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His Songs - The Keith Jarrett Songbook - Companion Mixtape
by Ludovico Granvassu
Two hours are so quick to fill and one has to often exclude tracks that deserve attention but for one reason or another (length, similarities to other selections, need for variety and flow etc.) don't find the right spot in the playlist... To remedy the situation we have a “companion mixtape" series when it's necessary to ...
His Songs - The Keith Jarrett Songbook, Part 2
by Ludovico Granvassu
In the second part of this week's show we continue exploring the compositional genius of Keith Jarrett on the occasion of his 76th birthday, focusing on renditions of his tunes by other musicians. It is one of the ways we can celebrate the lasting contributions Keith Jarrett has made to the music world at a time ...
Conference Call: Prism
by Mark Corroto
Conference Call is a quartet, but could also be described as a trio+ because the core members—saxophonist and bass clarinetist Gebhard Ullmann, pianist Michael Jefry Stevens, and bassist Joe Fonda—have been touring and recording together for more than two decades. The plus moniker derives from the quartet's interchange of drummers. Early on, the seat was occupied ...
2020: The Year in Jazz
by Ken Franckling
The COVID-19 pandemic put the jazz world in a tailspin, just like the world at large, in 2020. And there is plenty of uncertainty going into the new year about what “new normal: might emerge from the darkness. International Jazz Day, like so many other things, became an online virtual event this time around. Pianist Keith ...
Conference Call: Prism
by Jerome Wilson
Most jazz groups that stay together for a long time, such as The Modern Jazz Quartet or The Art Ensemble of Chicago, achieve a certain prominence. It is a surprise then to realize that the lesser-known band, Conference Call, has been around since 1999 and is here releasing its eighth album. The group's core ...
Conference Call: Prism
by Mike Jurkovic
During the roiling twenty years that Conference Call has willfully crisscrossed the broad Atlantic, the individual drummers haven't participated in all of the round trips. The pre-2020 drummer rotation was Matt Wilson, who left the band prior to its first tour in 2001 to prep for the delivery of triplets, Han Bennink, George Schuller, and Gerry ...
Sebastien Ammann's Color Wheel: Resilience
by Jerome Wilson
Pianist Sebastien Ammann is originally from Switzerland but has been part of the New York City jazz scene since 2008, collaborating with musicians such as Kris Davis, Tony Malaby, Ohad Talmor and George Schuller. His current main focus is on his quintet, Color Wheel, whose second album is a kaleidoscope of fresh sounds and interesting musical ...
Drummer George Schuller Talks about Lee Konitz
by S.G Provizer
George Schuller performed as percussionist with the recently deceased saxophonist Lee Konitz on and off since 1992. I covered one of their last Boston concerts here. George has lived in Brooklyn since 1992 but is well-known in Boston. His father, Gunther Schuller, was a composer and musician of note and served as President of the New ...
About George Schuller
Results for pages tagged "George Schuller"...
George Schuller
Born:
George Schuller (drums, composer, arranger, producer), a native of New York City, moved to Boston in 1967 where he was raised and educated, and later received a bachelor's degree in Jazz Performance at the New England Conservatory of Music in 1982. For the next twelve years, Schuller was a fixture on the Boston area jazz scene performing with Herb Pomeroy, Jaki Byard, Jerry Bergonzi, George Garzone, Mick Goodrick, John Lockwood, Ran Blake, Lisa Thorson, Billy Pierce, Bruce Gertz, Mili Bermejo, John LaPorta, Dominique Eade and Hal Crook. In 1984, he co-founded the twelve-piece ensemble Orange Then Blue recording several acclaimed albums, including the 1999 release: Hold The Elevator: Live in Europe and Other Haunts on GM Recordings
The Very Singular Mr. Ran Blake
by Duncan Heining
There have been few American composers and musicians, with the ability to encapsulate their country's music in all its racial and ethnic complexity. We might perhaps point to Aaron Copland, Leonard Bernstein, Charles Ives and perhaps, in their own distaff ways, Harry Partch and Steve Reich. In jazz, their number is fewer still--Duke Ellington and George ...
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