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241

News: Interview

Jazz Pianist Hiromi Travels Light on Her New Solo Album

Jazz Pianist Hiromi Travels Light on Her New Solo Album

By Tad Hendrickson About a month ago, I reviewed an Oscar Peterson tribute that took place at Carnegie Hall. It was a night of wonderful music from pianists Kenny Baron, Roger Kellaway and Hiromi Uehara in solo performances. The darling of the night was the Japanese lady who came off as a sort of jazz artist ...

116

News: Interview

Interview: Gunther Schuller (Part 4)

Interview: Gunther Schuller (Part 4)

Gunther Schuller has composed more than 160 original classical and jazz-classical works. In 1994, he won the Pulitzer Prize for Of Reminiscences and Recollections, a memorial composition for his wife, Marjorie Black. Gunther also is the winner of many other awards, including Columbia University's William Schuman Award for lifetime achievement in American music composition. And then ...

265

News: Interview

Compatible Quotes: On Bud Powell

Compatible Quotes: On Bud Powell

No one could play like Bud; too difficult, too quick, incredible!--Thelonious Monk Bud is a genius.--Charlie Parker Bud is a genuine genius.--Duke Ellington He laid down the basis of modern jazz piano.--Dizzy Gillespie Bud was the most brilliant that a spirit might be, a unique genius in our culture.--Max RoachHe was the foundation out of which ...

115

News: Interview

Interview: Gunther Schuller (Part 3)

Interview: Gunther Schuller (Part 3)

Between 1955 and 1957, Gunther Schuller participated in three fascinating jazz recordings: the Modern Jazz Society (Verve) with John Lewis, Gigi Gryce's Nica's Tempo (Signal) and Birth of the Third Stream (Columbia), which featured music recorded at the 1957 Brandeis Jazz Festival. Each explored jazz-classical concepts, though Nica's Tempo owed more to the linear sound of ...

1,287

Article: Interview

Bill Royston: The History of a Festival

Read "Bill Royston: The History of a Festival" reviewed by Lloyd N. Peterson Jr.


It is a passion and responsibility that no one takes as serious as they do; and they do it knowing that little, if any acknowledgment will come their way. They are the festival promoters and artistic directors of this music we call Jazz.And though it's a music that has always had its up and ...

Article: Interview

Kurt Rosenwinkel: riflessioni da Berlino

Read "Kurt Rosenwinkel: riflessioni da Berlino" reviewed by AAJ Italy Staff


Intervista di Franz A. Matzner Ormai riconosciuto come uno dei più importanti artisti Jazz del panorama contemporaneo, Kurt Rosenwinkel si è costruito una fama di innovatore e sperimentatore indefesso grazie alla sua maestria chitarristica. Ha sviluppato un suono unico in anni di ricerche e affinamenti, e oggi si è guadagnato una posizione di tutto rispetto sia ...

136

News: Interview

Interview: Gunther Schuller (Part 2)

Interview: Gunther Schuller (Part 2)

The more Gunther Schuller explored the New York arts scene in the late 1940s, the more he gravitated toward jazz. As a young, advanced French hornist with the city's Metropolitan Opera Orchestra, Gunther related completely to the creative enthusiasm, explosive excitement and brilliance of the bebop musicians he heard in the clubs and in concert. When ...

362

News: Interview

Kim Burrell Relaunches Career at Bet Honors

Primarily known as a Gospel Jazz Artist, Kim Burrell could be considered one of the hardest working vocalists in her industry with more than 180 performances in one year. For Ms. Burrell, this New Year will represent many new platforms for her career not only as an incomparable vocalist, but as an entertainer whose brand value ...

650

Article: Interview

Joanne Brackeen: Phenomenal Capacity

Read "Joanne Brackeen: Phenomenal Capacity" reviewed by Russ Musto


One of the most heralded pianists of her era, JoAnne Brackeen came to New York in 1965 after cutting her chops jamming with the likes of Teddy Edwards, Harold Land, Charles Lloyd and Dexter Gordon during the waning days of the Central Avenue scene in her native California. After a few dues-paying years here, she landed ...

114

News: Interview

Interview: Gunther Schuller (Part 1)

Interview: Gunther Schuller (Part 1)

Gunther Schuller is the eminence grise of the jazz-classical movement. Gunther began playing French horn professionally in 1941 with the New York Philharmonic Orchestra at age 16. He then played with the American Ballet Theater and the Cincinnati Symphony Orchestra before becoming principal horn in New York's Metropolitan Opera Orchestra from 1945 to 1959. In 1950, ...


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