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Individuation

Label: Destiny Records
Released: 2015
Track listing: Interior Designs; Guru; Me, But Not Myself; Alter Ego; Prickly; Centrifuge; You're My Mystery; Individuation: Part 1; Part 2; Part 3; Part 4; Part 5; Lifecycle.

ARTICLE: ALBUM REVIEW

Michael Eaton: Individuation

Read "Individuation" reviewed by Ben Scholz

On his debut album as a leader, saxophonist Michael Eaton presents a collection of original material featuring a rotating group of jny: New York City based musicians including Jon Crowley on Trumpet, David Liebman on Saxophone, Brad Whiteley on piano, bassists Daniel Ori and Scott Colberg, and Shareef Taher on drums. Exhibiting his artistic ...

ARTICLE: ALBUM REVIEW

Michael Eaton: Individuation

Read "Individuation" reviewed by Dan Bilawsky

Individuation, as a concept, can be seen as a parallel to the process of making music. In speaking one's own voice through an instrument and/or through composition, individuals manage to direct their imagination and unconscious into something tangible. Saxophonist Michael Eaton knows a thing or two about this, as demonstrated on his aptly-titled debut.

Individuation

Label: Unknown label
Released: 2005
Track listing: Sing a Song; Domino City; Tout de Suite; Baby Mine; Mission; Love You Tonight; Individuation; Returning

ARTICLE: ALBUM REVIEW

Thomas Marriott: Individuation

Read "Individuation" reviewed by Jack Bowers

Talk about getting off on the wrong foot. On Individuation, trumpeter Thomas Marriott (and arranger Joe Locke) turn Joe Raposo's sunny, down-to-earth melody on the opening “Sing a Song into a pretentious, dirge-like hymn that robs it of its charm and manages to make the endeavor seem much longer than its actual 5:16 playing time. Marriott ...

ARTICLE: ALBUM REVIEW

Thomas Marriott: Individuation

Read "Individuation" reviewed by John Kelman

All too often you hear that jazz is dead, that there is little of significance being created today. Maybe the playing field is just so large that it can be more difficult to identify major leaps forward than in past decades. Still, for a marginalized genre that is responsible for something like 3% of total CD ...


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