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Tim Nikolsky: Getting Real Down Under
by Ian Patterson
Australian jazz? Although New Orleans is the undisputed historical cradle of jazz, any attempt at a definition of what modern jazz is seems to crash against the rocks of uncertainty at best, and narrow mindedness at worst. Tim Nikolsky--a guitarist who has been part of the Melbourne jazz scene for a decade--agrees that, whilst it is ...
Aaron Diehl
In a section of a Hank Jones master class DVD that was a 2008 Doug's Pick, Jones critiqued budding jazz pianists. One of them was a 21-year-old Julliard graduate named Aaron Diehl. For Jones, Diehl played “I Cover The Waterfront" and Art Tatum's arrangement of Massenet's “Elegy." Apart from a slight reservation about Diehl's use of ...
Medeski Martin and Wood Celebrate 20 Years of Groundbreaking Jazz
Jazz bands have their own kind of dynamic. Usually there is a band leader who writes all or most of the tunes, and the group size is listed after the name, hence the Miles Davis Quintet or the Bill Evans Trio. It's jazz shorthand that tells fans more or less what to expect when they are ...
Michael Bisio: Stepping Into the Limelight
by Gregory Applegate Edwards
Bassist Michael Bisio has become an increasingly visual and aural presence on the jazz/improvisation scene in the time since he moved from the west coast to New York. Yet he has been a significant contributor in jazz circles for years, and success was no overnight thing. Among other ongoing associations, Bisio is currently the bassist in ...
Jay Anderson: Driving the Bus
by Ian Patterson
The term “sideman" really doesn't do justice to bassist Jay Anderson, as his beautifully melodic, lyrical lines and in-the-pocket-grooves lift and shape any music that he is a part of. And while the term “journeyman" holds some truth--Anderson has played with a huge number of people--one glance at his extensive discography reveals that most of the ...
Intervista a Rhys Chatham
by AAJ Italy Staff
Rhys Chatham è un personaggio. Peculiare. Complesso. In perenne ricerca. Dunque eclettico. Dispersivo e concentrato, a seconda. È una figura chiave per capire un pezzo, e che grande!, della musica d'avanguardia contemporanea, in particolare newyorchese. Un mix, come potete leggere, che in una sola voce (che sia tromba o chitarra poco importa) fa confluire pezzi diversi ...
Albam from the Archives
One Monday night in the '70s, I found myself seated at a table in the Village Vanguard with Manny Albam, listening to the Thad Jones-Mel Lewis Jazz Orchestra. During a break, I said to him, “I wonder why you haven't written something for this band." “So do I," he said. To my knowledge, Albam never did ...
Casey Abrams: New American Idol Contestant is a Messenger with a Jazz Message
Before last Wednesday, I was like more than a few music fans in my instinctive dislike of the American Idol phenomenon. Cheap and showy, lowest-common-denominator entertainment, it was created in the same terrifying cauldron that Fox's 1989 Cops voyeurism and MTV's 1992 Real World success originally inspired, and which has since produced Survivor, Big Brother, Fear ...
Something Else! Featured Artist: The Isley Brothers
In a Rock and Roll Hall of Fame career dating back to the early 1950s, the Isley Brothers stayed on the move—transforming themselves from gospel shouters to doo-woppers to early rock 'n' rollers to nasty funksters to lover-man balladeers. Of course, nowadays, you're more likely to hear their 1973 Top 10 hit “The Lady Pt. 1," ...
Creed Taylor: Impulse Years
The founding of Impulse Records in 1960 by Creed Taylor is a fascinating story. My interview with Creed in today's Wall Street Journal here looks at how he came up with the Impulse name while working as the jazz producer at ABC-Paramount. He also talks about the branding strategy behind Impulse's signature orange and black color ...
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