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Black Sage (for Henry Grimes)
by Gordon Marshall
I have seen the stage lights playthe sly sagacity of Henry's smile:the lightning on his lips, decadesdark with spattered starlight coming back to his eyes.To win words from that smilethat opens like a jackknifedrawing blood from parchment spurting ...
Gutbucket: Cascades and Collisions
by Gordon Marshall
Over its 12-year career, Gutbucket has resituated its various musical parts like the pieces of a Rubik's cube. The elements of that cube, the sonic strains, have remained similar--an amalgam of fuzz rock, jumpy jazz, post-serial classicism--but its panoply of shifting color has been redeployed in unique ways on each of the Brooklyn-based quartet's five CDs, ...
Noah Preminger Quartet, Boston, February 23
by Gordon Marshall
Noah PremingerScullers Jazz ClubBoston, Mass.February 23, 2011 To judge by his sophomore effort, Before the Rain (Palmetto, 2011), tenor saxophonist Noah Preminger's singular forte is the reinvention of the ballad. He does it so well, and so nearly exclusively, that it came as a pleasant surprise, during his performance at Scullers ...
Geni Skendo: Breaking Free
by Gordon Marshall
Flautist and shakuhachi master Geni Skendo does not genre-mash so much as genre-crash, like a late-night interloper joining a lame party and livening it up with exotic sound. It's miraculous, this color he brings to anything, given the drab Iron Curtain he exited under on his flight from his native Albania, traveling to Boston, Massachusetts to ...
Flautist Geni Skendo Interviewed at All About Jazz
Flautist and shakuhachi master Geni Skendo does not genre-mash so much as genre-crash, like a late-night interloper joining a lame party and livening it up with exotic sound. It's miraculous, this color he brings to anything, given the drab Iron Curtain he exited under on his flight from his native Albania, traveling to Boston, Massachusetts to ...
Robin Holcomb: Distinctive Mysteries
by Gordon Marshall
Robin Holcomb's songs are knotty like tumbleweeds, braided like roads on maps along which tumbleweeds roll. She lays her songs down like baskets that have the rustic grace of birds' nests, always on the verge of promising a truth, but brimming with natural mysteries. Mysteries accrue, creating a keen urge to get at the kernel of ...
Singer/Songwriter Robin Holcomb Interviewed at All About Jazz
While she's been around since the early '80s, emerging in New York's Downtown Scene alongside husband Wayne Hortivtz, pianist/vocalist Robin Holcomb made her first major leap onto a broader radar with her eponymous 1990 debut, on Nonesuch Records. Her ability to combine left-leaning concerns with Americana traditionalism and historical concerns have made her a unique voice ...
Microscopic Septet: Chance Meeting with the Future
by Gordon Marshall
The Microscopic Septet is all about swing, but swing in a sense extrapolated from the stale, dated pages of the past. Its take on the music of the '30s and '40s is too scholarly to fall off the map as retro, and too deeply felt to be dismissed as a dusty trove of museum pieces. The ...
Mr Ho's Orchestrotica: Endless Bachelor Party
by Gordon Marshall
Led by pianist and multi-percussionist Brian O'Neill, Mr Ho's Orchestrotica plays the kind of music you can listen to with your mother. She'll love the '50s atmosphere of The Unforgettable Sounds of Esquivel (Exotica For Modern Living, 2010)--while you'll pick up all the left-of-center global hints--and she won't even know it's good for her! It's good, ...
Conference Call: Evolution of a Burning Bush
by Gordon Marshall
Conference Call can be as balanced and beautiful as an intricate organism, and just as soon rage with holy fire. The quartet--consisting of saxophonist Gebhard Ullman, bassist Joe Fonda, drummer George Schuller and pianist Michael Jefry Stevens--perpetually weaves in all three dimensions, as well as in time--its own, and music history's. Together since ...
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