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Article: Album Review

The Global Jazz Orchestra: Global Warming / Globarhythm

Read "Global Warming / Globarhythm" reviewed by Jack Bowers


One day, about a dozen or so years ago, a slender, unassuming Japanese man stood at a booth at the far end of an exhibit hall at an annual conference of the (now-defunct) International Association of Jazz Educators (IAJE). Answering a question posed by a writer looking for big-band CDs to review, he said, in halting ...

1

Article: Album Review

New Zealand School of Music Big Band: Too Cool

Read "Too Cool" reviewed by Jack Bowers


While the latest CD by the splendid New Zealand School of Music Big Band may not be Too Cool, it's definitely chilly enough to demand that the average listener wear earmuffs while sampling its frigid yet at the same time fiery bill of fare. Blues got you down? A few bars of the orchestra's sunny curtain-raiser, ...

4

Article: Album Review

Mike LeDonne: AwwlRight!

Read "AwwlRight!" reviewed by Jack Bowers


On AwwlRight!, his eighth outing at the Hammond B3 for Savant Records, pianist-turned-organist Mike LeDonne uses the same personnel and prescription that have worked so well for him in the past, guiding his sure-handed Groover Quartet through its paces in a series of bracing tunes that are all but guaranteed to quicken the mind and enliven ...

5

Article: Album Review

Roberto Magris: Enigmatix

Read "Enigmatix" reviewed by Jack Bowers


As a showcase for Italian-born pianist Roberto Magris' exceptional talents, Enigmatix works quite well. Magris, who has devoted several albums to the music of others (Lee Morgan, Elmo Hope, Cannonball Adderley) and shared center stage with saxophonists Herb Geller and Sam Reed on others, turns the spotlight on himself and his keyboard this time around in ...

2

Article: Album Review

Giacomo Gates: Everything Is Cool

Read "Everything Is Cool" reviewed by Jack Bowers


Giacomo Gates was almost forty years old when someone suggested that he try his hand at singing. Luckily for the rest of us, Gates thought that was a good idea, moved to New York City later that year (1989) and began singing in clubs. Six years later Gates recorded his first CD, Blue Skies, and Everything ...

4

Article: Album Review

Steve Washington: Right to Love

Read "Right to Love" reviewed by Jack Bowers


Steve Washington is a versatile and personable singer, the kind you might hear in a lounge, bar or bistro and think to yourself, “Hey, he's pretty good." And he is. Pretty good, that is. On the other hand, he's not a singer whose name you're likely to see at the top of any charts, jazz or ...

8

Article: Album Review

Larry Newcomb Quartet: Live Intentionally!

Read "Live Intentionally!" reviewed by Jack Bowers


New York-based guitarist Larry Newcomb says his latest album was recorded “live"--but don't hold your breath waiting for the sound of applause. As it turns out, the CD was recorded “live" at Tom Tedesco Studios in Paramus, NJ. Using that as a measuring stick, it could be argued that every album is recorded “live" if the ...

5

Article: Album Review

Matt Panayides: Conduits

Read "Conduits" reviewed by Jack Bowers


Conduits, Matt Panayides' second album as a leader, pairs his resilient guitar on the front line with the reliable tenor saxophonist Rich Perry, ably supported by bassist Thomson Kneeland and drummer Mark Ferber. In spite of its esoteric name, the album is unshakably bright and accessible, with everyone abiding by Panayides' muse and playing their roles ...

5

Article: Album Review

Robert Sabin: Humanity Part II

Read "Humanity Part II" reviewed by Jack Bowers


Although Humanity Part II, the oracular title of bassist Robert Sabin's new album, may summon images of a Mel Brooks parody (Part I must have slipped past us), the music itself is decidedly serious. In the liner notes, wherein he references Albert Camus, Ennio Morricone, John Carpenter, Ingmar Bergman, Maurice Ravel and Dario Argento, Sabin makes ...

16

Article: Album Review

Jennifer Leitham: Mood (S)wings

Read "Mood (S)wings" reviewed by Jack Bowers


One of the rules of thumb in jazz is that hardly anyone ever looks forward to a bass solo. Rules, however, were made to be broken, and a case in point is multi-talented Jennifer Leitham whose solos on Mood (S)wings are nimble, well-crafted and consistently engaging--in other words, worth looking forward to. Not that anything less ...


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