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Ido Bukelman / Daniel Davidovsky / Ofer Bymel: EFT II
by Eyal Hareuveni
The sophomore release of the Israeli Electro Free Trio--EFT-- continues where the impressive debut (OutNow Recordings, 2011) stopped. An aggressive and experimental hybridization of spontaneous, free improvised approaches, real-time electronics who draw inspiration from noise and industrial music, all spiced with references to progressive and metal rock. This tough blend of sounds was solidified in many ...
Farthest South: Omens & Talismans
by Eyal Hareuveni
Farthest South is a new alternative Israeli band, comprised of a core trio from the alternative Tel Aviv Scene that attempts to challenge its formative musical experience by playing spontaneous, on-the-spot music. The three-- Guitarist Barry Berko has a background in alternative rock and contemporary music; bassist Yair Yona played in psychedelic rock and folk music ...
Yitzhak Yedid: Arabic Violin Bass Trio: Suite In Four Movements
by Eyal Hareuveni
Australia-based, Israeli composer and pianist Yitzhak Yedid continues his noble endeavor to integrate classical Arabic music, Arabic-influenced Jewish music and contemporary Western classical music, all performed with enough room for improvisation, into a new tradition. Yedid began to work on this inclusive, universal musical concept previously with the extended suite Oud Bass Piano Trio (Between the ...
Michel Sajrawy: Arabop
by James Nadal
Arabian music is distinguished by its historical documentation as far back as the seventh century. If performed and heard today, it is readily identifiable for its distinct configuration or format, based on maqamat (modes) and jins (sets of notes), which provide its unique ethnic sound. Enter into this equation guitarist Michel Sajrawy, who catapults Arabian-derived music ...
Frode Gjerstad & Ståle Liavik Solberg: Jerusalem, Israel, June 28, 2012
by Eyal Hareuveni
Frode Gjerstad & Ståle Liavik Solberg Uganda Jerusalem, Israel June 28, 2012 The best way to experience free improvised music is live, close to the musicians--and if possible, in small places. The Uganda club in Jerusalem turned out to be a perfect space for Norwegian reed player and ...
