Results for "guitar"

Larry Williams

Born: February 7, 1955

I think most people live more than one life  (sometimes many lives) in a single lifetime.

For example, I was born into a family where trumpet was the "family instrument" and went on to a long running career as a pro trumpet player however, the developing artist/composer side of me had always chose guitar over the horn. 

The heart wants what the heart wants.

Early in my trumpet practice years (when I was 15) I would secretly steal time away from the horn on a guitar I borrowed from a friend, and though I progressed quickly on both instruments, the horn got me into "the biz" first, so I followed that path with guitar becoming the primary composing/songwriting tool.

Myles Cochran

Myles Cochran is an American composer, songwriter, multi-instrumentalist and producer. Born and raised in Kentucky, Myles then played in and led bands and worked as a producer and engineer in New York City.  He now splits his time between east London and Devon in the UK.  His recent releases have received airplay across Britain, including from luminaries such as Gideon Coe on BBC6 Music and Elizabeth Alker on BBC Radio 3. Aside from praise across the board for his solo work, Myles has also found recent acclaim for his work with Irish singer Bróna McVittie, with whom he worked for several years as co-producer and steel guitarist. 

Evan Oberla

Evan Oberla - Trombone/Keys/Guitar/Voice

Evan Oberla is an artist, musician & composer based in New Orleans with a naturally dynamic sound arriving at an intersection between catchy melodious themes and instantaneous adventurous improvisation, all the while maintaining a fresh soulful groove. Finding expansion in the slightest of movements, Evan thrives in inviting the listener along a journey of rhythmic and harmonic expression. This trombonist, multi-instrumentalist, & singer/songwriter is a naturally gifted performer who has delved into many varied genres in his career, honing a musical soup of influences into a style at once familiar to the ear yet uniquely his own.

Boris Grubesic

Born: July 24, 1991

Boris Grubesic, based in Stockholm, Sweden, is a guitarist and songwriter whose music blends folk, jazz, improvisational elements and pop. Influenced by guitarists and composers like Marc Ribot, Nick Drake, Joni Mitchell, Leo Kottke, Barney Kessel, and Agustin Pereyra Lucena, Boris creates a unique musical narrative.

His debut solo album, 'Stundom,' released on June 19th, 2024, features a collection of guitar compositions with short tunes and improvisations.

Boris is also a member of the bands Mata Kopa and Smiling Man.

Denin Slage-Koch

Born: January 12, 1996

Having been praised as possessing “pristine playing, meticulous composing” and “a very personal voice deserving of attention,” award-winning guitarist, composer, and educator Denin Slage-Koch has done a lot. He’s played and recorded with artists like Ryan Keberle, Shane Endsley, Carmen Bradford, Clay Jenkins, Brad Goode, Wycliffe Gordon, and the Colorado Symphony, written music for artists like Melissa Aldana and Carmen Bradford, recorded three albums of original music and served as sideman for many more, published a book, and is a full-time member of the jazz faculty at the University of Tennessee Knoxville - and he’s not even 30 years old yet. Put simply, he is one of the most exciting and unique rising musicians on the scene today.

Daniel Mayer

Born: January 29, 1999

Olin Clark

Olin Clark is a guitarist and composer living in New York City. As a composer and arranger, Olin's music has been performed by many ensembles around the United States and abroad. Olin released his debut album Bright in January 2018, as well as Live at Bar Next Door in May 2020. His most recent project, Pieces--a co-led jazz trio from NYC--has released two albums since September 2021, 1A and Lupine which have featured many of Olin’s compositions.

Olin has toured extensively around the US and Spain, as well as performing Internationally at festivals such at the Trinidad & Tobago Jazz Festival and the Windsor Jazz Festival.Olin has performed with artists such as Etienne Charles’ Creole Soul, Patrick Bartley’s J-MUSIC Pocket Band, Marcus Elliot, Randy Napoleon, Milo Z, Brad Fritcher's MOODS, and MSU Jazz Orchestra I.

Well Tempered Madness

Based in Las Vegas, Well Tempered Madness is the brainchild of guitarist Steve Fansler, who has worked with jazz greats Tony Guerrero, Quincy Jones, Clark Terry, Ed Shaughnessy, and Louis Belson, and is inspired by many different genres and all of the music that he's had the chance to play. Two years ago, the band played their first live gigs and their self-titled debut album was recorded in 2023. Well Tempered Madness features Stephen Fansler on guitar and vocals; Uli Geissendoerfer on piano, Rhodes, Wurlitzer, Hammond, and synths; Tom Bolton on drums; Mike Merritt on bass; Jeanette Jurado (a member of the multi-platinum group Exposé) on vocals (tracks #2 and #5) and Jose "Pepe" Jimenez on percussion.
 

Scott Samenfeld

Born: October 26, 1951

Scott Samenfeld has been performing in the Boston area since he attended Berklee in the early 70’s. He is currently the leader of my own group, “Muse Stew”. They perform his original compositions as well as tunes from many other Jazz and Latin artists. They utilize percussion instruments in place of the traditional drum set as a way to connect with the African, Afro-Cuban, Brazilian and other folkloric rhythmical origins of Jazz. This blending of contemporary musical elements with spices and flavors from around the world gives us a very unique take on both jazz standards and original works. The band began its life many years ago performing jazz and poetry in settings such as the Bookcellar Cafe and in local coffee houses. We continue to integrate poetry and other disciplines into our performances.

The Neighborhood Quartet

The Neighborhood Quartet’s music is as varied as its members’ résumés—as improvisers, they’re adept at navigating jazz harmony; as writers they understand the shape of folklike melodies—but, if they had to be classified, you could say they pursue a distinctly midwestern take on the tradition of R&B and pop instrumental groups. Such groups were thicker on the ground in the sixties and seventies: Booker T. & the MG’s, Young-Holt Unlimited, the Meters, and broadly kindred bands such as the more jazz-aligned Crusaders. On its self-titled debut album, the Neighborhood Quartet doesn’t explicitly sound like any of that—they aren’t retrogressive or imitative—but they tap into the tradition’s sensibility: sticky melodies laid on top of supple funk; clever, economical arrangements; tasty and succinct solos. For the group’s guitarist and lap-steel ace, Dan Schwartz, the NHQT has two principal modes, both evocative of motion: their groovy side, likened to cruising through the streets of the quartet’s native Twin Cities; and their ethereal side, likened to floating above the nearby prairie. Indeed, the album’s bright, hooky opener, “Hey Fellas,” written by the band’s vibraphonist, Steve Roehm, would sound great coming from a car stereo on one of the long commercial streets of Minneapolis (or Detroit, for that matter). Meanwhile, Schwartz’s plaintive “End of October” could soundtrack a country drive where with each second the windshield frames a new classic of landscape art.