Home » Search Center » Results: Hermeto Pascoal
Results for "Hermeto Pascoal"
Huw Warren: Global Music from a Local Perspective
by Jakob Baekgaard
Welsh pianist and composer, Huw Warren, has been an important voice on the British jazz scene for many years. With a seemingly endless appetite for music, Warren has both been delving into Brazilian music with singer Maria Pia de Vito and played ethereal folk-inspired jazz music with another singer, June Tabor, in the trio Quercus. He ...
Spoken Jazz & New Releases
by Ludovico Granvassu
Spoken word is performance art that goes hand in hand with jazz because words often sound great and notes can speak loud and clear. In this episode we will explore the best of it, together with outstanding new releases that are making our summer even hotter than it already is! Happy listening!
Geof Bradfield: Yes, and...Music for Nine Improvisers
by Jerome Wilson
The Compass Players was a legendary theatrical ensemble in Chicago whose members developed several improvisational games to stimulate their creative instincts. One of these was called Yes, and..." where one person would start telling a story and everyone who followed would have to continue the story however they wished from the point the previous speaker ended. ...
Eddie Daniels: Heart Of Brazil
by Dan Bilawsky
When Resonance Records' George Klabin pitched Eddie Daniels on this project saluting Egberto Gismonti, the legendary reedist was enthused yet somewhat trepidatious. Gismonti's music--a sui generis form of fantasia that proves evocative in its blending of Brazilian forms, a jazz harmonist's argot, and European classical languages--is no easy nut to crack or translate. But Daniels, of ...
Jazz Musician of the Day: Hermeto Pascoal
All About Jazz is celebrating Hermeto Pascoal's birthday today! Hermeto Pascoal is a prolific musician and composer who transcends category. Hermeto often uses unconventional instruments such as teapots, children\'s toys, found objects, and—sometimes, without harming them—live animals. He uses nature as a basis for his compositions, as in his Música da Lagoa, where the musicians burble ...
Dwiki Dharmawan: Rumah Batu
by John Kelman
There are, in these times of reduced music sales, fewer and fewer models that help niche labels to survive. In the case of New York-based MoonJune Records and its intrepid head Leonardo Pavkovic, the path to survival seems increasingly more about doing what he does for the love of it, and less about fiduciary gain (much ...
Sean Khan: Palmares Fantasy
by Chris May
Palmares Fantasy is the fifth album to be released by British saxophonist Sean Khan under his own name or as the leader of SK Radicals. Like its predecessors, it is a blinder, in touch with the jazz tradition while absorbing influences from beyond it and wearing its political heart on its sleeve. The music is characteristic ...
Brazilian Brilliance: Kassin and Domenico Lancellotti
by Jakob Baekgaard
Brazilian music is much more than established icons like Antonio Carlos Jobim, Gilberto Gil and Hermeto Pascoal. The question is where to find the musical voices of the future? Fortunately, David Byrne's Luaka Bop label is dedicated to a mission of releasing world music that goes beyond the mainstream and has released two Brazilian albums from ...
Gaia Wilmer: Migrations
by Angelo Leonardi
Sa coniugare feeling e complessità di scrittura Gaia Wilmer, sassofonista e compositrice brasiliana al suo debutto da leader. L'idea di formare quest'ottetto è nata nel primo anno di frequenza ai corsi di composizione jazz del Berklee College of Music e s'è concretizzata nel dicembre 2016 (dopo un annuncio su Kickstarter), durante il secondo anno di master ...
Dafnis Prieto: Cross-Cultural Mix
by Angelo Leonardi
Dafnis Prieto is one of the leading drummers and composers of his generation. Forty-four years old and Cuban born, Prieto moved to New York City in 1999. The early 2000's found Prieto employed as a sideman by several prominent musicians, including Eddie Palmieri, Michel Camilo, Carlos Barbosa-Lima, Dave Samuels and Arturo O'Farrill. In the following years ...





