlie Haden--it's easy to forget that there was a time when pianist Keith Jarrett was not just one of the most innovative ...


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