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Uberjamming with John Scofield
by Mike Brannon
From the 1995-2003 archive: This article first appeared at All About Jazz in March 2002. “Uberjam." Literally: “over all jam," translates to 'groove above all' on this true band effort, Scofield's latest recorded outing. You'll likely see this title described as anything from groove...techno...ambient...world...trance... to acid...and back again, but like MMW, it's unique in ...
Benjamin Boone: The Poetry of Jazz and the Ghanaian Connection
by Duncan Heining
So, Down Beat picks your record, The Poetry of Jazz, as one of its year-end top three. You put out a second volume, which is similarly well-received. Now here's the conundrum. Do you lock into the niche and follow up with more of the same? Or do you go for broke with that program masterpiece you ...
Jimmy Cobb (1929-2020)
Jimmy Cobb, a drummer whose sensitive, smoldering touch on Miles Davis albums such as Kind of Blue and Some Day My Prince Will Come gave the trumpeter's masterful sextet and quintet a sheer, elegant quality, died on May 24. He was 91. Jimmy began his recording career on Dinah Washington 78s in the late 1940s followed ...
James Harrod: Stars of Jazz
For those who regularly roam YouTube, you've probably come across audio and video clips of a 1950s TV show called Stars of Jazz. Of all the TV jazz show, it was easily the most relaxed and hippest. Beyond the title, you probably know that singer-songwriter and composer Bobby Troup was the show's host. And that's likely ...
Maxine Gordon on Dexter Gordon
Dexter Gordon was a remarkable tenor saxophonist. A towering, dashing figure with an embracing smile and a wry sense of humor, Gordon was a powerful player whose bebop approach was equally assertive and romantic. [Photo above of Maxine Gordon by Fiona Ross, courtesy of Maxine Gordon] A bebop star in Los Angeles in the late 1940s, ...
Interview: Nelson Riddle, 1982
In 1982, WNEW radio host Jonathan Schwartz conducted a superb interview with arranger Nelson Riddle, who was 61 at the time. Superb, because rather than impatiently thinking only of his next question, Schwartz was listening to Riddle and was shrewd enough to pepper his guest with cogent followup questions. Here's the complete interview: Here's Part 1... ...
Jimmy Heath (1926-2020)
Jimmy Heath, a tenor saxophonist with exceptional gifts as a composer, arranger and player who spent critical years of the 1950s in prison for the sale of drugs but rebuilt his career in the 1960s and beyond, died on January 19. He was 93. Nicknamed “Little Bird" for his Parker-like fluidity when he played alto saxophone ...
Vic Juris: Tension and Release
by Victor L. Schermer
This article was first published at All About Jazz on July 28, 2009. Vic Juris is one of the premier jazz guitarists in the business today. Perhaps less known than some of his peers, he is nevertheless admired by all of them and has accumulated, since his emergence on the scene in the 1970s, ...
The Value Of Merch For Today's Working Artist With Joey Stucky [INTERVIEW]
![The Value Of Merch For Today's Working Artist With Joey Stucky [INTERVIEW]](https://s3.amazonaws.com/allaboutjazz/photos/logo/hypebotlogo2015.jpg){kind=logo}
Here award-winning musician, personality, and engineer Joey Stuckey discusses the success of his music and the important role merch plays in branding his act and drawing in valuable revenue. Guest post from Disc Makers Blog Being blind hasn’t stopped Joey Stuckey from living a life of intention, joy, and music-making. He also helps design and sell ...
Gary Burton on Larry Bunker
As one of Hollywood's most in-demand percussionists, Larry Bunker recorded hundreds of jazz and soundtrack albums. But always as a sideman. Remarkably, Bunker recorded just one album as a leader: Larry Bunker Quartette: Live at Shelly's Manne-Hole, in December 1963. Recorded first and then picked up by the Vault label in Los Angeles in 1965, the ...
