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Pharoah Sanders: Pharoah (Box Set)
by Chris May
With the passing of Pharoah Sanders in September 2022, almost a year ago at the time of writing, and bearing in mind advances in sound-restoration technology, we can anticipate a stream of previously unissued Sanders recordings being released in the years ahead. If this outstanding 2-CD / 2-LP box set is anything to go by, bring ...
Matthew Halsall: An Ever Changing View
by Chris May
Based in the northern English city of Manchester, trumpeter Matthew Halsall debuted on record in 2008 with Sending My Love (Gondwana), a stylish take on the meditative end of the spiritual jazz of Alice Coltrane and Pharoah Sanders. Halsall's emergence pre-dated by over half a decade that of the London alternative scene vanguarded by musicians such ...
Irreversible Entanglements: Protect Your Light
by Chris May
If ever there was a band which screamed to be taken up by Impulse! (or Strata-East back in the day), it is the semi-free agit-jazz quintet Irreversible Entanglements. Now, after three albums with the on-song but tiny International Anthem label, it has happened and, hopefully, greater exposure and recognition will follow. IE came ...
Kaidi Tatham: The Only Way
by Chris May
The Belfast-based DJ and broken-beat pioneer Kaidi Tatham travels a parallel orbit to that of the London-based DJ Ash Walker. Both are loosely associated with Britain's alternative jazz scene. Both draw on a similar patchwork of influences, including hip hop, rap, techno, old school jazz-funk and modern Brazilian dance music. Both approach the recording studio as ...
Ganavya: Forgive Me My
by Chris May
London-based multi-reedist Shabaka Hutchings' interest in South and East Asian music, which recently manifested itself with his embarkation on an in-depth study of Japanese shakuhachi flutes, continues to spread its wings. Hutchings does not play on singer and composer Ganavya's meditative single “Forgive Me My," but he produced the track and it is released on his ...
Funkwrench Blues: Soundtrack For A Film Without Pictures
by Chris May
Once upon a time it was hard to walk into an arthouse cinema without bumping into a jazz soundtrack. Miles Davis' for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959), Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962) were among a legion of similarly inclined endeavours. ...
Nanny Assis: Rovanio
by Chris May
The Brazilian-born, New York City-based singer and composer Nanny Assis is a big talent with a low profile. His elegant blend of jazz and Brazilian music puts one in mind of another similarly inclined and relatively little known stylist, the Berlin-based composer and producer Meeco, well loved in this parish. The work of both musicians is ...
Nina Simone: You've Got To Learn
by Chris May
The release of this magnificent album, recorded live at the Newport Jazz Festival in 1966, is headline news for fans of Nina Simone. None of the material, all of it high grade, has been made available before. Newport promoter George Wein donated the tapes of Simone's performance to the US Library of Congress, where they lay ...
