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88

News: Radio

JazzWeek Radio Chart: July 27, 2009

TW LW 2W Artist TW LW Move Add Rpts Peak Wks 1 3 4 Joe Locke & David Hazeltine Mutual Admiration Society 2 (Sharp Nine) 238 218 +20 2 57 1 6 2 6 23 Grant Stewart Grant Stewart Plays The Music Of Duke Ellington & Billy Strayhorn (Sharp Nine) 225 183 +42 0 48 2 8 ...

232

Article: Album Review

Grant Geissman: Cool Man Cool

Read "Cool Man Cool" reviewed by Woodrow Wilkins

by Woodrow Wilkins

There are throwbacks, and then there are throwbacks. Guitarist Grant Geissman takes us back to the era of cool--a visual image of nightclubs patronized by people wearing long shirts, dark glasses and berets. Geissman may be best known for his solo on “Feels So Good," the pioneering smooth jazz song that brought Chuck Mangione's ...

343

Article: Album Review

Grant Geissman: Cool Man Cool

Read "Cool Man Cool" reviewed by John Kelman

by John Kelman

Guitarist Grant Geissman returns after his stellar comeback disc, Say That! (Futurism, 2006), with an album that capitalizes on its predecessor's strengths while at the same time, recruiting an even larger cast of characters. Cool Man Cool is a west coast mainstream jazz affair, celebrating Cool, but with some twists and turns thrown in to make ...

841

Article: Big Band Caravan

Mike Vax Big Band / Dave Siebels / Phil Woods / London Horn Sound

Read "Mike Vax Big Band / Dave Siebels / Phil Woods / London Horn Sound" reviewed by Jack Bowers

by Jack Bowers

Mike Vax Big Band Sounds from the Road Summit Records 2009 As Bob Hope and Bing Crosby entertained millions with their “road" movies in the 1940s, so the Mike Vax Big Band has its own “road show," arguably as entertaining but playing to much smaller audiences than Hope ...

245

News: Recording

Guitarist Grant Geissman's New CD, "Cool Man Cool"

Guitarist Grant Geissman's New CD, "Cool Man Cool"

Grant Geissman Cool Man Cool April 21 Release Futurism Records 2054 After a long flirtation with smooth jazz, guitarist Grant Geissman went back to his jazzy roots and came up with the most personally satisfying statement of his career in 2006’s Say That!, his paean to the golden era of ...

410

Article: Album Review

Dave Siebels: Dave Siebels with Gordon Goodwin's Big Phat Band

Read "Dave Siebels with Gordon Goodwin's Big Phat Band" reviewed by Edward Blanco

by Edward Blanco

A thrilling collaboration between one of the finest jazz ensembles in the business and a keyboardist whose résumé extends beyond jazz, the self-titled Dave Siebels with Gordon Goodwin's Big Phat Band is, quite frankly, one riveting session of big band music fronted by Siebels' commanding performance on the Hammond B3 organ. Not surprising, when the artistic ...

Album

Language

By Lorraine Feather

Label: Jazzed Media
Released: 2008
Track listing: Traffic and Weather; We Appreciate Your Patience; Very Unbecoming; I Love New York at Christmas; Home Alone; Hit the Ground Runnin'; Where Are My Keys?; In Flower; Waiting Tables; A Household Name; Making It Up As We Go Along.

Album

Say That!

By Grant Geissman

Label: Futurism Records
Released: 2006
Track listing: Say That!; What's the Story?; Point of View; Theme from Two and a Half Men; Yes or No?; New York Stories; Grandfather's Banjo; Bossa; Wrong is Right; Spy versus Spy; Siete; Below the Radar; Wes is More.

220

Article: Album Review

Grant Geissman: Say That!

Read "Say That!" reviewed by John Kelman

by John Kelman

He's back! Grant Geissman is perhaps best known as the guitarist whose solo on Chuck Mangione's 1977 hit “Feels So Good" elevated it, at least while it lasted, from pop/jazz confection to something more substantial. He has spent much of the ensuing years releasing albums that, despite being well-crafted, often veered too close for comfort to ...

246

Article: Album Review

Grant Geissman: Say That!

Read "Say That!" reviewed by Jim Santella

by Jim Santella

Grant Geissman returns to his straight-ahead roots with Say That!, which features searing originals embedded with tradition. The title track reflects the spirit of Wes Montgomery and the heyday of the organ combo. Geissman describes his idea for the album as “Wes Montgomery meets Horace Silver meets Jimmy Smith." You can't go wrong with that. Other ...


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