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Chad Taylor: Myths and Music Education
by Jakob Baekgaard
Few drummers know how to use rhythms like Chad Taylor. He makes the drum set sing melodies and paints different hues and shades on the cymbals and skins. He can play inside and outside and has performed with musicians like saxophonists Fred Anderson, Pharoah Sanders and James Brandon Lewis, pianists Cooper-Moore and Angelica Sanchez, guitarists Jeff ...
The Art of the Quintet: Voro Garcia and Magnus Thuelund
by Jakob Baekgaard
A good form is hard to find, but the quintet offers plenty of variety in terms of musical texture and yet has the intimacy that a larger band often misses. Here are two artists who both take full advantage of the format of the quintet. Both are leaders who write their own tunes, and both are ...
The Eclectic Sounds of ears&eyes
by Jakob Baekgaard
Whereas some record labels try to limit their aesthetic to a certain sound, others take pride in challenging the conventions of genre. Matthew Golombisky, the founder of ears&eyes Records, belongs to the latter category. His philosophy is very clear, as he points out in the label profile that can be read on this site: “My motto ...
A Selection of Jazz on Sonorama
by Jakob Baekgaard
A good record is not just an album, it is a story, and few people understand this better than Ekkehart Fleischhammer, who runs Sonorama. The label specializes in reissues and discoveries of lost jazz classics, library music, funk and soul. Every release is a labor of love and the albums in the following batch all include ...
Two Sides of Marc Copland: Quartet and Solo
by Jakob Baekgaard
Anyone interested in discovering the fascinating story of pianist Marc Copland should start out by reading John Kelman's excellent article: “Marc Copland: Growth Through Collaboration" (2005). It follows the trajectory of an artist that has evolved immensely throughout his career, with the most radical change being the shift in instrument from saxophone to piano. This shift ...
Paula Shocron: Paths to a New Sound
by Jakob Baekgaard
When Werner X. Uehlinger, the founder of Hat Hut Records, was asked about a statement on why he liked Argentinian pianist Paula Shocron's music, the answer was clear, short and succinct: “The quality of surprise." Uehlinger discovered Shocron's music through her work with the SLD Trio and he liked their debut Anfitrión so much that the ...
Matthew Shipp: Zero
by Jakob Baekgaard
Playing improvised solo piano is essentially a conundrum. Where do you start and when does a form emerge? Music begins as sounds and a composition could be the shaping of those sounds, but what about silence and the thing that comes before sound? Avantgarde-composer, John Cage, famously framed the sound of silence on his composition “4'33" ...
Hailu Mergia: Lala Belu
by Jakob Baekgaard
Sometimes a story comes full circle in the most unexpected way. Ethiopian keyboard and accordion maestro, Hailu Mergia, has enjoyed a well-deserved renaissance with the reissues of his classic albums on Brian Shimkovitz' label Awesome Tapes from Africa: Hailu Mergia & His Classical Instrument: Shemonmuanaye, Tche Belew and Wede Harer Guzo. However, Mergia ...
Morten Haugshøj Group: The Street Doctor
by Jakob Baekgaard
Even though Danish guitarist Morten Haugshøj has been a familiar presence on the jazz scene in Aarhus for a long time, his album The Street Doctor feels like a new a beginning. Perhaps it has something to do with the stylish cover art drawn by illustrator and pianist, Simon Eskildsen, who also plays on the album. ...
Michael Adkins Quartet: Flaneur
by Jakob Baekgaard
Canadian saxophonist Michael Adkins' third album, and his second on Hat Hut, Flaneur, arrives in a shroud of mystery. Back in 2008, Adkins released his debut for Hat Hut records, Rotator, but as it is turns out, he recorded another album the same year. It seems incredibly prolific, but it took ten years before it was ...
