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Interview: Don Sebesky (Part 2)
In the late '60s and '70s, Don Sebesky was one of the most in-demand jazz arrangers in the record business. His close working relationship with Creed Taylor and CTI Records resulted in 45 albums. Among them were George Benson's White Rabbit, Kenny Burrell's God Bless the Child and Stanley Turrentine's The Sugar Man. Don also was ...
Reed/Woodwind Multi-Instrumentalist Charles Pillow Interviewed at All About Jazz
Charles Pillow is a musician's musician who works with diverse ensembles from jazz to pops to classical, small group to large ensemble, straight-ahead to avant-garde. He grew up in Baton Rouge, La., and studied music at the Eastman School of Music in Rochester, before eventually settling in the New York City area as a working professional. ...
Notes from the Net: Still More Miles to Cover; Brubeck on the Mend; Plus News, Reviews, Interviews, and More
Here's the latest compilation of assorted news briefs and links related to jazz, improvisation, and creative music in St. Louis, including news of musicians originally from the Gateway City, recent visitors, and coming attractions, plus assorted other items of interest: Starting with some Miles Davis news, here's a recent article by PopMatters.com's Will Layman that asks, ...
Kenton Declares Jazz is Finished
Six months before Stan Kenton recorded Kenton Plays Wagner, the bandleader let jazz have it in an April 1964 Down Beat article. Like the January 1964 Granz interview that I posted yesterday, Kenton blamed jazz's woes on folk—a rather quaint scapegoat of choice among one-time jazz powers. Folk surged in popularity in the 1950s but never ...
Ticketfly CEO: New Business Opportunities Emerged from Ticketmaster, Live Nation Merger
Recently, I spoke with Andrew Dreskin, who is CEO of Ticketfly, an independent ticketing and social marketing platform. In this interview, Dreskin talks about the talent bubble in the live music sector and how social media has changed the way that concerts are marketed. Hypebot: What new opportunities emerged from the Ticketmaster and Live Nation merger? ...
The Kindie Music Scene: Marketing Music to Kids
This is part two of my interview segment with Debbie Cavalier, who's a children's entertainer and vocalist for Debbie and Friends, a kindie music group. She's also Dean of Continuing Education and Chief Academic Officer at Berklee College of Music. Joining Cavalier in this interview is Beth Blenz-Clucas. She's the founder of Sugarmountain PR, a firm ...
Happy Birthday, Jimmy Smith!
Jimmy Smith is the acknowledged master of the Hammond B-3 organ. In fact, the B-3 is the only instrument in jazz on which you'd find so little disagreement about who was the greatest player. And Smith took up the instrument relatively late. Smith was born on this date in 1925 (although some members of his family ...
Latin Jazz Conversations: Samuel Quinto (Part 1)
Our early years put a lot of pieces in place for us artistically, but they never cement our musical future into place. The sights and sounds of our childhood certainly stay with us, building an unconscious foundation for our future endeavors. They become a comfort zone and the measuring stick for all the music that we ...
Interview: Don Sebesky (Part 1)
Arranger Don Sebesky is among only a handful of musicians today who toured and recorded with both Stan Kenton and Maynard Ferguson's big bands at the tail end of the '50s. Don also arranged Wes Montgomery's most popular recordings for Verve and A&M in the '60s, and in the '70s arranged and conducted many of CTI's ...
Daniel Lanois: The Blacker the Dub, the Sweeter the Juice
By Dennis Cook Infusing music with soul is no easy task. And we're not talking some stock R&B thing, this is soul in the archetypal sense—the invisible, overarching embodiment of things beyond the world we can see and taste. Soul in music is what makes it more than ditties meant to shift units and pass the ...
