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David Murray Big Band @ Birdland, NYC, from Jan. 18 to 22
From January 18 to 22 at 8.30pm and 11.00pm Reservations: birdlandjazz.com or 212-581-3080 David Murray began writing for big band in 1978 in preparation for a concert at the Public Theatre in New York. At this time Loft Jazz was in full swing and David had surfaced as one of the progenitors of the ...
Will Vinson: Planted and Growing in New York
by R.J. DeLuke
Like many musicians of his generation, growing up in the rock-and pop-dominated 1980s, saxophonist Will Vinson got his indoctrination to jazz from the sounds emanating from the stereo system in his home, hearing the likes of Dave Brubeck, Duke Ellington and Count Basie from his father's record collection. He took a liking to them. Especially Basie, ...
The Either/Orchestra turns 25 on December 17, 2010!
For a quarter century, the Massachusetts-based ten-piece E/O has been exploring the borders of jazz, redefining what it means to be a “big band," expanding the palette of the jazz combo and building bridges between yesterday's jazz and tomorrow's. Founder/leader Russ Gershon's background and sensibility intertwine jazz with decades of American popular music; the group's travels ...
Take Five With Matt Slocum
by AAJ Staff
Meet Matt Slocum:“Matt Slocum's multicolored traps--at times forceful or delicate, creatively painting varied tempos with the essence of swing--define the drummer's debut, Portraits. Hailing from St. Paul, Minnesota, Slocum's introduction carries forward the torch of patriarchs Max Roach and Elvin Jones amongst others, but he also carves out his own rhythmic patterns with young ...
Matt Slocum: Portraits
by Mark F. Turner
Matt Slocum's multicolored traps--at times forceful or delicate, creatively painting varied tempos with the essence of swing--define the drummer's debut, Portraits. Hailing from St. Paul, Minnesota, Slocum's introduction carries forward the torch of patriarchs Max Roach and Elvin Jones amongst others, but he also carves out his own rhythmic patterns with young contemporaries such as Eric ...
Jazz Musician of the Day: Jaleel Shaw
All About Jazz is celebrating Jaleel Shaw's birthday today! JAZZ MUSICIAN OF THE DAY Jaleel ShawJaleel Shaw, alto saxophonist, is currently a member of the Roy Haynes Quartet, Charles Mingus Big Band, and performs in various clubs in New York City and abroad with various groups, including the Jaleel ...
January 2010
by AAJ Staff
Michael Attias BarbesBrooklyn, NY December 3, 2009Michael Attias is known for his work on alto and baritone saxophones, but on the new Clean Feed disc Renku In Coimbra he plays only alto. This was his game plan too at Barbes (Dec. 3rd), where he gathered together his Renku trio with ...
Matt Slocum: Portraits
by Terrell Kent Holmes
Drummer Matt Slocum makes a memorable debut with Portraits, an eloquent and sophisticated collection of mostly original compositions, interpreted smartly by the leader, pianist Gerald Clayton and bassist Massimo Biolcati. The trio tunes here define crispness and diversity, whether it's Clayton's nimble piano on “Cambria," Slocum's quicksilver drumming on the workout “Shadows" or ...
Saxophonist Hailey Niswanger Tapped for Alto Chair in Either/Orchestra - Berklee Sophomore Also on NPR's Jazzset Starting 10/01
(Boston, MA - September 28, 2009) Saxophonist Hailey Niswanger (pronounced NICE-wonger), a 19-year-old sophomore studying jazz performance at the Berklee College of Music in Boston on a full scholarship, has been selected as the new alto saxophonist in the Either/Orchestra, saxophonist Russ Gershon, the founder and music director of the Cambridge, MA-based band announced today. Miss ...
Tanglewood Jazz Festival 2009, Lenox, MA
by R.J. DeLuke
Tanglewood Jazz FestivalLenox, MassachusettsSeptember 4-6, 2009 The annual Tanglewood Jazz Festival in western Massachusetts has become an intriguing mix of music over the years, its programming taking into account jazz masters, as well as young talent, and projects that are as new or at least a bit different; something that isn't experienced everywhere ...
