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Brian Landrus: Generations
by Jerome Wilson
With Generations baritone saxophonist Brian Landrus has created an ambitious set of music for full orchestra that is based in jazz but also touches on classical music, hip hop and reggae, giving prominent position to instruments like harp and vibraphone to give his ensemble an airy, spacious sound.It all begins with the five-movement “Jeru ...
Larry Dickson Jazz Quartet: Donora Autumn
by Jack Bowers
Baritone sax, trumpet, bass and drums: a lineup that may seem more than passably familiar to fans of small-group jazz in general and West Coast jazz in particular. The first of many piano-less quartets--and the one that remains the gold standard-- was the Gerry Mulligan / Chet Baker Quartet, formed in the early '50s with Bob ...
The Phil Norman Tentet: Then and Now
by Jack Bowers
There comes a time, usually during the fifth or sixth rendition of a “franchise" movie (think “Rocky" or “Star Trek"), when the phrase “enough is enough" inevitably springs to mind. While Then and Now, the seventh album by saxophonist Phil Norman's L.A.-based all-star Tentet, lands somewhere this side of overkill, its premise--to update and reintroduce classic ...
Brian Landrus: Generations
by Dan Bilawsky
Brian Landrus established himself as a composer of great strength and substance, and rose to his position as one of the foremost low reed specialists on the scene, through albums like the expansive Mirage (Blueland Records, 2013) and the trio-centric The Deep Below (Blueland, Records/Palmetto Records, 2015). But even well wrought and absorbing dates like those ...
Go Slow: The Life Of Julie London
by Michael Owen
The following is an excerpt is from “Chapter 12: For the Night People" of Go Slow: The Life of Julie London by Michael Owen (Chicago Review Press, 2017). All Rights Reserved. In 1965, after three years of largely recording pop tunes under Liberty Records' hit-making producer Snuff Garrett, Julie London was eager to ...
Art Pepper: Presents “West Coast Sessions” Volumes 3 & 4
by C. Michael Bailey
Today is the day that I finally come clean about Art Pepper and me. In 1984, I was taking a year off between having finished Pharmacy School and beginning a graduate program in Medicinal Chemistry and Drug Design. During this time, I had my yearly eye appointment with my ophthalmologist, one Dr. A. Henry Thomas, with ...
Philadelphia Jazz: A Brief History
by Jack McCarthy
This article was first published at the Encyclopedia of Greater Philadelphia website. Jazz began to emerge as a distinct musical style around the turn of the twentieth century, a merging of two vernacular African American musical styles—ragtime and blues—with elements of popular music. New Orleans, the “cradle of jazz," was the most important city ...
Bill Frisell / Thomas Morgan: Small Town
by John Kelman
In Emma Franz's revelatory documentary, Bill Frisell: A Portrait, the guitarist talks about the many guitars he owns, and how he rarely gets to plays them--the consequence, amongst other things, of the plight musicians face when traveling by air these days. Not three months after the film's premiere at South By Southwest this past March, comes ...
Remembering Art Farmer
by Lazaro Vega
This interview was first published at All About Jazz in November 1999 and is part of our ongoing effort to archive pre-database material. This interview was originally broadcast at the time on Blue Lake Public Radio; portions of this interview appeared in an advance article published by the Grand Rapids Press. Lazaro ...
Colorado Jazz Repertory Orchestra: Invitation
by Jack Bowers
Here's how to make sure a five-star big-band album receives a four-star review: assemble a group of the finest musicians within a stone's throw or two of the chosen locale, place them in a recording studio, hand them superlative charts to read --then add vocals. In this case three of same, pretty much undermining what is ...
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