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Mr. Sipp: Knock A Hole In It

by James Nadal
Castro Coleman has an extensive and impressive resume as a guitarist and producer in the gospel genre, having appeared, in a variety of guises, on over fifty records. In 2013, he reinvented himself as Mr. Sipp, diving headfirst into the blues scene, producing It's My Guitar, the following year, as a result of his own efforts. ...
Rakkatak: Small Pieces

by James Nadal
The Indian sitar literally burst upon the Western popular music scene when George Harrison, of The Beatles, first played it on Norwegian Wood, (This Bird Has Flown)" in 1965. This recording brought about an unprecedented interest in Indian music and musicians, as well as the accompanying culture and religion, which Harrison openly embraced. So, it was ...
Luis Munoz: The Dead Man

by James Nadal
In a thought-provoking concept of intertwining a short story by Uruguayan writer Horacio Quiroga, with a personal near-death experience set to music, drummer/composer Luis Muñoz offers The Dead Man, as a lesson in living life in the present moment, for that is all there is. Muñoz has been quite productive over the past few ...
Valentin Caamaño: Green With Envy

by James Nadal
Nearly forty years after his death, guitarist Grant Green is finally receiving the credit and recognition which eluded him during his lifetime. Besides having a distinctive and identifiable style, Green was the most prolific artist on the Blue Note label during the 1960's. His '61 recording of Green Street, contains the track Green With Envy, selected ...
Carmen Lundy: Code Noir
by James Nadal
Being a genuine jazz singer requires a dedicated focus on sincerity, enhanced individuality, and a commitment to honoring tradition. With Code Noir, songstress extraordinaire Carmen Lundy reveals herself as a gifted griotte, a female singer of praises, exploring the musical and emotional realms encompassing the African diaspora through the music of Black America. As ...
Vaneese Thomas: The Long Journey Home

by James Nadal
With an inherited musical talent, and a professional recording career going back over thirty years, vocalist Vaneese Thomas has appropriately titled her latest release The Long Journey Home, home being her Memphis roots of blues, gospel, and soul. Her last release Blues For My Father, (2014 Segue Records) was an emotional tribute to her father, legendary ...
Michel Sajrawy: Floating City

by James Nadal
In his ongoing quest to create a singular jazz alignment bridging traditional and contemporary music of his homeland, Israeli guitarist Michel Sajrawy explores the multicultural background of the city of Nazareth, in Floating City. Though Jerusalem gets all the headlines and global attention, Nazareth stands apart as a city epitomizing co-existence in a region ravaged by ...
Steve Khan: Backlog

by James Nadal
In what could best be described as an enduring exploration, Steve Khan has undertaken the role of expanding and redefining the role of the guitar in the hybrid genre of Latin Jazz. Backlog continues with the concept established as far back as 2005 on The Green Field (Tone Center), in the transformation of straight-ahead jazz compositions ...
Ruthie Foster: Joy Comes Back

by James Nadal
To prove the point that one can go home again, Ruthie Foster returned to the small church in Caldwell, Texas, where she began, singing hymns in the choir, in search of inspiration for Joy Comes Back. For Foster, singing gospel and soul is a birthright, blues and country her second nature; the vast Americana musical landscape ...
Thornetta Davis: Honest Woman

by James Nadal
Twenty years might seem like a long time in between records, but for blues singer Thornetta Davis, it's always been about getting it right. Started to sing at age fifteen, joined several bands as vocalist, released Sunday Morning Music in 1996. Fast forward to today and Honest Woman reveals Davis as a mature, commanding vocalist, introspective ...