Results for "harp"

cafeAmaro

cafeAmaro = Diane Peters+Apo( tech) Diane Peters - harp and vocals Andrea Ponzoni - electronica and keys (LA VERSIONE ITALIANA, SOTTO RIPORTATA ) Born out of an improvisation duo of d.j. and harp, cafeAmaro has now become an album of all original music, and an articulated electro-acoustic project with no boundaries of genre, floating between ambient, soundscape, electronica, nu-jazz and pop. A dreamlike journey of harp, voce and electronica. The live performance is accompanied by faded random super 8 images, giving a special atmosphere to the nocturnal lounge sound.    “cafeAmaro is a successful combination of art between video, elettronica music, voice and harp , poetry and emotion in the moment

Anne Vanschothorst

Born: July 9, 1974

“Many of the miniatures remind me of Erik Satie — not that her music is in his style, but that both composers so thoroughly explore an artfully restricted sonic universe — in which chords and single melodic lines appear in alternation and at a pace slow enough to experience them almost as if they were sounding sculptures.”  – American Record Guide

Anne Vanschothorst (The Netherlands) is a landscape music composer, minimal harp pioneer, and multimedia artist exploring creativity in applied music, film, and spoken word — using overdub and making sound sculptures with 47 strings. She received international critical acclaim as an indie composer and producer who records sound on sound stilled mystical landscape music for in-a-room, film, multimedia, and spoken word. This new poetic and inventive, edgy sonic universe next to the existing harp planet and music world, indicates that Vanschothorst walks off the beaten track. The written note-scores are frequently performed by international musicians and added to their repertoire. The “You Play I listen!” platform is an ongoing creativity project that was initiated to share Harp and Soul Music performed by others via videos and sound-clouds.

Michael Oshiver

Born: June 22, 1954

MICHAEL O’SHIVER is no ordinary harpist. Blending his “Kansas City Jazz” background with more than 15 years musical experience in the Caribbean, Michael plays rhythms you wouldn’t believe possible on the harp such as Calypso, Samba, Bossa Nova, Salsa and many more. He has performed, recorded or produced for Bob Hope, Dizzy Gillespie, Dave Brubeck and more. Not only does he perform on harp, but add a grand piano and a microphone and you have a Jazz party! Check out these youtube links for his work with High Vibe Music http://youtu.be/0Qo4zrnJnZ4 and learn about Heathers Art Garden http://youtu.be/b5gqwTXxfMI

Cara Auratus

Jazz is Cara's passion. It's an aural art form, one that can't be learned fully from books or charts. The best teacher is the sound itself - this was her primary mentor. Old 78s and LPs and performances. She began singing in Texas and Louisiana while still too young to legally get into the bars. Old enough to connect with the music, vamp with a tune, collaborate with a quartet and deliver a song that audiences loved. Always drawn to the incredible era of early jazz from the 20s and 30s, her primary influences include Alberta Hunter, Mildred Bailey, the Boswell Sisters, Anita O'Day, Chris Connor, Hoagy Carmichael and Jack Teagarden

Natalia Mann

Natalia Mann is known for her contemporary style of harp playing. She works internationally as performer, composer, collaborator and recording artist in a diversity of genres. Mann was born in New Zealand in 1975, of Samoan/Anglo-Celtic descent. She began studying classical music at the age of four when her family lived in Los Angeles, her primary instruments being harp and piano. She continued her studies in New Zealand eventually to rank among the top harpists in the country, playing for the New Zealand Symphony Orchestra, new music ensembles, opera, ballet and theatre. Curiosity led her to explore other forms of music, and she realised her passion for improvisation

Isabelle Olivier

Harpist, Composer and Educator Professional musician for more than 20 years, performing and recording with many great musicians such as Beñat Achiary, Michel Bénita, Thomas Beuf, David Binney, Marc Buronfosse, Tommy Crane, Tam de Villiers, Catherine Delaunay, Jacques Dor, Peter Erskine, Alexandra Grimal, Brigitte Jacquot, David Linx, Didier Lockwood, Fabrice Moreau, Louis Moutin, Eivind Opsvick, Monica Passos, Joe Quitzke, Johan Renard, Olivier Sens, Sébastien Texier, David Venitucci, Norma Winstone…, and many other in more than 20 countries. Recorded 6 albums of her own compositions in France and in Germany, and a DVD

Scott Marischen

Scott Marischen is a seasoned professional full time live, studio, solo, group and event musician. He plays the electric and acoustic harps, and electric and acoustic guitar. He writes, reads and transcribes music. Based in South Florida, Scott has been performing in and around the state of Florida and around the country for over 35 years. He can play any music style from Classical, Jazz, Rock, Blues, R&B, Pop, Disco, Reggae, World and more. Scott was born in Marathon Florida, part of the Florida Keys and raised by immigrant parents who seldom wore clothes and worshiped the sun. There he learned the ways of the ocean, fishing and making bamboo instruments..

Riza Printup

Born: March 20, 1972

Riza Hequibal Printup, native of California, pursued her undergraduate studies (1990 - 1993) at the Indiana University School of Music, Bloomington, IN under the instruction of Distinguished Professor of Harp, Susan McDonald. Ms. Printup received her Bachelors of Arts in Music (1994) from Columbia College, Chicago, IL where she continued her studies in Jazz. She pursued her Master of Music from Georgia State University's School of Music under the tutelage of Elisabeth Remy. Other instructors include Dominique Piana, Linda Wood, Beverly Wesner-Hoehn, Deborah Henson-Conant, Stella Castellucci and Distinguished Professor of Jazz, David Baker. Ms

Zeena Parkins

Zeena Parkins, multi-instrumentalist, composer, improvisor, well-known as a pioneer of the electric harp, has also extended the language of the acoustic harp with the inventive use of unusual playing techniques, preparations, and layers of digital and analog processing. Zeena makes use of anything within reach as a possible tool with which she can enhance the sonic capabilities of her harps. She accurately describes her harp as a "sound machine of limitless capacity" and has used, household objects and hardware store finds, including: alligator clips, nails, rubber erasers, rubber tubing, felt, bows, metal candy lids, oversized metal bolts, hair clips, glass jars, discarded strings, as well as more conventional: leslie cabinets, guitar pedals, and numerous other digital processing hardware and assorted and varied software.