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JC Sanford: Imminent Standards Trio Vol. 1
by Jack Bowers
Trombone-led trios are few and far between, but Minnesota-based JC Sanford, a protégé of the late great Bob Brookmeyer, gives it a go with bassist Jeff Bailey and drummer Phil Hey on Imminent Standards Trio Vol. 1, whose title does not derive from imminent, as in soon-to-be," but as in Imminent Brewing," the trio's monthly performing ...
Dino Piana: un altro giro di Blues
by Paolo Marra
A 91 anni Dino Piana ha ancora voglia di suonare come quando da bambino lo faceva con un pezzo di legno sullo scalino di casa--"non potrei stare un giorno senza suonare, starei male perché ho bisogno di esprimermi" così ci dice il trombonista piemontese nell'intervista che abbiamo realizzato in occasione dell'uscita del suo nuovo disco Al ...
Getz Meets Mulligan in Hi-Fi
There's a cross-dressing quality about the first three tracks on Getz Meets Mulligan in Hi-Fi. You hear the baritone and tenor saxophones but things seem a little inside out. The baritone has Stan Getz's mildness and the tenor sounds more like Mulligan's bouncing attack. In fact, Verve producer Norman Granz recorded just such a switch, which ...
Jazz Musician of the Day: Gerry Mulligan
All About Jazz is celebrating Gerry Mulligan's birthday today! Gerry Mulligan grew up in Philadelphia and first learned piano, which he played occasionally. While in his teens, he wrote arrangements for Johnny Warrington's radio band (1944) and played reed instruments professionally. After moving to New York in 1946, he joined Gene Krupa's big band as staff ...
Eddie Sauter: A Wider Focus
by Chris May
For many people, composer and arranger Eddie Sauter's reputation begins and ends with Stan Getz's Focus (Verve, 1962). The album is, indeed, a masterpiece. But it is only one of the pinnacles of Sauter's career, which started during the swing era. Nor is Focus Sauter's only collaboration with Getz. The partnership continued with the less widely ...
Modern Sounds From California
West Coast jazz was the music of migrants. After World War II, work opportunities for skilled jazz musicians skyrocketed in Los Angeles, attracting gifted artists from different parts of the country. Two principal architects of the West Coast jazz sound in the early 1950s were Gerry Mulligan and Shorty Rogers—transplants from the East Coast. Many other ...
Pino Palladino and Blake Mills: Notes with Attachments
by Chris May
Do not be put off by the cover. It might suggest inaccessible, up itself, bone-dry cerebralism, but the reality is contrariwise. Around a third of the music is vaguely reminiscent, in spirit if not in execution, of the 1949-1950 Birth Of The Cool sessions conducted by Miles Davis with arrangers Gil Evans, John Lewis, Gerry Mulligan ...
Take Five with David Larsen
by AAJ Staff
Meet David Larsen David Larsen is a saxophonist, composer, and educator. He has performed with a variety of artists including Ken Peplowski, Francisco Torres, Dave Glenn, Ron Vincent, Bill Mays, Dean Johnson, and the internationally acclaimed jazz vocalist Halie Loren. Recently, Larsen appears on the Origin Records release New Normal (2021) by Greg Yasinitsky and was ...
Five Videos: Gerry Mulligan
Baritone saxophonist Gerry Mulligan was a potent artist whose reach extended into many different areas of jazz across six decades. As a dominant arranger and player in the 1940s, he influenced big bands led by Gene Krupa, Elliot Lawrence and Claude Thornhill, fusing bop and swing. In 1949 and '50, he was a member of Miles ...
See Through 4: Permanent Moving Parts
by Chris May
Composer and bassist Pete Johnston, leader of Toronto's See Through 4, cites Lennie Tristano and Eric Dolphy as primary reference points for the quartet's music. As a listener, you may feel such connections are tenuous. Whatever his strengths, Tristano was not known for playfulness, a quality which runs through Permament Moving Parts. Plus, the contrapuntalism to ...



