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Reed Rapture In Brooklyn: A Box Set Of Woodwind Duets With Ivo Perelman
by Hrayr Attarian
One of the 20th century's musical geniuses, saxophonist Charlie Parker said “Music is your own experience, your thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you that music has boundaries. But, man, there's no boundary line to art." This statement on unbridled creativity applies perfectly to saxophonist ...
Herbie Hancock: An Essential Top Ten Albums
by Chris May
The title of Herbie Hancock's 1973 hit single “Chameleon," pulled from his jazz-funk monster Head Hunters (Columbia), was an apt one. Hancock had already undergone several transformations: from the blues-and-gospel-infused vibe of his Blue Note debut, Takin' Off (1962), to more experimentally inclined Blue Note albums in the mid-to-late 1960s, and on to his early 1970s ...
Jazz Musician of the Day: James Carter
All About Jazz is celebrating James Carter's birthday today! Sometimes it takes an extraordinary talent to inspire an unprecedented piece of music. For Puerto Rican-born composer Roberto Sierra, the epiphany struck in the midst of a tenor saxophone solo by James Carter, who was appearing as the featured soloist with legendary soprano Kathleen Battle. Long fascinated ...
Kenny Garrett: The Value of Ancestors
by R.J. DeLuke
Saxophonist Kenny Garrett has always respected the music of his predecessors. He knows its importance. He knows the value of the tradition, knowledge and innovation passed on to new generations of musicians. He's recorded, for example, dedications to John Coltrane (Pursuance, Warner Bros., 1996), as well as Joe Henderson and Sonny Rollins (Trilogy, Warner ...
From Aimless to Activist, Bassist Kevin Ray Lands on Higher Ground
by Karl Ackermann
Bassist Kevin Ray has recorded or played with John Stubblefield, Oliver Lake, Greg Osby, Andrew Hill, Marty Ehrlich, Elliott Sharp, John Hicks, Hamiet Bluiett and Nels Cline. Ray has performed in the premieres of works by Joe McPhee, Leroy Jenkins and others. The bassist co-leads the adventurous trio 10³²K's with trombonist/trumpeter Frank Lacy, percussionist Andrew Drury ...
Jazz Musician of the Day: James Carter
All About Jazz is celebrating James Carter's birthday today! Sometimes it takes an extraordinary talent to inspire an unprecedented piece of music. For Puerto Rican-born composer Roberto Sierra, the epiphany struck in the midst of a tenor saxophone solo by James Carter, who was appearing as the featured soloist with legendary soprano Kathleen Battle. Long fascinated ...
Meet Marc Cohn
by Marc Cohn
Meet Marc A. Cohn Dr. Cohn is a New Yorker-in-exile and has been doing jazz radio as an avocation since 1967. He is Professor Emeritus in Seed Biology at Louisiana State University, where he has won numerous teaching awards. He is a widely recognized authority on seed dormancy, is Editor Emeritus of Seed Science Research (the ...
Virtual Concert Celebrates the 2020 NEA Jazz Masters on August 20, 2020
The National Endowment for the Arts, in collaboration with SFJAZZ, will host a special online-only concert in honor of the 2020 NEA Jazz Masters—Dorthaan Kirk (A.B. Spellman Jazz Masters Fellowship for Jazz Advocacy), Bobby McFerrin, Roscoe Mitchell, and Reggie Workman—on Thursday, August 20, 2020 at 8:00 p.m. ET/5:00 p.m. PT. 2017 NEA Jazz Master Dee Dee ...
Highlights of Jazz in the Early 1990s (1987 - 1994)
by Russell Perry
This is the 95th of 100 programs in the Jazz at 100 series. For 94 programs, we have moved on a roughly chronological path through 100 years of jazz recordings, following trends, introducing major players and stylistic evolutions. As we approach the present, we face the historian's dilemma: in more recent music, what performances will have ...
About James Carter
Instrument: Saxophone, tenor
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James Carter
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Sometimes it takes an extraordinary talent to inspire an unprecedented piece of music. For Puerto Rican-born composer Roberto Sierra, the epiphany struck in the midst of a tenor saxophone solo by James Carter, who was appearing as the featured soloist with legendary soprano Kathleen Battle. Long fascinated by the horn, Sierra immediately realized he had encountered a master capable of playing anything he could imagine. Working closely with Carter over several months, he composed a four-part concerto that seamlessly integrates the forms and harmonic language of contemporary classical music, Latin rhythms, and jazz’s improvisational imperative
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