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MUSICIAN Born:

Gil Melle

Gil Melle was an artist, jazz musician and film composer. In the 1950s, Melle's paintings and sculptures were shown in New York galleries and he created the cover art for albums by Miles Davis, Thelonious Monk and Sonny Rollins. Melle played the tenor and baritone saxophone with George Wallington, Max Roach, Tal Farlow, Oscar Pettiford, Ed Thigpen, Kenny Dorham and Zoot Sims. As a film and television composer, Melle was one of the first to use electronic instruments (which he built himself), either alone or as an added voice among the string, wind, brass, and percussion sections of the orchestra

Blue Note Records: Lost In Space: 20 Overlooked Classic Albums

Read "Blue Note Records: Lost In Space: 20 Overlooked Classic Albums" reviewed by Chris May

For anyone with a passion for Blue Note, it is hard to conceive of an album that has been “overlooked," let alone twenty of them. For connoisseurs of the most influential label in jazz history, the passion can be all consuming: if a dedicated collector does not have all the albums (yet), he or she will ...

ARTICLE: RADIO

Big Ten Inch Record

Read "Big Ten Inch Record" reviewed by Patrick Burnette

As the great Sigmund Freud said, sometimes an EP is just an EP. In this case, actually, it's six EP's, as the boys look at that chimera of the early LP era, the ten-inch long-playing record, focusing on releases from the early to mid-nineteen fifties on Blue Note and Fantasy, along with a Resonance Records' Record ...

ARTICLE: PROFILE

The Giant Legacy of Rudy Van Gelder

Read "The Giant Legacy of Rudy Van Gelder" reviewed by Greg Simmons

Recording Engineer Rudy Van Gelder died at home of natural causes on August 25th at the age of 91. His legacy--and it's a big one--is the countless recordings he made during modern jazz's greatest period of innovation. Almost any jazz musician of note who was making records--especially if they were working on the east coast--was captured ...

In Praise of Liner Notes

Read "In Praise of Liner Notes" reviewed by Marc Davis

Joni Mitchell was onto something. You don't miss liner notes until you don't have them. I admit: Many liner notes leave me cold, for two reasons. First, they're way too detailed, especially in jazz. Every take has to be scrupulously annotated. Who played third trumpet in that big band? Was that Bird's second or ...

Benny Golson and the Philadelphians - 1958

Read "Benny Golson and the Philadelphians - 1958" reviewed by Marc Davis

I have hundreds of jazz CDs. I'm a huge fan of bebop, hard bop and all manner of piano playing. Yet I have blind spots in my collection and in my jazz knowledge. The big names are all accounted for. And now that I've been exploring Blue Note's back catalogue--especially the 1950s and '60s--I'm ...

1950s and ‘60s Blue Note – Is It All the Same?

Read "1950s and ‘60s Blue Note – Is It All the Same?" reviewed by Marc Davis

A few years ago, a reader from California named Charlie F. started a provocative discussion in the All About Jazz forums with the title: “I've decided not to buy any more Blue Note albums." Oh boy. He began, “Recently, I came to notice something about Blue Note albums of the 50s-60s, which was that ...

Gil Melle – Patterns in Jazz – Blue Note 1517

Read "Gil Melle – Patterns in Jazz – Blue Note 1517" reviewed by Marc Davis

Sometimes, Blue Note surprises you. Often, the Blue Note catalogue is predictable, especially in the '50s and '60s. Some say it is too predictable. But if you dive deep, there are hidden gems slightly off the beaten hard-bop path. Case in point: Gil Melle's Patterns in Jazz. West Coast jazz ...

Milt Jackson and the Thelonious Monk Quintet

Read "Milt Jackson and the Thelonious Monk Quintet" reviewed by Marc Davis

And now, a crossroads: At what price do I pass? It's the dilemma all collectors face eventually. At first, you buy the commons. A used CD at $4 is a no-brainer. A new CD at $10 or $12, easy to justify. But what do you do when the easies are gone and the price ...

Music Matters slows it down

Read "Music Matters slows it down" reviewed by Greg Simmons

Music Matters is pulling a fast one. For the past several years they've been hawking a series of reissues of the classic Blue Note Records catalogue of the 1950s and 60s. The defining features of this series have been that they've all been re-mastered from the original session tapes by mastering guru Kevin Gray and, in ...


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