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10

Article: Catching Up With

Onaje Allan Gumbs: Dare To Dream

Read "Onaje Allan Gumbs: Dare To Dream" reviewed by La-Faithia White


Onaje Allan Gumbs is a New York based pianist, composer, lyricist, and bandleader. Gumbs' professional career began in 1971 when Leroy Kirkland introduced him to Kenny Burrell, by sharing a demo tape. The next day Gumbs received a phone call to play with Burrell at Baker's Keyboard Lounge in Detroit. Onaje, (Gumbs) talks about the beginnings ...

2

Article: Album Review

Gary McFarland: The In Sound & Soft Samba

Read "The In Sound & Soft Samba" reviewed by Rob Caldwell


Arranger, vibraphonist and singer Gary McFarland is regarded as one of the major purveyors of orchestral jazz--a type of jazz which had its heyday in the 1960s, but which is not heard as much anymore. A fine line separates orchestral jazz from the dreaded “easy listening" tag. A line so fine, they're often one and the ...

4

News: Obituary

Grady Tate (1932-2017)

Grady Tate (1932-2017)

Grady Tate, one of the most prolific drummers in the soul-jazz era beginning in the early 1960s who recorded on nearly 700 sessions and who easily could have had a career as a vocalist, died on October 8. He was 85. Tate began his recording career with Wild Bill Davis, the father of the jazz organ, ...

10

Article: Take Five With...

Take Five with Chuck Redd

Read "Take Five with Chuck Redd" reviewed by AAJ Staff


About Chuck Redd Chuck Redd is an internationally well-known performer on both drums and vibraphone. He began his career when he joined the Charlie Byrd Trio at the age of 21. He also became a member of the Great Guitars (Barney Kessel, Byrd, and Herb Ellis.) To his credit are 25 European tours and six ...

31

Article: Profile

Dr. Dre: Straight Outta Compton

Read "Dr. Dre: Straight Outta Compton" reviewed by Solomon J. LeFlore


I read a headline today in Daily Variety (motion picture industry magazine) that said: “Straight Outta Compton chronicles the origins and history of N.W.A. ("Niggaz With Attitude"), arguably the most influential hip hop group in the history of American music. The title is taken from the title of their 1988 debut studio album, and it is ...

53

Article: Interview

John Riley: Inspiring Innovation

Read "John Riley: Inspiring Innovation" reviewed by Ben Scholz


Foremost an innovator, John Riley has always been a “drummer's drummer" in the world of straight-ahead jazz. With nearly a hundred recordings, a dozen videos, and five books under his belt, Riley is a veritable font of knowledge in the bebop realm. In this article, we take a look back at some of his musical endeavors ...

14

Article: The Vinyl Post

Roland Kirk: The Limelight/Verve Albums

Read "Roland Kirk: The Limelight/Verve Albums" reviewed by C. Andrew Hovan


Several years ago when this writer was looking for rarities to include in the column Jazz From the Vinyl Junkyard, the chances for the medium to make a huge comeback seemed to be slim at best. Fast forward and it seems that vinyl is the new black, with efforts to market it to a fresh and ...

11

Article: Interview

Mark Sherman: Truth Of Who I Am

Read "Mark Sherman: Truth Of Who I Am" reviewed by DanMichael Reyes


Vibraphonist Mark Sherman likes using the term consummate to describe musicians and colleagues that he's played with. While it would be difficult to speak to every notable musician that Sherman's played for and ask about their opinion about Juilliard graduate and professor, it is safe to assume that they would also describe Sherman as a consummate ...

11

Article: Interview

Victor Lewis: The Drummer's Spirit

Read "Victor Lewis: The Drummer's Spirit" reviewed by Victor L. Schermer


For several decades, Victor Lewis has been one of the most in-demand drummers of the post-bop era and beyond. He has performed with Stan Getz, Dexter Gordon, J.J. Johnson, Chet Baker, George Cables, Woody Shaw, Kenny Barron, Bobby Watson, and others of similar stature. On account of his exceptional ability to push the envelope of musical ...

1

News: Award / Grant

The New NEA Jazz Masters: Jamey Aebersold

The New NEA Jazz Masters: Jamey Aebersold

With a 1962 Indiana University master’s degree in saxophone, Jamey Aebersold might have carved out a career as a performer. He has never stopped playing, but a casual request set him on a course that led to success as the best-known third-party teacher in jazz. In 1966, a student at a workshop asked Aebersold, who is ...


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