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Chicago Loves Bobby Broom
By Don Howze When it comes to jazz, Bobby Broom is the quintessential jazz guitarist and composer. Like Wynton Marsalis, Broom stands true to the history and culture of the founding pioneers of the jazz genre. Broom's style of performing with the same delicate strumming and interpretation made popular by legendary jazz guitarists Wes Montgomery and ...
Dr. Judith Schlesinger Co-Produces "Beautiful Love" With Paulinho Garcia
After a dozen years of commenting on other people's music, and the executive producing of the acclaimed 2011 Trust by the Sean Smith Quartet, All About Jazz columnist and reviewer Dr. Judith Schlesinger is once again putting her money where her mouth is. On Valentine's Day, her Shrinktunes Media, together with Paulinho Garcia's Jazzmin Records, is ...
Ari Brown: Groove Awakening
by Hrayr Attarian
It is easy to think of saxophonist Ari Brown as the heir to the late, great Chicago tenorists Von Freeman and Fred Anderson but that would not be a fair assessment. Far more than a successor, Brown is the youngest and remaining member of a powerfully unique musical triumvirate. His idiosyncratic style is equally appropriate to ...
E. Taylor Atkins: Let's Call This... Our Jazz?
by Ian Patterson
African-American vernacular or universal language? Symbol of freedom and equality, or one of nationalist ideals and bourgeois elitism? Folk music or high art? Jazz, since its earliest days, has represented many things to many people. For Professor E. Taylor Atkins, such binary ways of thinking rather over-simplify the arguments. Whereas an either or way of thinking ...
The Rempis / Daisy Duo: Second Spring
by Glenn Astarita
Second Spring is one of two concurrent releases for Chicago reedman Dave Rempis' young Aerophonics Records label. The other outing Aphelion, features the artist's regular working trio. Here, Rempis aligns with longtime kindred spirit, drummer Tim Daisy for a rather aggressive, high-impact duo framework. At times Daisy's busy and highly active drumming patterns could easily be ...
Laurenzi-Ernst-Green: Sightline
by Hrayr Attarian
Chicago based trio Laurenzi-Ernst-Green's debut Sightline is an atmospheric album filled with intriguing patterns and exuberant and elegant spontaneity. An intimate mysticism imbues this collaborative effort of seven original compositions with a modal bent. Bassist Katie Ernst's wordless vocals hauntingly echo saxophonist Dustin Laurenzi's big toned tenor on the mesmerizing “Skoops," while her resonant ...
Jeremy Steig: Flute Fever
by Dan McClenaghan
Flute Fever, the 1963 Columbia Records debut by flutist Jeremy Steig, has somehow, until now, avoided release on CD. Thanks to reissue producer Jonathan Horwich, Steig's beautifully remastered and packaged freshman recording is now available. And it's not only Steig's premier as a recording artist, it's also a recording first for pianist Denny Zeitlin, on a ...
Jack Mouse Group: Range of Motion
by Hrayr Attarian
Drummer and educator Jack Mouse has a versatile and prolific career. In addition to playing, among many others, with trumpeter Clark Terry, saxophonist James Moody and pianist Stan Kenton he has been actively involved in education as a faculty member at various institutions and as a writer for percussion magazines. His debut album Range of Motion ...
Keefe Jackson’s Likely So: A Round Goal
by Hrayr Attarian
Chicago based multi-instrumentalist and composer Keefe Jackson's intriguingly innovative live album A Round Goal is a modern choral symphony of sorts. Recorded during the Jazzwerkstatt festival in Berne Switzerland on February 20, 2013 Jackson utilizes, in lieu of human voices, woodwinds of various ranges creating brilliantly dramatic music. Western classical influences are apparent, throughout. ...
Rob Mazurek's Exploding Star Electro Acoustic Orchestra: The Space Between
by Hrayr Attarian
Musical adventurer Rob Mazurek's The Space Between is a provocative and heady fusion of sight and sound. The double disc set includes an audio CD and a DVD containing performance and multimedia artist Marianne M. Kim's haunting, abstract video accompaniment to the music. The forty-minute suite is divided conveniently, and perhaps whimsically, into eight ...
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