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Abdullah Ibrahim: Perpetual Change
by Ian Patterson
For legendary pianist/composer Abdullah Ibrahim, music is always in a state of evolution. This philosophy is common to nearly all great composers, from [pianist] Duke Ellington to [trumpeter] Miles Davis and from [saxophonist] John Coltrane and [pianist] Ahmad Jamal to [guitarist] Bill Frisell. A piece of music is born, it grows and gradually matures but it ...
Benjamin Drazen: Inner Flights
by A. Lienhard
Alto saxophonist Benjamin Drazen has been plying his trade around Manhattan's network of small jazz bars--places like 55 Bar, Smalls, and The Garage--for over a decade. At long last, the New York native unveils his debut outing, Inner Flights. In a program of mostly original music, Drazen consistently delivers strong post-Coltrane fire, with a sound that ...
Jackie McLean: New Soil
by Greg Simmons
Jackie McLean's New Soil, is not the most acclaimed album in the classic Blue Note catalogue, but this 1959 release deserves more attention that it gets, being supremely well-played, well-written and--within the limitations of its time--well-recorded. This vinyl reissue, remastered from the original tapes by the good folks at Acous-Tech, is part of a series of ...
Stanley Clarke: Path Maker
by Esther Berlanga-Ryan
Innovation is a cherished quality in any art form and, truth be told, some follow greatness while others create the patterns that make that same greatness possible. There are teachers, and then, there are students. In jazz, musicians skilled in all sorts of instruments tend to look at their older peers in amazement, and challenges within ...
Russ Gershon: Time Traveler, Four Million Years Later
by Ian Patterson
Twenty-five years is a long time in jazz. When saxophonist/composer/bandleader Russ Gershon founded the Either/Orchestra back in 1985, trumpeter Miles Davis was on the crest of his jazz/funk comeback wave, and the so-called Young Lions movement fronted by trumpeter Wynton Marsalis was coming into prominence, just as Weather Report--the last of the great '70s fusion bands--was ...
Either/Orchestra's Russ Gershon Interviewed at All About Jazz...and More!
Twenty-five years is a long time in jazz. When saxophonist/composer/bandleader Russ Gershon founded the Either/Orchestra back in 1985, trumpeter Miles Davis was on the crest of his jazz/funk comeback wave, and the so-called Young Lions movement fronted by trumpeter Wynton Marsalis was coming into prominence, just as Weather Report—the last of the great '70s fusion bands—was ...
Take Five With Kelly Powers
by AAJ Staff
Meet Kelly Powers:Pianist Kelly Powers has performed with the Cab Calloway Orchestra, the Artie Shaw Orchestra, Steve Davis, Nat Reeves, Jack Jeffers and the New York Classics, George Gee Swing Orchestra and Travis Sullivan's Björkestra, among others. Her playing has been showcased in numerous New York City venues including Smoke Jazz Club, Cleopatra's Needle, ...
Accurate Records: Growing Out of Boston
by Jakob Baekgaard
In the age of globalization, when almost every musician churns out his or her own record digitally, the boundary between being a one-man business and a record company is porous. However, while many of the new labels remain dedicated to a small circle of artists, there is also the more rarified example of the musician-based label ...
Take Five With Mike DiRubbo
by AAJ Staff
Meet Mike DiRubbo:Born on July 25, 1970 in New Haven, Connecticut, Mike DiRubbo began his musical life as a junior high school clarinetist, and switched to alto saxophone at 12. A primarily self-taught saxophonist, he developed into a talented instrumentalist drawn inexorably to the notion of improvising. At a high school band concert, Mike ...
Oliver Lake Solo: San Diego, December 17, 2010
by Robert Bush
Oliver Lake Sushi Performance and Visual Arts San Diego, CA December 17, 2010 Saxophonist, composer, poet and painter Oliver Lake stands at the top of his profession alongside such giants as his contemporaries, multi-instrumentalists Anthony Braxton, and Roscoe Mitchell. His solo concert at Sushi Performance and Visual Arts was the ...
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