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Hubert Laws

Born:

Internationally renowned flutist Hubert Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres; moving effortlessly from one repertory to another. He has appeared as a soloist with the New York Philharmonic under Zubin Mehta, with the orchestras of Los Angeles, Dallas, Chicago, Cleveland, Amsterdam, Japan, Detroit and with the Stanford String Quartet. He has given annual performances at Carnegie Hall, and has performed sold out performances in the Hollywood Bowl with fellow flutist Jean-Pierre Rampal and was a member of the New York Philharmonic and Metropolitan Opera Orchestras

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Article: Opinion

Can You Judge an Album By Its Label?

Read "Can You Judge an Album By Its Label?" reviewed by Dave Hughes


This article was first published at All About Jazz in March 1999. For almost as long as there have been record labels, many labels have sought to build a reputation or a brand identity for themselves in terms of the genre of music presented on their labels or the technical quality of their product. ...

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Article: Album Review

Tima Volozh: Jubilee

Read "Jubilee" reviewed by Katchie Cartwright


Jubilee is the excellent debut release of Russian-born New York-based drummer Tima Volozh. The group was formed in March 2022, assembled for a benefit performance in response to Russia's invasion of Ukraine. The rhythm section features bassist Jerome Harris and guitarist Brad Shepik, both of whom are known for their work with drummer Paul Motian, among ...

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Article: Building a Jazz Library

Celebrating Don Sebesky, Part 1

Read "Celebrating Don Sebesky, Part 1" reviewed by Dan McClenaghan


The passing of composer/arranger Don Sebesky in April 2023, invites a revisitation of his artistry. A Manhattan School of Music-trained trombonist, Sebesky played in the big bands of Kai Winding, Claude Thornhill, Tommy Dorsey and Maynard Ferguson. But by 1960, he found that his true passion was arranging and conducting. For this, he was nominated for ...

13

Article: Album Review

Sylvie Courvoisier / Cory Smythe: The Rite of Spring: Spectre d’un songe

Read "The Rite of Spring: Spectre d’un songe" reviewed by Karl Ackermann


Two daring jazz improvisers take on a cherished hundred-year-old classical ballet masterpiece with radical roots on The Rite of Spring: Spectre d'un songe. Igor Stravinsky was fresh off the success of his 1911 “Petrushka," which radiated with the artistic atmosphere of his Russia, when in 1913 he premiered “The Rite of Spring" at the opening of ...

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Article: Journey into Jazz

Record Store Day 2023 Jazz Releases

Read "Record Store Day 2023 Jazz Releases" reviewed by Kyle Simpler


Record Store Day, which started in 2007, is a biannual event designed to promote independent record stores. Every Record Store Day drop features limited-edition vinyl releases in practically every genre of music. The releases, however, are offered on a limited basis, and they are available for one time only. As a result, collectors often wait in ...

Album

Paris Sessions 2

Label: BFM Jazz
Released: 2022
Track listing: Triste; April in Paris/Free Man in Paris; Zingaro; Isn't It a Pity; Beautiful Love; Cinema Paradiso/I Knew I Loved You; Moonlight; Pure Imagination; A Child is Born; Doralice; August Winds; You'd Be So Nice To Come Home To; Chorado.

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Article: Building a Jazz Library

Herbie Hancock: An Essential Top Ten Albums

Read "Herbie Hancock: An Essential Top Ten Albums" reviewed by Chris May


The title of Herbie Hancock's 1973 hit single “Chameleon," pulled from his jazz-funk monster Head Hunters (Columbia), was an apt one. Hancock had already undergone several transformations: from the blues-and-gospel-infused vibe of his Blue Note debut, Takin' Off (1962), to more experimentally inclined Blue Note albums in the mid-to-late 1960s, and on to his early 1970s ...

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Article: Building a Jazz Library

CTI Records: Ten Tasty Albums With No Added Sugar (Almost)

Read "CTI Records: Ten Tasty Albums With No Added Sugar (Almost)" reviewed by Chris May


Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...


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