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242

Article: Album Review

Vijay Iyer: Tirtha

Read "Tirtha" reviewed by Mark F. Turner


A confluence of ideas is encountered in the kinetic and unusual Tirtha, featuring three South Asian luminaries: the critically acclaimed jazz pianist Vijay Iyer; and his equally accomplished trio-mates, guitarist/composer Prasanna, and tablaist Nitin Mitta. Iyer formed the band in 2007 when asked to put together a concert celebrating 60 years of Indian independence. The title ...

397

Article: Album Review

WD-41+2: Temi Per Cinema

Read "Temi Per Cinema" reviewed by Glenn Astarita


Temi Per Cinema is the follow-up to guitarist Willie Oteri and trumpeter Dave Laczko's self-produced WD-41 (2009), with the addition of lap steel dulcimer and beat jockey artist Dino J.A. Deane and drummer Scott Amendola. Collectively, the musicians have been at the forefront of new music-making, amid variable flavors and shades, bordering on the avant-garde, jazz-rock, ...

172

Article: Album Review

Gary Husband: Dirty & Beautiful Volume 1

Read "Dirty & Beautiful Volume 1" reviewed by John Kelman


For some, recruiting an all-star cast means nothing more than a budget to support it, but in the case of Gary Husband's Dirty & Beautiful Volume 1, it reflects the many friendships the keyboardist/drummer has built over the years--all clearly happy to help deliver the album that should, by all rights, put him more squarely on ...

418

Article: Album Review

Bushman's Revenge: Jitterbug

Read "Jitterbug" reviewed by John Kelman


With Jitterbug, Bushman's Revenge asserts that the modern power trio continues to be alive, well, and living in...Norway. You Lost Me At Hello (Rune Grammofon, 2009) was an intense, often-times relentless debut that married Hendrix-ian psychedlia with Ayler-esque abandon. Leaning hard towards the rock side of the jazz-rock equation, the personnel remains the same, but is ...

540

Article: Album Review

The Nels Cline Singers: Initiate

Read "Initiate" reviewed by Troy Collins


Called “The World's Most Dangerous Guitarist" by Jazz Times and named one of twenty “Guitar Gods" by Rolling Stone, Nels Cline's profile has expanded considerably since his collaborations with underground personalities like Thurston Moore and Mike Watt and recruitment by Wilco in 2004. Cline's roots in the West Coast jazz scene pre-date his newfound mainstream recognition ...

380

Article: Album Review

Marbin: Marbin

Read "Marbin" reviewed by Raul d'Gama Rose


There is an almost Zen-like quality to Marbin, saxophonist Danny Markovitch and guitarist Dani Rabin's debut as a duo. However, the quiet nature and perfectly still life of the music belies the poignant emotional underbelly that simmers constantly throughout the set. That this emotion is deeply personal is evident from the meditative--almost ponderous--nature of much of ...

415

Article: Album Review

Al Orkestra: Where Are We Now?

Read "Where Are We Now?" reviewed by John Kelman


Sometimes the best music comes from the most unexpected places. British ex-pat Joe Higham has been living in Belgium for 20 years--first studying, now teaching and gigging with a cadre of undervalued Belgian players. Plenty of artists cite a collection of influences, but this saxophonist/clarinetist and his Al Orkestra concoct a truly wonderful mélange, with touchstones ...

379

Article: Live Review

Rodrigo y Gabriela at Denver's Buell Theater

Read "Rodrigo y Gabriela at Denver's Buell Theater" reviewed by Geoff Anderson


Rodrigo y GabrielaBuell Theater Denver, CO September 19, 2009 Who knew you could wring so much out of a couple acoustic guitars? At the Buell Theater, Rodrigo Sanchez and Gabriela Quinetro attacked their instruments in a manner that had the audience wondering whether the delicate wood would survive, or at ...

1,266

Article: Interview

Billy Jones: The Urbanization of Delta Blues

Read "Billy Jones: The Urbanization of Delta Blues" reviewed by David King


It's a long way from the rich, fertile delta lands of North Little Rock, Ark., to the Netherlands, where Billy Jones records for Dutch blues label Black and Tan Records, but it was a route of which he never lost sight. Born into the segregated south, he was exposed to the driving beat of the blues ...


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