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104

News: Interview

Pipi Piazzolla: How the Crisis Changed Argentine Jazz

A lot of Argentine jazz musicians have told me about the profound effect the economic crisis of 2001-2002 had on their lives. Pipi Piazzolla, however, was the man who seemed to most fully grasp the crisis's economic and cultural impact. After hearing Piazzolla allude to the legacy of the crisis during one of Escalandrúm's shows, I ...

135

News: Interview

Pipi Piazzolla: Rhythm Class

Pipi Piazzolla is the leader of the band Escalandrúm, a damn fine drummer, and probably the most omnipresent musician on the Buenos Aires scene. Want to find Pipi? Go to Thelonious and he'll probably being playing, regardless of which band is on stage. Eric Benson: Escalandrúm changed its sound in the early 2000s. What was the ...

131

News: Interview

Juan Cruz de Urquiza: Quinteto Urbano and Beyond

In the late 90s and early aughts, trumpeter Juan Cruz de Urquiza led Quinteto Urbano, one of the bands that inaugurated the new Argentine jazz. He remains one of the most prominent players in Buenos Aires. Eric Benson: What's changed in Argentine jazz over the last ten years? Juan Cruz de Urquiza: A new kind of ...

114

News: Interview

Richard Nant: Berklee and the Group Concept

Trumpeter and percussionist Richard Nant grew up in the mountainous province of Cordoba, studied at Berklee with Guillermo Klein and Juan Cruz de Urquiza, and leads one of Buenos Aires's best and longest-running jazz groups, Argentos. Eric Benson: When did this jazz movement start? Richard Nant: It's hard to find the point of departure. There was ...

111

News: Interview

Seca and Lucas Cutaia: The Thelonious Mystique

There are no jazz club owners in New York like Seca and Lucas Cutaia, the brother-proprietors of Thelonious. They're good businessmen; they're chummy with nearly every player on the scene; and they moonlight as rock musicians. One could be forgiven for initially mistaking them for too-hip-by-half DJ-impresarios, but the truth is that they're far more interested ...

1,277

Article: Interview

John Tilbury: A Strong Emotional Response To Music

Read "John Tilbury: A Strong Emotional Response To Music" reviewed by John Eyles

by John Eyles

Pianist John Tilbury is renowned not only for his work in AMM and his other improvising, but also as a peerless interpreter of such contemporary composers as Morton Feldman, John Cage, Christian Wolff and Howard Skempton. He is uniquely well positioned to reflect on the similarities and contrasts between improvising and playing repertoire. ...

65

News: Interview

Pianist John Tilbury Interviewed at All About Jazz

Pianist John Tilbury Interviewed at All About Jazz

Pianist John Tilbury is renowned not only for his work in AMM and his other improvising, but also as a peerless interpreter of such contemporary composers as Morton Feldman, John Cage, Christian Wolff and Howard Skempton. He is uniquely well positioned to reflect on the similarities and contrasts between improvising and playing repertoire. Tilbury's biography of ...

99

News: Interview

Angelique Kidjo: Daughter of Independence

Angelique Kidjo: Daughter of Independence

By Angelique Kidjo Like a true revolutionary, I was born on Bastille Day (July 14), 1960, in Dahomey, which was then a part of the French Empire in West Africa. A few days later, on August 1st, 50 years ago this month, my country was declared independent: I was French for just 18 days! It is ...

969

Article: Interview

Jeff Berlin: Still the Ace of Bass

Read "Jeff Berlin: Still the Ace of Bass" reviewed by John Patten

by John Patten

Through the course of a four-decade career, Jeff Berlin has refused to end his musical quest. He crafted a popping, percussive style so thoroughly ingrained in the recordings of the 1980s, it's nearly ubiquitous. His work with Bill Bruford, whom he met during a stint with Yes, led to further innovations in playing.More recently, ...

469

News: Interview

Remembering Abbey Lincoln: August 6, 1930 - August 14, 2010

Remembering Abbey Lincoln: August 6, 1930 - August 14, 2010

I met Abbey Lincoln in the early 1970's in Watts and interviewed her for the Soul and Jazz Record Magazine in 1976. Here are some excerpts from that interview. You may not recognize the name “Aminada Moseka" but the moment you see those bright, brown eyes twinkling from beneathe a cluster of beaded braids; as soon ...


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