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Ehud Asherie and Harry Allen: Lower East Side
by Bruce Lindsay
Pianist Ehud Asherie and tenor saxophonist Harry Allen are established musical partners with a shared fondness for a time when songwriting giants like Irving Berlin and Richard Rodgers were at their creative zeniths. Lower East Side is the pair's second duo outing, following on from Upper West Side (Posi-Tone, 2012), and once again the two demonstrate ...
Riverwalk Jazz Whenever You Want!
By Mick Carlon The only drawback to my all-time favorite radio show, Riverwalk Jazz, was that I had to wait until Saturday mornings to listen. No longer! Thanks to Stanford University’s Archive of Recorded Sound, twenty five years of this exalted show—over 350 radio shows, over 4,000 song performances—are now available twenty four hours a day, ...
Harry Allen / Scott Hamilton: ‘Round Midnight
by Edward Blanco
Harry Allen and Scott Hamilton are two veteran tenor saxophonists whose individual careers have not prevented them from maintaining a friendship or performing together whenever possible. Their third joint project, Round Midnight presents new interpretations of nine standards in a quintet format offering far more solos than normally found in a group featuring one main artist. ...
‘Round Midnight
By Harry Allen
Label: Challenge Records
Released: 2012
Track listing: My Melancholy Baby; Great Scott; How Am I To Know; The Opener; Baubles,
Bangles and Beads; Hey Lock; Lover; Flight Of The Foo Birds; 'Round
Midnight.
R.J. DeLuke's Best Releases of 2012
by R.J. DeLuke
A ton of fine music came out in 2012, like most years, making these year-end lists very difficult. A lot we don't get to hear, so that limits some. For example, I've not yet heard the 2012 disks of drummer Jack DeJohnette, trumpeter Christian Scott or guitarist John McLaughlin and the Fourth Dimension. Having seen each ...
Dan Bilawsky's Best Releases of 2012
by Dan Bilawsky
Transcendent recordings don't come with a label identifying their magnificence, but they're easy to pick out. I had the honor and privilege of receiving, and listening to, more than 375 CDs for review consideration in 2012. I reviewed approximately 165 of them and these were the 15 that rose above the rest. Some are bold and ...
Harry Allen / Scott Hamilton: ‘Round Midnight
by C. Michael Bailey
Johannes Brahms was called “the keeper of the flame" for Beethoven. Tenor saxophonist Harry Allen and Scott Hamilton are the same keepers for a tenor tradition that existed from the swing era through hard bop. The pair champions a sound and method established by Coleman Hawkins, Ben Webster and Lester Young: a broad, dense tone, both ...
Stars on the Horizon
by Jack Bowers
Even before Groovin' Hard, the Los Angeles Jazz Institute's latest foray into the world of contemporary jazz, kicked off its four-day run (October 11-14) at the Marriott LAX Hotel, a letter arrived from LAJI director Ken Poston announcing details of next May's extravaganza, also at the Marriott. The theme is Big Band Spectacular, and the bands ...
Trio Da Paz at Dizzy's Club Coca-Cola
by Nick Catalano
Very often writers ignore popular jazz artists and groups on the theory that they have sufficient exposure and don't need further praise. As a result, some of the subtler, finer points of the aesthetics go unnoticed. In addition, popularity and high success can be a curse, bestowing certain problems lesser performers don't have. ...
Grant Stewart: The Sound of Hard Bop Today
by Marta Ramon
Grant Stewart is regarded as one of the most influential tenor sax players of the contemporary jazz scene. After nine formative years of intense learning and playing in his hometown of Toronto, the 19 year- old Stewart took his saxophone and bought a flight to New York. Once there, he did things his own way from ...
