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Herbie Hancock In $3 Million 'Watermelon' Fight
by Ian Patterson
Jazz legend Herbie Hancock knows better than most that jazz is the sound of surprise, after all, the 81-year-old pianist has sprung plenty of musical surprises in a glittering six-decade-career that has seen him embrace modal jazz, hard-bop, jazz-funk and electronic disco. But imagine Hancock's surprise when he was recently hit with a $3 million lawsuit... ...
Charles Mingus & Joni Mitchell: Jivin' with Joni: The Lost Recordings 1978-1979
by Mike Jurkovic
Looks like a bumper month of archival releases awaits the ever ready Mingus aficionado. First, in late April, 2022, Resonance Records unleashes The Lost Album from Ronnie Scott's. Just in time for Record Store Day (April 23) Candid Records releases a sweetly remastered Charles Mingus Presents Charles Mingus. Now, in a joint announcement from Jazz Workshop ...
Karl Silveira: A Porta Aperta
by Dan McClenaghan
Toronto-based trombonist Karl Silveira opens his debut recording, A Porta Aperta, with no ego at all. The disc spins into life with “Nymark Plaza," featuring an arrangement which allows the rhythm section—pianist Chris Pruden, bassist Dan Fortin, with Nico Dann on drums—a good deal of room to stretch out after a brief beginning of understated harmony ...
Charu Suri: The Jazz Raga
by Karl Ackermann
The Roots of Indo-JazzJazz and Indian ragas share common ground in their traditional use of improvisation. They are often talked about in compatible terms, but Ravi Shankar, for one, did not believe that ragas could be compared to jazz improvisation. Spontaneous creation in jazz differs from the complex rhythmic structural patterns of Indian improvisation. Shankar became ...
Spin Cycle (Tom Christensen & Scott Neumann): Spin Cycle III
by Dan McClenaghan
Spin Cycle III, by the group Spin Cycle, co-led by drummer Scott Neumann and saxophonist Tom Christensen, opens in a high octane mode, via Neuman's sizzling drums, Pete McCann's stinging guitar and Phil Palombi's muscular, juiced-up bass laying down a precision foundation, with the crisp articulation of Christensen's tenor sax out front. The tune is “Churn," ...
McCoy Tyner / Freddie Hubbard Quartet: Live At Fabrik
by Chris May
Warning! Highly Flammable Material! This superb album, recorded in Hamburg in 1986 and never previously released, ought to come with a caution, so incendiary is it. Strictly speaking, Live At Fabrik presents pianist McCoy Tyner's trio with bassist Avery Sharpe and drummer Louis Hayes and guest artist Freddie Hubbard on trumpet and flugelhorn. ...
Phase Dancing: Gottlieb, Wertico, Sanchez—The Art of Drumming in the Pat Metheny Group
by Joseph Vella
It was 1978 when I first heard “Phase Dance" on Bay Area jazz station KJAZ from a new band called the Pat Metheny Group (PMG). The music didn't just blow me away, it also spoke to me on such a deep level. Little did I know, it would stay with me forever. What the PMG did ...
Sly5thAve & Roberto Verastegui: Agua de Jamaica
by Peter Jones
Despite its title, this genre-busting album has nothing to do with reggae or Jamaican dancehall. In fact, it's a fresh-as-paint melange of jazz, electro-pop and hip-hop. Agua de Jamaica is the work of a Texan and a Mexican: Sly5thAve (real name Sylvester Uzoma Onyejiaka II) and Roberto Verástegui originally met as jazz students in Texas, and ...
Ancient To The Future: Fatoumata Diawara At Carnegie Hall
by Dave Kaufman
Fatoumata Diawara was a featured performer at the Journey into Afrofuturism Festival, organized by Carnegie Hall on Friday, March 4. It is a (NY) city-wide festival “where music, visual arts, science fiction, and technology intersect to imagine alternate realities and a liberated future viewed through the lens of Black cultures." Chimurenga Renaissance, a Zimbabwean-centered hip-hop collective, ...
Roxy Coss: Disparate Parts
by Mike Jurkovic
Let's just get thing one out into the open right away: Disparate Parts has plenty of balls to spare. Saxophonist Roxy Coss' acute, teasingly biting tone and rich, no boundaries disposition to composing and jamming has placed her high in the generational echelon of new and challenging players. She willingly and unapologetically blends and ...
