Results for "Hampton Hawes"
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Hampton Hawes

Born:
Who Was Hampton Hawes? Although one rarely hears of Hampton Hawes today he was a significant presence on the jazz scene in the mid- 50s then again from the mid-60s on until his death in 1977. A direct descendant of bebop who had been variously classified as "West Coast" and "funk-jazz" or "rhythm school," Hawes transcended all these categories. He was famous for his prodigious right hand, his deep groove, his very personal playing, his profound blues conceptions, and his versatility within a mainstream context. He remained anchored in chord-change based jazz with chord changes his whole career. A mostly self-taught musician, he matured early musically and late personally-by his own admission
Go West! The Contemporary Records Albums

Label: Craft Recordings
Released: 2023
Track listing: I'm An Old Cowhand; Solitude; Come, Gone; Wagon Wheels; There is No Greater Love; Way Out West;
I've Told Ev'ry Little Star; Rock-A-Bye Your Baby With a Dixie Melody; How High the Moon; You; I've
Found A New Baby; Along Together; In the Chapel in the Moonlight; The Song is You; I'm An Old
Cowhand (alternate); Come, Gone (alternate); Way Out West (alternate); The Song is You; You (alternate);
I've Found a New Baby (alternate).
Curtis Counce: You Get More Bounce With Curtis Counce!

by Richard J Salvucci
When bassist Curtis Counce died of a heart attack at the age of 37 in 1963, the jazz world was deprived of a major talent. Not that one would have known much, for his death, while noted, was not extensively covered. Counce, a Midwesterner, had come to California and to jny:Los Angeles to learn his craft, ...
George Russell’s New York N.Y. Receives World Premiere At Milton Court

by Chris May
Guildhall Induction Jazz Orchestra & Choir Milton Court Concert Hall Guildhall School of Music & Drama London September 27, 2023 Addressing the audience before the Guildhall Induction Jazz Orchestra's recreation of George Russell's first large-ensemble masterpiece, New York N.Y. (Decca, 1959), director and conductor Scott Stroman explained the choice ...
Tim Ray Trio: Fire & Rain

by Jack Bowers
Boston-based pianist Tim Ray and his rhythm mates, bassist John Lockwood and drummer Mark Walker, have been performing together since 2013, and Fire & Rain is their second recording as a trio. Their years working arm-in-arm and side-by-side have spawned a symbiotic relationship, and it shows. Even when the trio tests the free-jazz ...
Andre Previn and his pals Shelly Manne & Red Mitchell: West Side Story

by Richard J Salvucci
André Previn was always something of a mystery to jazz critics and listeners. By common consent, he had astonishing instrumental technique. On the other hand, a lot of listeners were sure they could hear everyone but Previn in his playing. Along with Shelly Manne, he sold a lot of records and probably made a good deal ...
The Pacific Jazz Group: Pacific Jazz Group

by Jack Bowers
West Coast jazz from the mid-twentieth century makes a comeback on this earnest album by the Pacific Jazz Group, whose music owes its genesis to the Pacific Jazz label, which recorded many of the Coast's best and brightest stars during that historic and bounteous era. The idea was set in motion by pianist Dred Scott, one ...
Ahmad Jamal: In his Own Sense of Time and Place

by Josef Woodard
This interview first appeared in the Santa Barbara News-Press on October 2005. The introduction has been updated. For the late, great and uniquely poetic pianist Ahmad Jamal, who passed on at age 92 on April 16, 2023, easy descriptors never sufficed in capturing his particular magic. He was a classicist, a modernist, a minimalist ...
Remembering Ahmad Jamal: Finished But Not Never

by Ian Patterson
Ahmad Jamal, the quiet pioneer of jazz piano has died aged 92, after a battle with prostate cancer. He passed away on Sunday, 16 April, according to a statement from his daughter, Sumayah Jamal. In a career that spanned the 1940s to the 2020s, Jamal always followed his own musical instincts. He was one ...
London Crate-Diggers BBE Reveal Lost J-Jazz Gems

by Chris May
In his introduction to The Blue Note Years: The Jazz Photography Of Francis Wolff (Rizzoli, 1995), the late Charlie Lourie reported a remarkable event he had witnessed at the inaugural Mt. Fuji Jazz Festival in 1985. Where else but in Japan," wrote Lourie, can one see a field packed with fifteen thousand teens and twentysomethings roar ...