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9

Article: Year in Review

Jeff Dayton-Johnson's Best Releases of 2013

Read "Jeff Dayton-Johnson's Best Releases of 2013" reviewed by Jeff Dayton-Johnson


Every year the list gets longer and more heterogeneous. There are blockbusters and obscure little gems, loud jazz and quiet jazz, hip hop and kora music, some of it downright unclassifiable. Which is fine. “Junku," a 1984 track anthologized on Herbie Hancock's spectacular box set below, is in fact both hip hop and kora music! In ...

4

Article: Interview

Jaleel Shaw: Philly Soul

Read "Jaleel Shaw: Philly Soul" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth ] Jaleel Shaw has been one of my favorite young alto players for about a decade. We first played together with the Charles Mingus Band, and we kept in touch over the years. I've worked a few times in his ...

1

News: Award / Grant

Billy Joel, Carlos Santana, Herbie Hancock Honored at Kennedy Center (Video)

Billy Joel, Carlos Santana, Herbie Hancock Honored at Kennedy Center (Video)

The elite of Washington D.C. honored five giants of the performing arts Sunday night at the 36th annual Kennedy Center Honors. Billy Joel, Carlos Santana, jazz musician Herbie Hancock, opera singer Martina Arroyo and Shirley MacLaine were saluted in a ceremony that will air Dec. 29 on CBS. President Obama served as the master of ceremonies.  Watch: ...

15

Article: Profile

Being Grateful: Defining the Jazz Years Part One - 1973

Read "Being Grateful: Defining the Jazz Years Part One - 1973" reviewed by Jacob Hobson


Jazz, like the Grateful Dead, has never been particularly easy to define. It seems jazz, in its most simply defined meaning, is improvised music. The Grateful Dead have been called a thousand different things since its official formation in 1965, but has rarely been called a jazz band. There have always been and will always be ...

3

Article: Album Review

Tony Succar y Mixtura: De One Sessions Live, Volume 1

Read "De One Sessions Live, Volume 1" reviewed by Dave Wayne


Born in Peru and raised in Miami, Tony Succar has been steeped in the sounds and traditions of Latin music practically since birth. Still in his 20s and comfortably ensconced as an Artist-in-Residence at Florida International University, the versatile percussionist / pianist has worked with worked with the likes of Arturo Sandoval, Néstor Torres, Ed Calle, ...

4

Article: Take Five With...

Take Five With Steve Myerson

Read "Take Five With Steve Myerson" reviewed by AAJ Staff


Meet Steve Myerson: Steve Myerson has performed, recorded, and/or toured with The Stylistics, Christian McBride, Frank Lacy of The Jazz Messengers, Gianni Russo, Grover Washington, Jr. Sony Grosso, and worked as a Program Manager for Jazz House Kids. Myerson's film credits including arranging music and performing for the film Brooklyn Lobster, which stars Danny Aiello ...

4

Article: Album Review

EC3: It's All About the Rhythm

Read "It's All About the Rhythm" reviewed by Jeffrey Uhrich


Joy and exuberance are like prevailing winds throughout “It's All About the Rhythm", the third release by drummer/bandleader EC3 (aka Ernest Coleman). Vibrant and full of life, EC3 assembles a sound rhythmic foundation in his arrangements of popular and well-known songs mixed with newer, lesser known compositions. EC3 relates that in arranging the songs “[i]n musical ...

10

Article: Live Review

2013 Enjoy Jazz Festival

Read "2013 Enjoy Jazz Festival" reviewed by John Kelman


Enjoy Jazz 2013 Heidelberg/Mannheim/Ludwigshafen, Germany November 6-14, 2013 It's always a treat to return to Heidelberg for Enjoy Jazz. As a very intended contrast to most jazz festivals, that compress a lot of music into a very short time, Enjoy Jazz's founding premise, when it was first conceived 15 years ago by ...

11

Article: Interview

Paul Augustin: Putting Penang On The Jazz Map

Read "Paul Augustin: Putting Penang On The Jazz Map" reviewed by Ian Patterson


Most jazz festival directors would agree that survival is the name of the game in the first years. Unless a festival has the financial backing of a major sponsor it can be a knife edge existence attempting to rustle up private sponsorship and the kind of good will that is required in abundance to meet the ...

9

Article: Interview

Brian Landrus: The Low End Theory

Read "Brian Landrus: The Low End Theory" reviewed by Daniel Lehner


Specialists don't usually have the luxury of controlling much of their destiny. For a low woodwind expert like Brian Landrus, it would be of little surprise to anyone to find that, though he'd have the freedom to experiment with sounds and timbres for his own records, he would be little more than a hired gun for ...


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