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Rich Halley: Live at the Penofin Jazz Festival
by Gordon Marshall
Tenor saxophonist Rich Halley gives the great cornetist, Bobby Bradford, the first solo on Live at the Penofin Jazz Festival, as well he should. Bradford is a veteran of the melodically oriented free jazz scene, going back to his days in the late '50s with Ornette Coleman, who is Halley's starting point. When Halley himself comes ...
Jason Robinson: The New Western
by Gordon Marshall
Saxophonist Jason Robinson is alert and ready to work his place in the scheme of things, from jazz itself to music at large, to the existential particulars of philosophy. A supple technician with a penchant for abstract thought, he splices together different strains of theory and logic with combinatory takes on period, school and style. A ...
George Cartwright: Barrier Islands Bird
by Gordon Marshall
George Cartwright can't be forgotten. The triple sax threat is part of the archaeology of modern New York. The downtown scene, just like New Orleans or 52 Street, has its mythology, and, as much as John Zorn, Cartwright figures in that, having come to the city fresh out of The Creative Music Studio in Woodstock, New ...
Kevin Frenette: Fall River Guitar Guy
by Gordon Marshall
However cool the surface of his music, Kevin Frenette is not content to serve up any sort of “easy listening." The guitarist grew up in Fall River, a small city in southeastern Massachusetts, but the beauty of his music is akin to a sylvan setting--to enter into it is to traverse a forest trail. Some themes ...
Pete Robbins: Balance Dream
by Gordon Marshall
Pete Robbins is all about balance, in temperament and as an artist. He produces a polished sound on his alto saxophone, with a light tone betraying corners of darkness and complexity. Already an accomplished leader at 31, he grafts his sound onto ensembles of varying sizes with aplomb and equanimity. His style as a leader is ...
Guitarist Kevin Frenette Interviewed at All About Jazz
However cool the surface of his music, Kevin Frenette is not content to serve up any sort of “easy listening." The guitarist grew up in Fall River, a small city in southeastern Massachusetts, but the beauty of his music is akin to a sylvan setting—to enter into it is to traverse a forest trail. Some themes ...
Curlew Founder/Saxophonist George Cartwright Interviewed at All About Jazz
George Cartwright can't be forgotten. The triple sax threat is part of the archaeology of modern New York. The downtown scene, just like New Orleans or 52 Street, has its mythology, and, as much as John Zorn, Cartwright figures in that, having come to the city fresh out of The Creative Music Studio in Woodstock, New ...
Saxophonist Pete Robbins Interviewed at All About Jazz
Pete Robbins is all about balance, in temperament and as an artist. He produces a polished sound on his alto saxophone, with a light tone betraying corners of darkness and complexity. Already an accomplished leader at 31, he grafts his sound onto ensembles of varying sizes with aplomb and equanimity. His style as a leader is ...
Urs Leimgruber: Chicago Solo, Albeit, Willisau, Aurona Arona
by Gordon Marshall
Urs LeimgruberChicago SoloLeo2010 Urs LeimgruberAlbeitJazzwerkstatt2010 OMWillisauIntakt2010 EmberAurona AronaCreative Sources2010 Swiss saxophonist Urs Leimgruber has ...
Steve Swell: Sound Miracles
by Gordon Marshall
Trombonist Steve Swell captures the energy of a big band in the close quarters of a small group. An alumnus of Buddy Rich's and Lionel Hampton's bands on the one hand, and collaborator with Anthony Braxton on the other, he seems bound to have fixed upon such a hybrid configuration at some point. But how an ...
