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10

Article: Album Review

Benoit Delbecq 3: Ink

Read "Ink" reviewed by Glenn Astarita


Berlin-based bassist Miles Perkin handles the duties previously held by revered French bassist Jean-Jacques Avenel (Steve Lacy, Pharoah Sanders) who passed away in 2014. Therefore, this enterprising piano trio led by Frenchman Benoit Delbecq surges forward with the similar level of ingenuity conveyed on The Sixth Jump (Songlines, 2010). In addition, Congolese drummer Emile Biayenda intersperses ...

13

Article: Album Review

Pixel: Golden Years

Read "Golden Years" reviewed by Glenn Astarita


Pixel is not your prototypical Scandinavian jazz ensemble, evidenced by many ECM Records recording artists' known for integrating atmospherics and chamber-jazz proclivities into wide- open or temperate jazz improvisational forums. Of course, this is not a bad thing, yet the quartet adheres more to an Indie progressive jazz-centric rock vibe, largely fed by bassist, vocalist Ellen ...

14

Article: Album Review

Scott Clark 4tet: Bury My Heart

Read "Bury My Heart" reviewed by Glenn Astarita


Richmond, VA., resident Scott Clark is a drummer who projects a lot of get-up-and-go during these jaunty progressive jazz works, inspired by his Native American ancestry. Hence, the 4tet and guest artists execute a set framed on Native American incidents largely based on hardships and trauma but Clark's manifesto also proffers hope. The six ...

22

Article: Album Review

Fuchsia: Fuchsia

Read "Fuchsia" reviewed by Glenn Astarita


In the late 1960s and beyond, British bands such as Fairport Convention and a few others made a splash by fusing folk and rock into a cohesive whole, and in many instances caught the attention of progressive rock acolytes, due to the artists' high-level of musicianship and multifarious song-forms. Even though Fuchsia released only one album, ...

12

Article: Album Review

Whirlpool with Ron Miles: Dancing on the Inside

Read "Dancing on the Inside" reviewed by Glenn Astarita


Venerable cornetist Ron Miles sat in with the core bass-less trio, Whirlpool during a 2013 live performance at a music venue in the hornist's hometown, Denver CO in 2013. As the story goes, this union resulted in synergistic output, leading to Dancing on the Inside. Guitarist Jeff Swanson advises that the “The music was written specifically ...

8

Article: Album Review

Luís Lopes/Jean-Luc Guionnet: Live At Culturgest

Read "Live At Culturgest" reviewed by Glenn Astarita


Experimental jazz improvisers, guitarist Luis Lopes (Portugal) and Jean-Luc Guionnet (France) align their creative wares for a largely ferocious program consisting of two lengthy tracks, captured live at a Lisbon venue. The respective artists employ surgical deconstruction mechanisms to get the job done with some wily Sci-fi like motifs that may summon an impending Armageddon or ...

8

Article: Album Review

The Peeled Eye: The Peeled Eye

Read "The Peeled Eye" reviewed by Glenn Astarita


Berlin, Germany-based Shameless Records is managed by seasoned and well-travelled multi-instrumentalist Boris Hauf who resides as a prominent Euro-jazz improviser and experimentalist while also recording with members of Chicago's fruitful improv circuit. No doubt, Hauf is known to trek into unchartered musical arenas, evidenced by the band Efzeg where micro-textures and minimalism often serve as a ...

10

Article: Album Review

Urs Leimgruber - Alex Huber: Lightnings

Read "Lightnings" reviewed by Glenn Astarita


Wide Ear Records is a nascent Swiss experimental jazz label, co- founded by drummer Alex Huber who performs here, in a duo setting with his fellow countryman and eminent improviser, saxophonist Urs Leimgruber. Hence, the musicians generate some cerebral merry-making on this set via the saxophonist's gyrating and stunted battle cries and the customary call and ...

9

Article: Album Review

Slivovitz: All You Can Eat

Read "All You Can Eat" reviewed by Glenn Astarita


This Italian progressive rock, jazz fusion unit named after an Eastern European plum brandy unleashes a wealth of insightful and melodically focused arrangements via its unique sound and diverse instrumentation. As a long-awaited follow-up to Bani Ahead (Moonjune, 2011), the septet integrates a magnetic series of works, spanning Italian folk, Frank Zappa-esque time signatures and with ...

20

Article: Album Review

Matthew Shipp Trio: The Conduct of Jazz

Read "The Conduct of Jazz" reviewed by Glenn Astarita


Influential progressive jazz pianist/improviser, Matthew Shipp boasts an extensive discography as a group leader, soloist and in-demand session artiste. During the past three decades he's amassed an immense discography amid his affiliations with like-minded musicians representing the USA and Euro-jazz circuits. On this piano trio date, Shipp exemplifies to a very high degree, his uncanny knack ...


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