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Jazzahead! 2015
by Henning Bolte
Jazzahead! ConferenceBremen, Germany April 23-26, 2015 Ten years ago nobody would have dared to claim that the city of Bremen, situated in the north-western part of federal Germany, would stand as the place to be for jazz professionals, but it has become a matter of fact. Bremen IS definitely the place ...
Schlippenbach Trio: Features
by John Sharpe
In a change of pace from their previous outing--the superb long form concert recording Bauhaus Dessau (Intakt, 2010) -the longstanding Schlippenbach Trio has created a program of 15 concise improvisations, captured during a two day stopover in Zurich during their customary winter tour schedule. Such practice stands as far from unprecedented in the unit's 43 year ...
Peter Brotzmann/Keiji Haino/Jim O'Rourke: Two City Blues 2
by Mark Corroto
The music of legendary jazz saxophonist Peter Brötzmann is at its finest when the great man has something to push against. Typically these performances find him collaborating with drummers like Hamid Drake, Paal Nilssen-Love, Steve Noble, or Nasheet Waits. The music is built upon a power-versus-power formula. The drummer bloodies his nose, and he's off--throwing roundhouse ...
Connect with All About Jazz / Jazz Near You at JazzAhead! 2015
Dear JazzAhead! 2015 conference goers! All About Jazz and Jazz Near You's affable Maxim Micheliov will be on hand for this year's conference, connecting with old friends and making new ones. Max and I are looking to partner with jazz presenting organizations, jazz event aggregators, and jazz catalyst and advocacy organizations to further support local jazz ...
Moers Residency a Good Fit for Hayden Chisholm
By Phillip Woolever With theatrical drama, dynamic performing colleagues and a flair for winding wind and wordplay, Hayden Chisholm, this year's Improviser in Residency, adds a unique dimension to his twelve-month tenure at Moers 2015. The Moers residency was initiated as part of the festival's cultural, community commitment. Despite some recent cutbacks, Moers ...
The Pitch: Frozen Orchestra (Amsterdam)
by Glenn Astarita
Frozen Orchestra (Amsterdam) is an appropriate moniker for these two works performed live at an Amsterdam venue by the core Berlin-based quartet The Pitch, with assistance from a combination of six woodwinds and strings performers. With inadvertent semblances to minimalist composer Morton Feldman, the music is largely about ever-so-subtle shifts in sound design and pitch. As ...
International Association Of Jazz Managers (IAJM) Announces Their Inaugural Meeting At Jazz Ahead! In Bremen, Germany
New York, NY: Nu Jazz Management has just announced that it leading the charge on formulating a coalition of Jazz Managers to be called the International Association of Jazz Managers (IAJM). IAJM will be having their first meeting at the Jazzahead! Music conference in Bremen, Germany on Saturday, April 25th, 2015 from 17:00-18:00 in Halle 6 ...
Jerald Miller Leading Jazz Digital Thought Leader Announces Session At Jazzahead In Bremen, Germany On Creating A Stronger Digital Business Model In Jazz
New York, NY – Nu Jazz Agency has just announced that founder & Managing Director Jerald Miller will be leading and moderating a discussion entitled: Creating a Stronger Digital Business Model in Jazz on Friday, April 24th, 2015 for the Jazzahead! music conference to be held in Bremen, Germany at the Bremen Exhibition Center, as part ...
Julia Hülsmann Quartet w/ Theo Bleckmann: A Clear Midnight - Weill and America
by John Kelman
Given enough time, things in life often come around full circle. Julia Hülsmann's three recordings for Munich's ACT label were all vocal affairs, where the German pianist's core trio--with bassist Marc Muellbauer and drummer Heinrich Köbberling--were joined by singers ranging from Norway's Rebekka Bakken to Germany's Roger Cicero. Since moving to another Munich label, the more ...
Eberhard Weber: Encore
by John Kelman
In a time when too many things that seem unfair create victims rather than heroes, the world needs more people like Eberhard Weber. Struck down with a major stroke in 2007, the renowned German bassist found himself without the strength required in his left hand to be able to play the custom-built, electric five-string double bass ...
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