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Album

Perpetual Optimism

Label: Mack Avenue Records
Released: 2019
Track listing: Rush Hour; Be There When I Get There; Borders Without Lines; You Don’t Know What Love Is; Perpetual Optimism; Touched; Wings and Roots; Wang Dang Doodle; Stella By Starlight; Twelve’s It.

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Article: Radio & Podcasts

Listeners' Recent Faves

Read "Listeners' Recent Faves" reviewed by Marc Cohn


Listeners' favorites this week from shows 381 to 390! Lots of 'pop' covers tickled your fancy this time around, along with a trip to New Orleans and the usual dose of grits & gravy. Enjoy the show. And, no, we haven't abandoned Blue Note 50th anniversary salutes (yet:); they will be featured next week. Thanks for ...

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Article: Live Review

Jazz In Marciac 2019

Read "Jazz In Marciac 2019" reviewed by Martin McFie


Jazz In Marciac Marciac, France July 30, 2019 to August 4, 2019 How does a remote village in South West France end up hosting an international jazz festival for 42 years? The logistics come later, but the answers to most questions about Jazz in Marciac lie in the superb quality ...

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Article: Radio & Podcasts

Blue Note 50ths, American Pianists Association Winners & More

Read "Blue Note 50ths, American Pianists Association Winners & More" reviewed by Marc Cohn


A light schedule of Blue Note 50th anniversaries this month: Hank Mobley's The Flip. But we missed a Thad Jones, Mel Lewis Orchestra recording (originally on Solid State but reissued on Blue Note) last month due to an error in our working discography. So, we feature album that as well. To celebrate Blue Note's 80th anniversary, ...

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Article: Album Review

Herlin Riley: Perpetual Optimism

Read "Perpetual Optimism" reviewed by Chris Mosey


Herlin Riley, a drummer from New Orleans, is a member of the Lincoln Center Jazz Orchestra, led by Wynton Marsalis. Indeed, he played a large part in developing the drum parts for the Pulitzer Prize-winning album by Marsalis, Blood on the Fields (Columbia, 1997). On his own album, Riley leads a mainstream quintet ...

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Article: Live Review

Detroit Jazz Festival 2018

Read "Detroit Jazz Festival 2018" reviewed by C. Andrew Hovan


Detroit Jazz Festival Downtown Detroit Detroit, Michigan August 31-September 3, 2018 Over the course of its 39 year history, the largest free jazz festival in North America has seen its shares of up and downs. It once swelled to a five-day event starting on the Thursday evening before Labor Day and ...

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News: Recording

Maria Muldaur Readies 41st Album: "Don't You Feel My Leg - The Naughty Bawdy Blues Of Blue Lu Barker" Out September 28th

Maria Muldaur Readies 41st Album: "Don't You Feel My Leg - The Naughty Bawdy Blues Of Blue Lu Barker" Out September 28th

When a 24-year-old Blue Lu Barker stepped up to the microphone at Decca Records studio in Manhattan in 1938 to record Don’t You Feel My Leg, she had no way of knowing that that initial recording would turn out to be such an enduring piece of blues artistry. An immediate hit, the song instantly established Barker ...

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Article: Live Review

Newport Jazz Festival 2018: Part 2-2

Read "Newport Jazz Festival 2018: Part 2-2" reviewed by Timothy J. O'Keefe


Part 1 | Part 2 Newport Jazz Festival Fort Adams State Park Newport, RI August 5, 2018 From the first spongy thwack that bounced off the conga drum, a sticky humidity clung about Narragansett peninsula while the sounds of Herlin Riley's New York Havana Connection oozed from the ...

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Article: Album Review

Ahmad Jamal: Marseille

Read "Marseille" reviewed by Ian Patterson


Four years between studio albums is a long gap by Ahmad Jamal's standards. Not that the 87-year-old pianist has been idle since the widely acclaimed Saturday Morning (Jazz Village, 2013). He's released two live albums in that time--Live at The Olympia (Jazz Village, 2014) featuring Yusef Lateef and Live in Marciac 2014 (Jazz Village, 2015)--and remains ...

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Article: Album Review

Ahmad Jamal: Marseille

Read "Marseille" reviewed by Roger Farbey


There are few true jazz legends left alive now let alone still recording albums of the calibre of Marseille. Ahmad Jamal is one such venerable figure and the octogenarian (born July 2, 1930) has recorded an album of consistent brilliance. Jamal prefers to refer to his playing as American classical music rather than jazz and he's ...


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