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Ray Scro: What Jazz Education Means
by Andrew J. Sammut
For Ray Scro, music education is a redundancy. He's been performing, studying and teaching music for nearly fifty years in his home of Staten Island, and throughout New York City. In the early seventies Scro studied under saxophonist and guru Lee Konitz, and he's played with Jimmy Knepper, Chuck Wayne, Charlie Persip, and Chico Hamilton, among ...
Take Five With Jackson Evans
by AAJ Staff
Meet Jackson Evans: Based in Savannah, Georgia, Jackson is known throughout the southeast as an in-demand band leader, composer, arranger and accompanist. In addition to organizing several regional tours he has performed in concert series and festivals including an appearance as a featured guest at the Savannah Jazz Festival.Jackson holds a BM ...
Ornette Coleman: The Shape Of Jazz To Come
by C. Michael Bailey
Ornette ColemanThe Shape Of Jazz To ComeAtlantic1959 Ornette Coleman's Contemporary Records releases Something Else!!!! (1958) and Tomorrow Is The Question! (1959) documented the alto saxophonist's development from the last vestiges of bebop toward a harmonically freer jazz language. Coleman's album titles became more prophetic as they were ...
Big Band Jazz: It's Not Just for Guys Anymore
by Jack Bowers
Back in the early '90s, Stanley Kay, one-time back-up drummer for the incomparable Buddy Rich, later a manager of such artists as Maurice Hines, Michelle Lee and Paul Burke and the entertainment director for the New York Yankees, had a good idea: the time had come, he reasoned, to assemble an all-woman big band that would ...
Ornette Coleman: Tomorrow is the Question!
by C. Michael Bailey
Ornette ColemanTomorrow is the QuestionContemporary1959Shaking out of the contractual obligation forcing him to employ a pianist on his debut, Something Else!!!! (Contemporary, 1958), alto saxophonist Ornette Coleman dispensed with the instrument altogether on 1959's Tomorrow is the Question!, causing a bit of consternation on the part of the ...
Ryan Truesdell: The Gil Evans Project
by Victor L. Schermer
Imagine the commotion when previously unknown manuscripts of Beethoven or Bach were discovered. In the jazz world, the equivalent of such an event might occur with regard to the music of innovators like Duke Ellington or Gil Evans. Indeed, that is exactly what composer-arranger-conductor-producer Ryan Truesdell has uncovered with Evans' music. He researched and found a ...
Gerry Mulligan "Watching and Waiting"
Dave Grusin, like fellow Silver Age film composer Lalo Schifrin, has steadily slowed the pace of his movie scoring down over the last few years. Like Schifrin, Grusin—also a jazz pianist—has devoted more of his attention to other facets of his remarkable musicality. But even as Dave Grusin seems to have moved away from film, he ...
Jack's Gone! No He Isn't; Yes He Is; No He Isn't...!
by Jack Bowers
As I sat down to write this month's column, word came that trumpeter Jack Sheldon had died. No sooner had I written a few words about that when word came that trumpeter Jack Sheldon had not died. After some back-and-forth on the internet (is he or isn't he?), the last report, it seems, was the true ...
Gold Medalists Abound at Big Band Olympics
by Jack Bowers
As this is being written, Betty and I are just back from a ten-day visit to California, the first six days of which would be of absolutely no interest to readers of this column. The last four, however, were spent at the Los Angeles Airport Marriott Hotel attending the L.A. Jazz Institute's “Big Band Olympics," which ...
Norman David Eleventet: Philadelphia, PA May 27, 2011
by Victor L. Schermer
Norman David Eleventet Little Bar Philadelphia, PAMay 27, 2011 With the closing of Zanzibar Blue and Ortlieb's Jazzhaus, Philadelphia has lost two of its iconic jazz clubs, further diluting an already limited constellation of venues. So it's encouraging to see music coordinators Greg Matthews and Mike Boone taking up some of ...
