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Results for "Hrayr Attarian"
School Of Music Graduate Ensemble: Like No One Else
by Hrayr Attarian
The University of the Arts in Philadelphia (UARTS) has one of the premier jazz education programs in the USA. This excellence is apparent in the exceptional careers of some of their alumni, such as bassist Stanley Clarke and trombonist Robin Eubanks. It is also documented well in the many recordings that the university's various ensembles release. ...
Robin Eubanks Mass Line Big Band: More Than Meets The Ear
by Hrayr Attarian
Trombonist Robin Eubanks is well known for his versatility and inventiveness. It is no surprise, therefore, that his first big band recording, More Than Meets The Ear, is an innovative and engaging work of mainstream jazz. Various influences, across genres, infuse the intricately crafted music that, despite its precise orchestration brims with energetic spontaneity.
Matador: Matador 3
by Hrayr Attarian
Uruguayan guitarist and vocalist Santiago Bogacz, stage name Matador, blends various musical influences into a unique sound with a jazz influenced spontaneity. After two intriguing EPs he has put out his first full-length album. All three are untitled as each is labeled with original art work that sets it apart from the others. On ...
Heinz Holliger: Machaut-Transkriptionen
by Hrayr Attarian
Over a period spanning eight years (2001-2009) Swiss oboist and composer Heinz Holliger has radically reinterpreted the works of medieval composer and poet Guillaume de Machaut. Holliger calls the resulting disc, Machaut-Transkriptionen “transcriptions" but in fact it is much more than that. By changing rhythmic structures here, time signatures there, even improvising on de Machaut's themes ...
Tomeka Reid: Tomeka Reid Quartet
by Hrayr Attarian
As an accomplished composer and improviser, cellist Tomeka Reid, is an integral part of Chicago's creative music scene. In addition to being an educator, Reid is a versatile and tireless performer both in her hometown and beyond. Moreover her unique style graces the works of such luminaries as flutist Nicole Mitchell, multireed player Anthony Braxton as ...
Romain Collin: Press Enter
by Hrayr Attarian
French pianist Romain Collin's third release as a leader, Press Enter, can easily serve as a soundtrack for an art house flick. This is very natural for Collin who has both written music for several films and proved himself an accomplished performer. Collin uses intricately constructed harmonic fragments to build captivating sonic mosaics thus most of ...
Giya Kancheli: Chiaroscuro
by Hrayr Attarian
Introspective Georgian composer Giya Kancheli turned 80 years old in on August 10, 2015. As a birthday commemoration ECM has released two of his most intimate works on the deeply mystical Chiaroscuro. In addition to the title track the album includes the musing “Twilight" for two violins and orchestra. Inspired by Kancheli's brush with ...
Chris Foreman: Now Is The Time
by Hrayr Attarian
As the house organist at the legendary The Green Mill as well as a member of various ensembles Chris Foreman is one of Chicago's unsung jazz heroes. As a sideman Foreman has marked several recordings with his soulful, earthy grooves and, finally he has released an album under his own name. On his much-anticipated debut Now ...
Hrayr Attarian's Best Releases of 2015
by Hrayr Attarian
The year 2015 was truly an exciting one for jazz as it saw many superb releases. If I had, however, the proverbial gun to the head to just choose just one it would be Rudresh Mahanthappa's Bird Calls (ACT, 2015). Nevertheless, the cream of the crop of the year is listed below in five triads. The ...
Kim Kashkashian Sarah Rothenberg Steven Schick Houston Chamber Choir Robert Simpson.: Rothko Chapel
by Hrayr Attarian
On ECM's superb and captivating Rothko Chapel an elite group of musicians interprets Morton Feldman's sublime title piece and several others by John Cage and, the father of western musical modernism, Erik Satie. The disc explores the common conceptual and stylistic threads between the Feldman and Cage's works and their origins in Satie's oeuvre.
