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Article: Album Review

Cuong Vu 4Tet: Change In The Air

Read "Change In The Air" reviewed by Mark Sullivan


Seattle-based trumpeter Cuong Vu continues his collaboration with guitarist Bill Frisell that began with It's Mostly Residual (AUAND, 2006). His previous 4Tet release, Ballet: The Music Of Michael Gibbs (RareNoise Records, 2017), was also made by the same personnel. But this time, instead of interpretations of an outside composer, every group member contributes compositionally, including Vu, ...

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Article: Album Review

Colin Edwin & Lorenzo Feliciati: Twinscapes Vol. 2: A Modern Approach To The Dancefloor

Read "Twinscapes Vol. 2: A Modern Approach To The Dancefloor" reviewed by Dan McClenaghan


The cover art of Twinscapes Vol. 2: A Modern Approach To The Dancefloor features what looks like a cyborg, illuminated by hot electricity on the upper portion of its visage, a face otherwise surrounded by lifeless black. The image is fitting. The album's music--from bassists Colin Edwin and Lorenzo Feliciati--celebrates the dancefloor music of the '80s. ...

6

Article: Album Review

Cuong Vu 4Tet: Change In The Air

Read "Change In The Air" reviewed by Dan McClenaghan


Trumpeter Cuong Vu introduced this particular 4tet in 2017, with Ballet: The Music of Michael Gibbs (RareNoiseRecords). An all star affair that included guitarist Bill Frisell, bassist Luke Bergman and drummer Ted Poor, it seemed to signal something of a gentler Cuong Vu, with a music that had a spaciousness, patience and ruminative quality that didn't ...

5

Article: Album Review

Jamie Saft Quartet: Blue Dream

Read "Blue Dream" reviewed by Doug Collette


His third fairly conventional release in a row, Blue Dream is Jamie Saft's second release of this year, followup of a sort to the splendid piano recital Solo a Genova (Rarenoise, 2018). Both titles appear subsequent to a diverse string of projects including Plymouth (Rarenoise, 2014), Red Hill (Rarenoise, 2014) and Serenity Knolls (Rarenoise, 2017), none ...

6

Article: Album Review

Jan Peter Schwalm: How We Fall

Read "How We Fall" reviewed by Mark Sullivan


Jan Peter Schwalm is a German composer and music producer, best known for his collaborations with ambient music pioneer Brian Eno, including the album Drawn From Life (Opal, 2001). Since 2006 Schwalm has been a regular guest at Norway's Punktfestival, distinguishing himself as a live remixer. He has also developed a long- term partnership with Norwegian ...

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Article: Album Review

Jamie Saft Quartet: Blue Dream

Read "Blue Dream" reviewed by C. Michael Bailey


If RareNoise Records has a characteristic sound as ECM Records has a characteristic sound, that sound is defined Jamie Saft. Whether it is the unholy ministry of Slobber Pup or the plaintive solo piano of his recent Solo A Genova (RareNoise, 2018), multi-instrumentalist Saft has brought Giacomo Bruzzo's and Eraldo Bernocchi's eclectic-electric British label front and ...

1

Article: Album Review

Kristo Rodzevski: The Rabbit and the Fallen Sycamore

Read "The Rabbit and the Fallen Sycamore" reviewed by C. Michael Bailey


A glancing blow from Kristo Rodzevski's trilogy-concluding The Rabbit and the Fallen Sycamore will bring to mind a Matthew Sweet on mushrooms crossed with Morrissey in a good, if silly, mood. Preceded by Batania (Self Produced, 2015) and Bitter Almonds (Self Produced, 2017), The Rabbit completes Rodzevski's evolution into a musician capable of drawing consonance out ...

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Article: Album Review

Bobby Previte: Rhapsody

Read "Rhapsody" reviewed by Glenn Astarita


Distinguished drummer Bobby Previte is a renaissance man who composed, arranged and penned the lyrics on this impressive program. In addition, he supplements his rhythmic contributions with various percussion implements, guitar, autoharp and harmonica. The premise behind Rhapsody relates to Previte's viewpoint about travel and marks the second in a three- part series that originated in ...

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Article: Album Review

Yelena Eckemoff: Desert

Read "Desert" reviewed by Dan McClenaghan


Pianist Yelena Eckemoff's backstory doesn't suggest the potential for a rise to the category of top level jazz pianist. But here she is, after emigrating to the U.S. from Russia with her husband--leaving her children (temporarily) and everything else (permanently) behind in 1991 to escape repression and to start a new life. Classically trained in her ...

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Article: Album Review

Sonar with David Torn: Vortex

Read "Vortex" reviewed by John Kelman


It might be all too simple to explain away Sonar, the Swiss twin-guitar/bass/drums quartet now in its eighth year together, through a series of touchstones. King Crimson, by way of that band's co-founder/guitarist Robert Fripp's Guitar Craft? Check. The influence of Nik Bartsch and Don Li's innovative meshing of Steve Reich-ian minimalism with deceptively complicated polyrhythmic ...


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