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89

News: Interview

Vocalist Barb Jungr Interviewed at AAJ

Vocalist Barb Jungr Interviewed at AAJ

Singer Barb Jungr is on a roll at present. In March 2009 she and accompanist Simon Wallace played for the first time at Caf Carlyle, in New York City, presenting a show entitled “The Men I Love" which featured songs by the likes of Bob Dylan, Leonard Cohen, Bruce Springsteen, Todd Rundgren and Neil Diamond. The ...

1,502

Article: Interview

Barb Jungr: Smart, Sassy, Sexy

Read "Barb Jungr: Smart, Sassy, Sexy" reviewed by John Eyles


Singer Barb Jungr is on a roll at present. In March 2009 she and accompanist Simon Wallace played for the first time at Café Carlyle, in New York City, presenting a show entitled “The Men I Love" which featured songs by the likes of Bob Dylan, Leonard Cohen, Bruce Springsteen, Todd Rundgren and Neil Diamond. The ...

123

News: Interview

Saxophonist Craig Handy Interviewed at AAJ

Saxophonist Craig Handy Interviewed at AAJ

Saxophonist Craig Handy is a musician's musician. Those “in the know" know about him, which is why he's been a first call player in New York for over two decades. He is a careful, thoughtful improviser--expansive and precise. His solos build on a rich knowledge of the tradition at the same time as they often set ...

1,574

Article: Interview

Craig Handy: The Busiest Man In Jazz

Read "Craig Handy: The Busiest Man In Jazz" reviewed by Robert Dugan


Saxophonist Craig Handy is a musician's musician. Those “in the know" know about him, which is why he's been a first call player in New York for over two decades. He is a careful, thoughtful improviser—expansive and precise. His solos build on a rich knowledge of the tradition at the same time as they often set ...

1

Article: Interview

Intervista a Cristina Mazza

Read "Intervista a Cristina Mazza" reviewed by AAJ Italy Staff


Nata a Milano ma veronese a tutti gli effetti, Cristina Mazza è stata la prima sassofonista italiana ad operare professionalmente in ambito jazz, già sul finire degli anni settanta. Diplomata al conservatorio di Bologna, è stata influenzata nello stile da Miles Davis ed Ornette Coleman. Dagli anni Ottanta ad oggi ha registrato sette dischi da leader ...

107

News: Interview

Audience Friendly? Check Maurice Brown...

Audience Friendly? Check Maurice Brown...

Trumpeter Maurice Brown has been one to watch for more than a minute.  Early on, courtesy of his Hip to Bop release it was apparent that here was a young artist intent on filtering his jazz-steeped improvisations through the prism of the music of his life hip hop, funk, and a healthy sense of “I love ...

54

News: Interview

Other Places: A Brubeck Jazz Profile

Other Places: A Brubeck Jazz Profile

On his excellent blog, Jazz Profiles, Steve Cerra's new subject is Dave Brubeck. He is taking for his text the extensive booklet notes I wrote for the four-CD Brubeck box called Time Signatures: A Career Retrospecitve. When it popped up today, I read the essay for the first time in years. To adapt what Paul Desmond ...

86

News: Interview

Interview: George Avakian (Part 5)

Interview: George Avakian (Part 5)

Columbia's first 12-inch jazz LP was George Avakian's idea. In 1950, when company president Ted Wallerstein played George a test pressing of Benny Goodman's band live in 1938, George knew instantly what he was listening to: Goodman's famed Carnegie Hall concert, which had been languishing in a closet and had never been released in its entirety. ...

89

News: Interview

The Disco Biscuits Change the Anthem

By: Brian Bavosa The Disco Biscuits It's only hours before the lineup announcement for Camp Bisco 9 as I speak with bassist Marc Brownstein. A world-renowned festival hosted by The Disco Biscuits which originated in 1999, the annual event has seen its share of evolution over the years. Built slowly upon the roots of a regional ...

77

News: Interview

Interview: George Avakian (Part 4)

Interview: George Avakian (Part 4)

By the mid-1950s, George Avakian was a record-industry rainmaker. As head of Columbia's Pop Album Department, George had enormous power. When he decided to sign talent, there was no question about whether the artist had the chops or stamina. Both were a given, since George had sized up both carefully in advance. The only question that ...


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