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Hubert Laws
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Internationally renowned flutist Hubert Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres; moving effortlessly from one repertory to another. He has appeared as a soloist with the New York Philharmonic under Zubin Mehta, with the orchestras of Los Angeles, Dallas, Chicago, Cleveland, Amsterdam, Japan, Detroit and with the Stanford String Quartet. He has given annual performances at Carnegie Hall, and has performed sold out performances in the Hollywood Bowl with fellow flutist Jean-Pierre Rampal and was a member of the New York Philharmonic and Metropolitan Opera Orchestras
Tribute To Living Legend Sonny Rollins; Other Birthdays This Week--Roy Ayers, Harry Connick Jr, and More
by David W. Daniels
Tribute to Sonny Rollins--his compositions as interpreted by other jazz musicians, including Jim Hall and Ron Carter, Lambert/Hendricks/Ross, Ted Curson and more. Two compositions from Sonny Rollins' best known albums. Other jazz musicians' birthdays, including David Sanchez, Maria Muldaur, Baby Face Willette and more. Playlist John Coltrane “Like Sonny" from The Heavyweight Champion: The ...
The Summer Knows (un été 42)
by Artur Moral
Not so young, but still foolish: arduous is the path chosen by pianist, composer and singer Franck Amsallem, a lesser-known figure--outside his immediate performance circle--even among some of the jazz world's most avid and encyclopedic enthusiasts. Nevertheless, this musician's name should appear in that roster of outstanding French baby boomer keyboardists mentioned in Pierre de Bethmann: ...
ZurHub: Countryside Motorways
by Edward Blanco
Israeli flautist Mattan Klein and fellow Jerusalem native guitarist Ezequiel Hezi Jait, based in both Tel Aviv and New York, present a stunning musical portrait on Countryside Motorways, blending the rhythms of Brazil with Israeli folk and classical music while drawing influence from legendary composers such as Hermeto Pascoal and the incomparable Chick Corea. The co-leaders ...
Catina DeLuna & Otmaro Ruíz: Lado B Brazilian Project 2
by Katchie Cartwright
In a time of disembodied digital-only releases, luxuriously well-crafted albums like Catina DeLuna and Otmaro Ruiz's Lado B Brazilian Project 2, with physical disk, album notes, lyric translations and evocative graphics, can really be the balm. The project was born in 2015 with the release of Lado B Brazilian Project (Self Produced), which received ...
CTI: The Brilliance of Hubert Laws
If you asked me to name one artist whose albums for Creed Taylor's CTI label hold up best today, I'd have to say Hubert Laws. Laws is probably jazz's finest flutist and is still with us, yet you barely hear or read much about him. In fact, if I had to sell off all of my ...
Carla Bley, Count Basie, Diane Schuur, Hubert Laws & Sonny Rollins
by Joe Dimino
Welcome to the 900th episode of Neon Jazz! After 14 incredible years, we've hit yet another milestone--one that wouldn't be possible without the legends who have shaped jazz and the fans who've supported us every step of the way. For this special hour, we take a deep dive into the icons who have defined the sound ...
Ronald Snijders: Penta
by Tony Poole
The son of renowned bandleader Eddy Snijders, Dutch-Surinamese multi-instrumentalist Ronald Snijders is best known as a flautist and for the four albums he released between 1977 and 1983 on his own label, Black Straight Music. An original copy of his debut, Natural Sources (1977), is considered a holy grail among collectors of 70s jazz fusion.
Jamie Baum: Redefining Jazz with Poetry and Global Sounds
by Steven Roby
When Jamie Baum steps onto the stage, flute in hand, she transforms into a storyteller, weaving melodies and rhythms that feel like a conversation with the world. Her latest album, What Times Are These, is more than music; it's an exploration of poetry, culture, and the human condition. As a guest on the Backstage Bay Area ...
Lonnie Davis: Lighting Up Charlotte with Jazz
by K. Shackelford
In the '90s, fierce jazz curator, flutist, and educator Lonnie Davis found herself as the only female in The University of New Orleans jazz program. Prior to that, she studied under jazz patriarch Ellis Marsalis while a high school student at the highly selective and musically rigorous New Orleans Center for Creative Arts. The brilliant music ...
