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26

Article: Album Review

Pedro Molina: À Procura

Read "À Procura" reviewed by Glenn Astarita


Pedro Molina's debut album, À Procura (translated as “In Search Of"), is a captivating odyssey through his refined musical vision. Released in 2024 under the Carimbo Porta-Jazz label, the album not only displays Molina's formidable bass guitar prowess but also his proficient skill as a composer and bandleader. Originally hailing from Murcia, Spain and ...

29

Article: Album Review

Luis Vicente Trio: Come Down Here

Read "Come Down Here" reviewed by Glenn Astarita


The Luis Vicente Trio's Come Down Here is a bold exploration of free jazz that morphs pure improvisation with hints of conventional structure. While it may not aspire to be a masterpiece, it offers an engaging and often exhilarating journey into the unpredictable realms of spontaneous musical creation. From the opening notes of the ...

31

Article: Album Review

Yamabiko Quintet: Yamabiko Quintet

Read "Yamabiko Quintet" reviewed by Glenn Astarita


Yamabiko Quintet, the group's self-titled album, is a sonic adventure through the labyrinth of free jazz, where improvisation is the guiding star and the unexpected lurks around every corner. This quintet, featuring Frank Paul Schubert on saxophones, Michel Pilz on bass clarinet, Reiner Winterschladen on trumpet, Christian Ramond on bass and Klaus Kugel on drums, delivers ...

33

Article: Album Review

Kattt Atchley: Late Night Phone Call

Read "Late Night Phone Call" reviewed by Glenn Astarita


Edgetone Records' 2-CD Late Night Phone Call is framed around a melody created by vocalist/improviser Kattt Atchley. More than just a collection of experimental tracks; it is a sonic journey through the depths of the human psyche, a late-night conversation with the subconscious. The album's eclectic blend of styles, from the haunting electronic landscapes to the ...

33

Article: Album Review

Jonathan Salvi Arugula Sextet: Arugula

Read "Arugula" reviewed by Glenn Astarita


Swiss artist Jonathan Salvi's Arugula, released on Challenge Records, offers a blend of rhythmic complexity and thoughtful jazz arrangements. As the 103rd release in the “Jazz Thing Next Generation" series, it presents Salvi's work on the vibraphone in a way that fits well within the contemporary jazz scene. Salvi's vibraphone technique--using four mallets --is ...

33

Article: Album Review

YANG: Rejoice!

Read "Rejoice!" reviewed by Glenn Astarita


YANG, the post-rock outfit led by French guitarist Frédéric L'Épée continues to expand their sonic landscape with Rejoice. L'Épée, a seasoned figure in the progressive rock realm and former member of avant-garde bands Shylock and Philharmonie, infuses YANG's sound with his signature precision and emotional weight. Since their inception in the mid-2000s, YANG has crafted a ...

49

Article: Album Review

PAKT: No Steps Left To Trace

Read "No Steps Left To Trace" reviewed by Glenn Astarita


When four highly regarded musicians like Percy Jones, Alex Skolnick, Kenny Grohowski and Tim Motzer join forces, expectations run high for an album like No Steps Left to Trace--and it delivers, effortlessly blending daring and organic soundscapes. PAKT's 2024 release defies easy classification, weaving progressive rock, jazz fusion and avant-garde experimentation into a tapestry of sound ...

42

Article: Album Review

Terrence McManus: Music for Chamber Trio

Read "Music for Chamber Trio" reviewed by Glenn Astarita


Terrence McManus' Music for Chamber Trio is a masterclass in the art of minimalism, a testament to the power of understated composition. The album, which features an unconventional trio, challenges traditional notions of chamber music, favoring textural exploration over melodic or rhythmic dominance. From the outset, guitarist McManus makes it clear that this is ...

64

Article: Album Review

MOVE: Free Baile - Live in Shenzhen

Read "Free Baile - Live in Shenzhen" reviewed by Glenn Astarita


Portugal-based trio Move's live album, Free Baile, is more than just a recording; it is an electric charge in musical form. Capturing the raw, unfiltered energy of saxophonist Yedo Gibson, bassist Felipe Zenicola and drummer João Valinho, this album propels listeners into a world where jazz, free improvisation and a kaleidoscope of genres collide and meld ...

52

Article: Album Review

Various Guitarists: The Middle of Everywhere: Guitar Solos Vol. I

Read "The Middle of Everywhere: Guitar Solos Vol. I" reviewed by Glenn Astarita


Produced by laudable guitarist/composer Joel Harrison and the Alternative Guitar Summit, The Middle of Everywhere: Guitar Solos Vol. 1 is a compelling exploration of the intersections between jazz, classical and world music traditions--think of it as a musical United Nations, where six-stringed diplomats from various genres come together to harmonize. In the album liners, Harrison states, ...


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