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Simon Latarche: Cornish Preludes Book II
by Karl Ackermann
Simon Latarche's sophomore outing is the sequel to Cornish Preludes (Pentreath Music, 2010) and features the same fine ensemble that shaped the success of that debut. Cornish Preludes Book II continues the UK-based composer/pianist's scholastic pursuit of Claude Debussy's approach to impressionist composition. Combining his academic interest with the influences of Cornwall's colorful history and natural ...
Fresh Sound Records and the Legacy of Recorded Jazz
by Bruce Klauber
If the importance and the contributions of jazz are measured by its recorded legacy, then Fresh Sound Records--and its founder, Jordi Pujol--must be duly recognized for rescuing a legacy that might otherwise be lost or nearly impossible to find, and for making it available to the public. Specifically, this legacy includes recorded works by ...
Bobo Stenson Trio: Indicum
by John Kelman
With Cantando (ECM, 2008), Swedish pianist Bobo Stenson finally documented the significant renewal of his quarter-century trio with bassist Anders Jormin. The pair had been playing with Jon Fält since the departure of drummer Jon Christensen in the early 2000s. But if Fält was already touring with Stenson when Goodbye (ECM, 2005) was released, its curious--and ...
Is Jazz Dead? Or Is It Just Pining for the Fjords?
by Duncan Heining
Is Jazz Dead? (Or Has It Moved to a New Address?)Stuart Nicholson288 pages, softcoverISBN: 978-0415975834Routledge2005Stuart Nicholson's Is Jazz Dead? (Or Has It Moved To A New Address?) came out in 2005 and has proved a remarkably successful book for both author and his publisher. ...
Don Byron: Music Wikipedia
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth ]I got my Bachelor's in Music Ed and Trumpet from Peabody Conservatory. I got my Master's in Jazz from Queens College. But I did my real graduate work playing with clarinetist Don Byron. My first gigs with Byron were playing Stravinsky ...
Manhattan School of Music Chamber Jazz Ensemble and TACTUS feat. Dave Liebman: Sky Changes
by John Kelman
Jazz and classical music have long been bedfellows. As far back as the 1920s, clarinetist/soprano saxophonist Sidney Bechet was quoting Italian opera in solos, and in the 1950s/60s, notable composers/arrangers like Gil Evans and George Russell were, at least in part, driven to innovation through exposure/study of contemporary classical music, with Gunther Schuller even coining the ...
Miles Evans: Two-Part Harmony
by Melanie Futorian
Trumpeter Miles Evans, like saxophonist Ravi Coltrane, has faced the plus/minus of being the son of a jazz icon--in this case, legendary composer/arranger/bandleader Gil Evans. But if Ravi's exposure to his father was cut short by the saxophonist's too-early demise in 1967, just shy of the youngster's second birthday, Miles had the opportunity to grow up ...
Sleeper
by John Kelman
While ECM has, in recent years, been in the process of getting some of its older titles back in print through its Old & New Masters Edition series of box sets--some, like the music on Norwegian bassist Arild Andersen's Green Into Blue--Early Quartets (2010), seeing release on CD for the first time--the German label has avoided ...
Arild Andersen: Celebration
by John Kelman
Arild Andersen Celebration ECM Records 2012 With all the activities surrounding the 40th anniversary of ECM Records in 2009--from a three-day festival-within-a-festival at that year's Enjoy Jazz Festival in Mannheim, Germany, and the budget-priced Touchstone Series reissue of forty essential ECM titles, to the publication of an all-German book of commissioned ...
The Beginnings of Free Form
by Sammy Stein
"Free form" is a term used to encompass a whole genre--or genres--outside mainstream jazz. Jazz has its roots in spiritual music, Dixieland, New Orleans, blues and ragtime, and after the 1940s these became fused into a catch-all assignation of genre. Jazz took on a predictability that was largely influenced not by the limitations of the players, ...
