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3

Article: Album Review

Die Enttäuschung: Lavaman

Read "Lavaman" reviewed by Mark Corroto


It has been twenty years since Die Enttäuschung recorded the music of Thelonious Monk, but Monk continues to be an essential component of their music making. This is also the case with Steve Lacy and Roswell Rudd's music after their Monk cover band School Days (Emanem, 1975) disbanded. The concepts of Monk's music were integral in ...

6

Article: Album Review

Elliott Sharp: Err Guitar

Read "Err Guitar" reviewed by Don Phipps


Is this music from another world? Dense, complex, innovative, and chock full of improvisation, Elliott Sharp's Err Guitar seeks to establish a whole new vocabulary for the instrument. Joined by the significant guitarist Mary Halvorson and the always willing to experiment Marc Ribot, Sharp elevates the guitar trio using Stockhausen-like effects that blur rhythm and sound--offering ...

102

Article: Album Review

Alexander Hawkins / Elaine Mitchener Quartet: UpRoot

Read "UpRoot" reviewed by Glenn Astarita


Since the mid-2000s, British pianist, composer, Alexander Hawkins (Evan Parker, Chicago/London Underground) has become a force to be reckoned with, largely within Europe's exploratory progressive jazz and improvising circles. As a collaborator and solo artist, the pianist transmits a distinctive line of attack, where melody and free-form extrapolations enjoy a happy coexistence. On this studio set, ...

4

Article: Album Review

Stephan Crump / Kris Davis / Eric McPherson: Asteroidea

Read "Asteroidea" reviewed by Troy Dostert


When one hears the slightly ominous bass-register ostinato from Kris Davis's piano at the outset of the Borderlands Trio's debut album, Asteroidea, a spirit of mystery and intrigue quickly emerges. Its repetitive effect is hypnotic, and it creates the kind of mood you'd expect in classic film noir, where the unexpected is lurking right around the ...

5

Article: Album Review

Borderlands Trio: Asteroidea

Read "Asteroidea" reviewed by Mark Corroto


I'll venture a guess that the listing of the names on Borderlands Trio's cover is arranged in alphabetic order, Crump, Davis, then McPherson. That is because nothing in the performance reveals a leader, nor a dominant signature. For adventurous listeners, isn't that exactly what we want from our improvisors? Let's stick with just Borderlands ...

5

Article: Album Review

Stephan Crump / Ingrid Laubrock / Cory Smythe: Planktonic Finales

Read "Planktonic Finales" reviewed by John Sharpe


Brooklyn-based German saxophonist Ingrid Laubrock initiated the grouping, pulling together two rising talents on the New York City scene, bassist Stephan Crump and pianist Cory Smythe. A first meeting quickly ascertained compatibility and lead swiftly to a recording date. Laubrock's tale, moving from London to become one of the key figures in her adopted hometown, is ...

2

Article: Album Review

Trio Heinz Herbert: The Willisau Concert

Read "The Willisau Concert" reviewed by John Sharpe


It can't do any harm as an aspiring musician if a close relation runs a record company. But let's be clear that the young Swiss threesome Trio Heinz Herbert's appearance on the esteemed Intakt imprint is based entirely on merit, without a whiff of nepotism on the air. Right that's got that out of the way. ...

10

Article: Album Review

Tom Rainey Obliggato: Float Upstream

Read "Float Upstream" reviewed by Dan McClenaghan


Drummer Tom Rainey's reputation runs toward the “outside." His “worked with" resume speaks loudest perhaps from his collaborations with saxophonist Tim Berne--not a guy given to relaxing into a reverent take of, say,  "What's New" or “Stella By Starlight." So a set of the familiar standards from Rainey comes as a bit of a surprise.

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Article: Album Review

Aki Takase: Cherry ‎– Sakura

Read "Cherry ‎– Sakura" reviewed by John Sharpe


Twenty three years after their first studio date Blue Monk (Enja, 1993), Japanese pianist Aki Takase and American saxophonist David Murray reunite in Switzerland. There has been one live recording since, Valencia (Sound Hills, 1997), but the question remains what took them so long? The saxophone/piano axis has been a favored format for both. Murray's companions ...

2

Article: Album Review

Chris Speed: Platinum on Tap

Read "Platinum on Tap" reviewed by Geannine Reid


Saxophonist Chris Speed releases an album in a chord-less trio format entitled, Platinum on Tap on Skirl Records, a label dedicated to Brooklyn based creative music, now with over thirty-one releases. Speed is known for skirting the boundaries between: jazz, rock, electronic, classical and improvised music and the music on this project is in alignment with ...


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