Results for "Hugh Masekela"
Results for pages tagged "Hugh Masekela"...
Hugh Masekela
Born:
Hugh Masekela was a world-renowned flugelhornist, trumpeter, bandleader, composer, singer and defiant political voice who remained deeply connected at home, while his international career sparkled. He was born in the town of Witbank, South Africa in 1939. At the age of 14, the deeply respected advocator of equal rights in South Africa, Father Trevor Huddleston, provided Masekela with a trumpet and, soon after, the Huddleston Jazz Band was formed. Masekela began to hone his, now signature, Afro-Jazz sound in the late 1950s during a period of intense creative collaboration, most notably performing in the 1959 musical King Kong, written by Todd Matshikiza, and, soon thereafter, as a member of the now legendary South African group, the Jazz Epistles (featuring the classic line up of Kippie Moeketsi, Abdullah Ibrahim and Jonas Gwangwa). In 1960, at the age of 21 he left South Africa to begin what would be 30 years in exile from the land of his birth
Siparia To Soweto
Label: Monk Music, Gallo Record Company
Released: 2023
Track listing: The Meeting Place; Sugar Bum Bum; Bongo Day; Love In The Cemetery; Dingolay; Esto Se Paso; Lady; Mae Mae;
Mango Tree; Radica; Roll It Gal; Dis Soca Is For You; The Meeting Place - Live Pan Version.
Yazz Ahmed with Emel and Rabih Abou-Khalil at Barbican Hall
by Chris May
Yazz Ahmed With Emel And Rabih Abou-Khalil Barbican Hall jny:London 13 December, 2022 The intersection of jazz and classical Arabic music, both of which have improvisation and rhythm at their core, has long been fertile ground for exploration. Tonight's concert featured two adepts in the field, the British-Bahraini trumpeter Yazz Ahmed ...
Gyedu-Blay Ambolley: Gyedu-Blay Ambolley And Hi-Life Jazz
by Chris May
In the beginning, that is to say the 1950s and 1960s, there were two main strands of highlife, Ghana's national dance music. One was rural based, played by ensembles using acoustic guitars and traditional percussion instruments. The other was urban based, played by bands using kit drums as well as traditional percussion, and with large horn ...
Henry Franklin: Jazz Is Dead 14
by Chris May
Adrian Younge and Ali Shaheed Muhammad's Jazz Is Dead label is a moveable feast when it comes to consistency. In its fourteen albums date, there have been some great ones, some not so great ones and a couple of duds. With bassist Henry Franklin, however, the label has come up with a blinder, its most satisfying ...
Camilla George At The MAC
by Ian Patterson
Camilla George The MAC jny:Belfast, N. Ireland June 25, 2022 It was a sell-out crowd for Camilla George's Belfast gig, the penultimate stop on a ten-date tour of Ireland. In part, this no doubt reflected people's hunger for live music after the socio-cultural privations of lockdown, but above all, it ...
Township Jazz: Unlocking The Vaults
by Chris May
Britain is often said to be the first country to have forged a style of jazz distinct from its American parent, during the late 1950s, in part through the influence of London-based players from South Asia. Closer examination of calendars and the historical record, however, shows that South Africa found its own jazz voice at the ...
Christine Kamau: Delivering Afro-Jazz Power
by Nicholas F. Mondello
In the blockbuster film, Black Panther (Marvel Studios, Walt Disney Pictures, 2018) the power of and quest for “Vibranium," an all-powerful element, plays a pivotal role. Like a latter day female T'challa (The “Black Panther") and through her music, Kenyan musician Christine Kamau delivers a unique and powerful perspective of her own, melding jazz with its ...
Summer Of Soul (...Or, When The Revolution Could Not Be Televised)
by Ian Patterson
Various Artists Summer Of Soul (...Or, When The Revolution Could Not Be Televised) Onyx Collective/Searchlight Pictures 2021 One of the most thought-provoking moments in Ahmir 'Questlove' Thompson's documentary on the 1969 Harlem Cultural Festival comes from a festival attendee, looking back from the distant perspective of half a century. “I ...
Various Artists: Indaba Is
by Chris May
There are probably several reasons why American jazz made the deep and lasting impact it did on South Africa in the 1950s. One may be that the colonial regime which was imposed on the country during Europe's pan-African nineteenth-century landgrab was among the most vicious of them all, and persisted the longest through the apartheid system ...
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