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Ornette Coleman: Ornette At 12 / Crisis
by Howard Mandel
Ornette Coleman, the musical savant who freed jazz and every other art form that cared to dispense with stifling conventions and stultifying pretense, recorded Ornette at 12 and Crisis at the height of the 1960s' countercultural creative promise and world-wide unrest. It was an era of citizens claiming hard-won freedoms as civil rights, of ...
Josie Falbo: You Must Believe in Spring
by Howard Mandel
The first moments of Josie Falbo's You Must Believe in Spring sweep us into a lush soundscape, through a cinematic introduction, up close and intimately to her marvelous voice. Her voice is full, rich and pure top to bottom, fluid and shapely as anything imaginable, imparting true faith into lyrics valuing a lifetime's experience, acceptance, appreciation ...
Elma Kais: Licentia Poetica
by Howard Mandel
I tried to write words freed from rhythm... Yet the song came, of itself, in the right measures, And whatever I tried to write was poetry. Ovid, Tristis IV, 24-25 More than 2000 years ago Ovid captured the essence of spontaneous improvisation in a stanza--as the collective of Elma Kais, Knox Chandler, Daigo Nakai ...
Charnett Moffett: The Bridge
by Howard Mandel
Solo bass records are rare, and might seem to appeal mostly to bassists and bass aficionados. But on The Bridge Charnett Moffett, the charismatic bass virtuoso with an impressive past and equally brilliant future, has proven here without benefit of a band--that his music can touch anyone who loves music, regardless of instrumentation or genre. ...
Greg Lewis' Organ Monk: American Standard
by Howard Mandel
Thelonious Monk was an American original, a unique figure of his time and place. So is Greg Lewis, organist at the helm of Organ Monk, which on American Standard expands upon its mission of interpreting Monk's own compositions, just as Monk did himself. American Standard, Organ Monk's third album, takes up classic songs from ...
Reggie Nicholson: No Preservatives Added
by Howard Mandel
From cosmic gong signaling it's Time to Reset" to bluesy combo asking that we Say It Ain't So," Reggie Nicholson's Percussion Concept on No Preservatives Added makes music of real life and sonic imagination. Beats, breathes, cycles, syncopations and synchronizations--dances, stances, gestures, texturesrhythmic physicality and melodic extrapolation--expressive, engaging improvisations of a masterful team, that proceed by ...
Bob Albanese: Time Remembered
by Howard Mandel
Everything we remember is time past. How those memories live anew in the present is the subject of Time Remembered, pianist Bob Albanese's beautifully rendered solos and collaborations with bassist Eddie Gomez, drummer Willard Dyson, percussionist David Meade and (briefly on one track) Furmina the Wonderdog." It's a record of feeling which I hope ...
Tommy Flanagan / Jaki Byard: The Magic Of 2
by Dan Bilawsky
San Francisco's famed Keystone Korner shuttered its doors in 1983, but it's getting more press today than plenty of clubs that are still serving up jazz. In the past two years alone, a previously unreleased live recording of trumpeter Freddie Hubbard--Pinnacle (Resonance, 2011)--launched Resonance Records' Keystone Korner Live Discoveries series, photographer Kathy Sloane released Keystone Korner: ...
New Release By The Hammer Klavier Trio "Rocket In The Pocket"
The Hammer Klavier Trio (hKT) is one of Germany's premiere jazz piano trios. In fact they are the only jazz act from Germany that ever has been nominated for an award by the American Jazz Journalists Association (JJA) - Best Video of the Year" in 2010. Having played a lot in Germany and Europe this nomination ...
Final Call to See "Pops" Making Records
by Fradley Garner
Final Call to See Pops" Making Records September, 2012 is final call to catch Genius at Work: Louis Armstrong in the Recording Studio, the currently featured exhibit at the Louis Armstrong House and Museum in Corona, Queens, New York. Records as well as photographs, scores and other artifacts reveal Armstrong hard at work recording ...