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Musician

Hugh Masekela

Born:

Hugh Masekela was a world-renowned flugelhornist, trumpeter, bandleader, composer, singer and defiant political voice who remained deeply connected at home, while his international career sparkled. He was born in the town of Witbank, South Africa in 1939. At the age of 14, the deeply respected advocator of equal rights in South Africa, Father Trevor Huddleston, provided Masekela with a trumpet and, soon after, the Huddleston Jazz Band was formed. Masekela began to hone his, now signature, Afro-Jazz sound in the late 1950s during a period of intense creative collaboration, most notably performing in the 1959 musical King Kong, written by Todd Matshikiza, and, soon thereafter, as a member of the now legendary South African group, the Jazz Epistles (featuring the classic line up of Kippie Moeketsi, Abdullah Ibrahim and Jonas Gwangwa). In 1960, at the age of 21 he left South Africa to begin what would be 30 years in exile from the land of his birth

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Article: Play This!

Hugh Masekela: Grazing In The Grass

Read "Hugh Masekela: Grazing In The Grass" reviewed by Chris May


Album

Siparia To Soweto

Label: Monk Music, Gallo Record Company
Released: 2023
Track listing: The Meeting Place; Sugar Bum Bum; Bongo Day; Love In The Cemetery; Dingolay; Esto Se Paso; Lady; Mae Mae; Mango Tree; Radica; Roll It Gal; Dis Soca Is For You; The Meeting Place - Live Pan Version.

Article: Album Review

Steve Arguelles: Here

Read "Here" reviewed by Vincenzo Roggero


In che modo ci si approccia ad una registrazione di solo batteria, se sei un batterista che non crede negli assoli di batteria? Su questa domanda le note di copertina argomentano in modo brillante, lucido, esaustivo. Il musicista in questione è Steve Arguelles veterano della più vivace scena britannica, membro fondatore dei fondamentali ...

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Article: Live Review

Yazz Ahmed with Emel and Rabih Abou-Khalil at Barbican Hall

Read "Yazz Ahmed with Emel and Rabih Abou-Khalil at Barbican Hall" reviewed by Chris May


Yazz Ahmed With Emel And Rabih Abou-Khalil Barbican Hall jny:London 13 December, 2022 The intersection of jazz and classical Arabic music, both of which have improvisation and rhythm at their core, has long been fertile ground for exploration. Tonight's concert featured two adepts in the field, the British-Bahraini trumpeter Yazz Ahmed ...

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Article: Album Review

Gyedu-Blay Ambolley: Gyedu-Blay Ambolley And Hi-Life Jazz

Read "Gyedu-Blay Ambolley And Hi-Life Jazz" reviewed by Chris May


In the beginning, that is to say the 1950s and 1960s, there were two main strands of highlife, Ghana's national dance music. One was rural based, played by ensembles using acoustic guitars and traditional percussion instruments. The other was urban based, played by bands using kit drums as well as traditional percussion, and with large horn ...

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Article: Album Review

Henry Franklin: Jazz Is Dead 14

Read "Jazz Is Dead 14" reviewed by Chris May


Adrian Younge and Ali Shaheed Muhammad's Jazz Is Dead label is a moveable feast when it comes to consistency. In its fourteen albums date, there have been some great ones, some not so great ones and a couple of duds. With bassist Henry Franklin, however, the label has come up with a blinder, its most satisfying ...

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Article: Live Review

Camilla George At The MAC

Read "Camilla George At The MAC" reviewed by Ian Patterson


Camilla George The MAC jny:Belfast, N. Ireland June 25, 2022 It was a sell-out crowd for Camilla George's Belfast gig, the penultimate stop on a ten-date tour of Ireland. In part, this no doubt reflected people's hunger for live music after the socio-cultural privations of lockdown, but above all, it ...

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Article: Multiple Reviews

Township Jazz: Unlocking The Vaults

Read "Township Jazz: Unlocking The Vaults" reviewed by Chris May


Britain is often said to be the first country to have forged a style of jazz distinct from its American parent, during the late 1950s, in part through the influence of London-based players from South Asia. Closer examination of calendars and the historical record, however, shows that South Africa found its own jazz voice at the ...

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Article: Profile

Christine Kamau: Delivering Afro-Jazz Power

Read "Christine Kamau: Delivering Afro-Jazz Power" reviewed by Nicholas F. Mondello


In the blockbuster film, Black Panther (Marvel Studios, Walt Disney Pictures, 2018) the power of and quest for “Vibranium," an all-powerful element, plays a pivotal role. Like a latter day female T'challa (The “Black Panther") and through her music, Kenyan musician Christine Kamau delivers a unique and powerful perspective of her own, melding jazz with its ...


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