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Charles Mingus and Miles Davis: Changing Moods
by Mark Werlin
The recordings of Charles Mingus in the mid-1950s document a musical voice so distinctive that they are immediately recognizable today. But Mingus' obsessive commitment to the primacy of the composition was not always shared by his peers, nor understood by his critics. A public feud between Mingus, who was struggling unsuccessfully to win critical ...
Michael Moore: Live in Chicago / Felix Quartet
by Giuseppe Segala
Si aggiungono due nuovi lavori al sostanzioso catalogo Ramboy, l'etichetta autogestita dal sassofonista e clarinettista Michael Moore, fondata nel 1991, che documenta l'attività ampia e multiforme del musicista. La conoscenza di Moore è forse maggiormente legata alla sua presenza nel Clusone Trio, formazione nata nel 1988 con Ernst Reijseger al violoncello e Han Bennink alla batteria ...
The Westerlies: New Music For Brass In Hi Res
by Mark Werlin
The Westerlies, a self-titled album performed by an “accidental brass quartet" of two trumpet players and two trombonists, is a stunning accomplishment: a reference-quality recording of trans-genre new instrumental music that managed to beat the odds and reach a wide audience. The album's unexpected success points to the importance of curation in an overcrowded online music ...
Jazz Musician of the Day: Gunther Schuller
All About Jazz is celebrating Gunther Schuller's birthday today! The composer Gunther Schuller is, famously, a man of many musical pursuits. He began his professional life as a horn player in both the jazz and classical worlds, working as readily with Miles Davis and Gil Evans as with Toscanini; he was principal horn of the Cincinnati ...
Young People's Concerts: Jazz
In early 1964, Leonard Bernstein and the New York Philharmonic staged a series of Young People's Concerts at the newly opened Lincoln Center that married storytelling with different forms of music, including classical, jazz and folk. The point was to narrate original children's stories on stage while the New York Philharmonic or jazz and folk groups ...
Richard Sussman: The Evolution Suite
by Dan McClenaghan
Arranger/conductor Gunther Schuller coined, in 1957, the term “Third Stream," to describe a musical synthesis of jazz and classical music. Early examples of this sound include Miles Davis/Gil Evans' Sketches of Spain (Columbia Records, 1961), saxophonist Stan Getz' Focus (Verve Records, 1961), and the Dizzy Gillespie/J.J. Johnson collaboration, the oddly overlooked and excellent Perceptions (Verve Records, ...
NEC Faculty Member Dave Holland Receives 2017 NEA Jazz Masters Award
Renowned Jazz Bassist Dave Holland Earns Nation’s Highest Honor in Jazz: 2017 NEA Jazz Masters Award Holland is an NEC Visiting Artist-in-Residence NEC visiting artist-in-residence, renowned jazz bassist/composer and bandleader Dave Holland has earned the nation’s highest honor in jazz: a 2017 NEA Jazz Masters Award. Holland is one of five individuals recognized for their lifetime ...
2015: The Year in Jazz
by Ken Franckling
The year 2015 was a curious blend of ups and downs, with glimmers of optimism offset by its losses. Venues opened to great fanfare, but others closed for a variety of reasons. UNESCO's International Jazz Day became firmly entrenched as the exclamation point on Jazz Appreciation Month activities in April. Daily arts journalism took a hit ...
Jose Gurria's Gurrisonic Orchestra: Three Kids Music
by Dave Wayne
Accompanied by a richly illustrated, full-color 46-page booklet (with notes by Jeff Tamarkin, the Associate Editor of JazzTimes Magazine) and packaged in a lush trifold paper sleeve, Three Kids Music by José Gurría and his 21-piece Gurrisonic Orchestra projects a sort of hugeness and importance whose portent is completely fulfilled by the quality of the music ...
Jazz Musician of the Day: Gunther Schuller
All About Jazz is celebrating Gunther Schuller's birthday today! The composer Gunther Schuller is, famously, a man of many musical pursuits. He began his professional life as a horn player in both the jazz and classical worlds, working as readily with Miles Davis and Gil Evans as with Toscanini; he was principal horn of the Cincinnati ...
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