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Efforts to Prevent Piracy Destined to Fail - It's Hard to Police People at Home [interview]
This is part two of my interview with Joe Cox. He is an economist at of the University of Portsmouth. He recently published a paper titled Seeders, leechers and social norms: Evidence from the market for illicit digital downloading and proclaimed that file-sharers see themselves as the Robin Hoods of the digital age. In this interview, ...
Latin Jazz Conversations: Paquito D'Rivera (Part 3)
An artist's drive to bring their musical vision to fruition can be a powerful force, often moving them to make drastic changes in their life. Early ventures into musical expression build an artistic foundation and focus their attention upon a single stylistic direction. Most environments allow an individual to make these strides towards a musical career, ...
Tony Bennett, San Francisco and Me
A week before Christmas I was in San Francisco to interview Orrin Keepnews for the Wall Street Journal. While I was there, I stayed overnight at the Fairmont, which has to be the city's most stately and grand hotel. Perched high atop Nob Hill overlooking the city and bay, the Fairmont opened in 1907 and has ...
An Interview with DFTBA Records Co-Founder Alan Lastufka on the Culture of Youtube
This is part two of my interview with Alan Lastufka. He's co-founder of the digital label DFTBA Records with Hank Green and author of YouTube: An Insider's Guide to Climbing the Charts. He's also a successful musician, graphic designer, and YouTuber, among many other things. After news broke that DFTBA Records had cleared $1 million in sales in two years, Hypebot got in ...
Walter Smith III: Redefining a New Era in Jazz
The rich airy transparent sound is what identifies rising modern tenor saxophonist Walter Smith III. His music explores the many different avenues in jazz and introduces a new melodic perspective. When he plays, his creativity is made apparent through his ability to incorporate new musical ideas and undercover a unique relationship between harmonic and rhythmic composition. ...
Notes from the Net: Miles Biopic Moves Ahead, Oliver Lake's Solo Set, Plus News, Reviews, Interviews, and More
Here's the latest compilation of assorted news briefs and links related to jazz, improvisation, and creative music in St. Louis, including news of musicians originally from the Gateway City, recent visitors, and coming attractions, plus assorted other items of interest: In recent Miles Davis-related news, Miles Davis Online looks at what's ahead for the trumpeter's legacy ...
Orrin Keepnews, Jazz Master
What makes Orrin Keepnews special? As I point out in my Wall Street Journal profile today here, the 87-year-old former Riverside Records producer is arguably responsible for some of jazz's greatest recordings. Through his vision and encouragement, Riverside recorded many of the finest jazz works by Thelonious Monk, Bill Evans, Cannonball Adderley, Wes Montgomery and so ...
An Interview with DFTBA Records Co-Founder Alan Lastufka on Running a Digital Music Label
Recently, I spoke with Alan Lastufka, who is co-founder of the digital label DFTBA Records with Hank Green and author of YouTube: An Insider's Guide to Climbing the Charts. He's also a successful musician, graphic designer, and YouTuber, among many other things. After news broke that DFTBA Records had cleared $1 million in sales in two ...
How Oversaturation Hurts the Touring Industry
In an interview with Subba-Culcha, Jim Root of Slipknot and Stone Sour got asked his opinion on the state of the music industry and the devaluation of recorded music. As someone who hasn't left the road in almost 11 years, Root knows all too well that touring is the only way to make money from music. ...
Darius Jones: From Johnny Hodges To Noise Jazz
by AAJ Staff
Alto saxophonist Darius Jones--who won most critics' nomination for the best jazz newcomer album of 2009 for Man'ish Boy (A Raw And Beautiful Thing) (AUM Fidelity, 2009)--is a great fan of Johnny Hodges. He says that the lyrical Duke Ellington altoist is his hero, and this is pleasantly noticeable at the beginning of Man'ish Boy. It ...


