Home » Search Center » Results: hubtone PR
Results for "hubtone PR"
Cuong Vu 4Tet: Change In The Air
by Dan McClenaghan
Trumpeter Cuong Vu introduced this particular 4tet in 2017, with Ballet: The Music of Michael Gibbs (RareNoiseRecords). An all star affair that included guitarist Bill Frisell, bassist Luke Bergman and drummer Ted Poor, it seemed to signal something of a gentler Cuong Vu, with a music that had a spaciousness, patience and ruminative quality that didn't ...
Jamie Saft Quartet: Blue Dream
by Doug Collette
His third fairly conventional release in a row, Blue Dream is Jamie Saft's second release of this year, followup of a sort to the splendid piano recital Solo a Genova (Rarenoise, 2018). Both titles appear subsequent to a diverse string of projects including Plymouth (Rarenoise, 2014), Red Hill (Rarenoise, 2014) and Serenity Knolls (Rarenoise, 2017), none ...
Jan Peter Schwalm: How We Fall
by Mark Sullivan
Jan Peter Schwalm is a German composer and music producer, best known for his collaborations with ambient music pioneer Brian Eno, including the album Drawn From Life (Opal, 2001). Since 2006 Schwalm has been a regular guest at Norway's Punktfestival, distinguishing himself as a live remixer. He has also developed a long- term partnership with Norwegian ...
Jamie Saft Quartet: Blue Dream
by C. Michael Bailey
If RareNoise Records has a characteristic sound as ECM Records has a characteristic sound, that sound is defined Jamie Saft. Whether it is the unholy ministry of Slobber Pup or the plaintive solo piano of his recent Solo A Genova (RareNoise, 2018), multi-instrumentalist Saft has brought Giacomo Bruzzo's and Eraldo Bernocchi's eclectic-electric British label front and ...
Kristo Rodzevski: The Rabbit and the Fallen Sycamore
by C. Michael Bailey
A glancing blow from Kristo Rodzevski's trilogy-concluding The Rabbit and the Fallen Sycamore will bring to mind a Matthew Sweet on mushrooms crossed with Morrissey in a good, if silly, mood. Preceded by Batania (Self Produced, 2015) and Bitter Almonds (Self Produced, 2017), The Rabbit completes Rodzevski's evolution into a musician capable of drawing consonance out ...
Bobby Previte: Rhapsody
by Glenn Astarita
Distinguished drummer Bobby Previte is a renaissance man who composed, arranged and penned the lyrics on this impressive program. In addition, he supplements his rhythmic contributions with various percussion implements, guitar, autoharp and harmonica. The premise behind Rhapsody relates to Previte's viewpoint about travel and marks the second in a three- part series that originated in ...
Yelena Eckemoff: Desert
by Dan McClenaghan
Pianist Yelena Eckemoff's backstory doesn't suggest the potential for a rise to the category of top level jazz pianist. But here she is, after emigrating to the U.S. from Russia with her husband--leaving her children (temporarily) and everything else (permanently) behind in 1991 to escape repression and to start a new life. Classically trained in her ...
Sonar with David Torn: Vortex
by John Kelman
It might be all too simple to explain away Sonar, the Swiss twin-guitar/bass/drums quartet now in its eighth year together, through a series of touchstones. King Crimson, by way of that band's co-founder/guitarist Robert Fripp's Guitar Craft? Check. The influence of Nik Bartsch and Don Li's innovative meshing of Steve Reich-ian minimalism with deceptively complicated polyrhythmic ...
Sonar with David Torn: Vortex
by Mark Sullivan
Swiss art rock/minimalist band Sonar have always had a way with a groove, combining repeating patterns (frequently in mixed meters) into a hypnotic blend. In this they have a lot in common with Steve Reich's Musicians (in the new-music world) and fellow Swiss Nik Bärtsch's Ronin (in the jazz world). Sonar has always sounded like a ...
Miguel de Armas: What’s to Come
by C. Michael Bailey
Well, there is a word for it. tumbao. The Urban Dictionary defines, tumbao, as “An Afro-Puerto Rican word (or African Caribbean...), which means “an indescribable African sexiness or swing." I have always wanted to know what that thing in Latin jazz is: that certain attitude and approach that runs through the body when this music is ...
