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Musician

Hubert Laws

Born:

Internationally renowned flutist Hubert Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres; moving effortlessly from one repertory to another. He has appeared as a soloist with the New York Philharmonic under Zubin Mehta, with the orchestras of Los Angeles, Dallas, Chicago, Cleveland, Amsterdam, Japan, Detroit and with the Stanford String Quartet. He has given annual performances at Carnegie Hall, and has performed sold out performances in the Hollywood Bowl with fellow flutist Jean-Pierre Rampal and was a member of the New York Philharmonic and Metropolitan Opera Orchestras

Album

Tide

Label: Elemental Music
Released: 2021
Track listing: Side 1: Girl From Ipanema; Carinhoso; Tema Jazz; Sue Ann; Remember. Side 2: Tide; Takatanga; Caribe; Rockanalia.

1

Article: Radio

Bud's Got Buddies

Read "Bud's Got Buddies" reviewed by Patrick Burnette


We bring the old-ish and the brand-new this week, with two catalog items courtesy of Mike and two 2021 Bud Powell tributes courtesy of Kismet, I guess. One oldie is a middle of the road Blue Note basic, while the other is a third stream effort that is glancingly echoed in the more orchestrated of the ...

9

Article: Hardly Strictly Jazz

Marty Sheller: The Name Behind The Sound You All Know, Part 1

Read "Marty Sheller: The Name Behind The Sound You All Know, Part 1" reviewed by Skip Heller


There are certain musicians who embody eras, even if they're not the player with their picture on the cover. In our contemporary musical climate, Greg Leisz comes to mind. Since 1991, he has popped up on hundreds of acclaimed albums, and without ever really changing his style, he has become centrifugal beyond the considerations of genre ...

1

Article: Album Review

Joe Rizo's Mongorama: Mariposas Cantan

Read "Mariposas Cantan" reviewed by Chris M. Slawecki


Mongorama is a nine-piece Latin Jazz all-star band built and guided to honor Mongo Santamaria by the hand of José Rizo, a Latin musical legend in California who's been broadcasting from KJazz 88.1FM (Cal State University, Long Beach) for more than three decades. On their 2010 debut, Rizo enlisted such legends as Poncho Sanchez and Hubert ...

15

Article: From the Inside Out

Tributes, Tapestries, Trombones and Tempests

Read "Tributes, Tapestries, Trombones and Tempests" reviewed by Chris M. Slawecki


Vasko Atanasovski Adrabesa Quartet Phoenix MoonJune Records 2020 Phoenix captures the voice of one of Eastern Europe's most acclaimed and creative musical ensembles, the Adrabesa Quartet founded and led by Slovenian maestro Vasko Atanasovski, and amplifies this unique voice throughout MoonJune Records' global distribution network. Phoenix ...

58

Article: Interview

Brian Jackson: Winter In America Pt. 2

Read "Brian Jackson: Winter In America Pt. 2" reviewed by Chris May


As Gil Scott-Heron's songwriting and performing partner during the 1970s, keyboardist, composer and arranger Brian Jackson was co-author of some of the most galvanising liberation music of the era. Inhabiting the intersection of jazz, soul and spoken word, Jackson and Scott-Heron, who met while they were both students at Lincoln University, were a team from Pieces ...

Album

MONK'estra Plays John Beasley

Label: Mack Avenue Records
Released: 2020
Track listing: Steve-O; Sam Rivers; Monk's Mood; Donna Lee; Song For Dub; Five Spot; Implication; Intermission; Masekela; Rhythm-A-Ning/Evidence; Off Minor; Be.YOU.tiful; Locomotive; Come Sunday.

4

Article: Album Review

Tom Keenlyside Quartet: Fortune Teller

Read "Fortune Teller" reviewed by Jack Bowers


A jazz flutist who plans to record using only a standard three-member rhythm section as back-up should best be musically astute, technically sound, love what he (or she) is doing and harbor an ample supply of clever and interesting phrases designed to suit every occasion. Even though Tom Keenlyside checks all the boxes on Fortune Teller, ...

3

Article: Interview

Billy Childs: L.A. Contentment

Read "Billy Childs: L.A. Contentment" reviewed by R.J. DeLuke


Billy Childs says taking formal piano lessons as a young child “didn't register" at the time. He didn't recoil from the instrument by any means, but it wasn't yet exciting. But he had a neighbor who also played. Childs looked up to him. It was that neighbor who showed him stuff--taught him to play “ Cantaloupe ...


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